This afternoon, my wife, son, and good family friend Craig took in the performance of The Christmas Revels at Sanders Theatre in Cambridge. The annual pageant of music, dance, storytelling, and drama focused this year on the pilgrimage along the Camino de Compostela in the Spanish region of Galicia. As a Celtic culture, the Galicians have their own version of the bagpipe called the gaita which featured prominently. Any piece featuring gaita and drums was a highlight for me. The largest drum resonated throughout the house.
The story of this Revels follows Everyman (portrayed by Jay O’Callahan) on his pilgrimage to Santiago de Compostella and onwards to the End of the Earth in Finisterre. Elements of Don Quixote are woven into the story as Everyman is knighted and joined on his journey by squire Sancho (Billy Meleady, who starred in last year’s show) and the tavern keeper Angélica (the delightful Angélica Aragón).
Usually the theme of a Revels’ performance is an excuse to tie together song and dance numbers, but this story of a pilgrimage actually maintains a pretty continuous narrative built around set pieces along the Camino, in a tavern, at a monastery, at the Cathedral of Santiago de Compostela, and finally at Finisterre. The sets and lighting are really remarkable in adapting the stage for the different places along the journey.
Highlights of the show include:
- the talent and hard work of the Revels’ children whose performance more than ever is fully-integrated into the show.
- the charming line dance when the pilgrims are greeted by the monks to the tune of “Alborada de Ourense.”
- O’Callahan telling the story of “The Singing Sack.”
- sing-a-long with choreography to “Fum, Fum, Fum.”
- puppetry and lights to enact the Galacian version of the posadas ritual.
- an amazing bit of stagecraft where a giant censer is swung like a pendulum over the performers on the stage (based on the Botafumeiro at the Cathedral of Santiago de Compostela
- Jaime Jaffe’s solo performance of “Ondas Do Mar De Vigo.”
- a mummers play featuring a mustachioed dragon who performed the hammiest death throes.
There were some disappointments. Jay O’Callahan was hard to understand and I’m not sure if he was mumbling or mic’ed improperly. Sitting in balcony center meant it took a long time to get downstairs to participate in “The Lord of the Dance.” It ended just as we reached the lobby. While I would not rank this among my all time favorite Revels’ performances, it was still delightful and I recommend seeing it if you have the chance. There are four more performances before the show closes on December 27th, so get your tickets now!
The Boston Globe has a more-detailed review for your perusal.
It would not be Christmas without the Christmas Revels at Sanders Theatre in Cambridge. This year my wife, son and I joined by our friends Abby, Kim, & Sid took in the Winter Solstice performance on the evening of December 21st. The show was delightful as always with the subject being near and dear to my heart, the music of Irish emigrants as they sail the new world.
The show was a more restrained and simple performance than a typical Revels keeping to the theme of the cast being impoverished immigrants aboard a ship and not having much to celebrate with. After the opening number, lines and gangways were removed from the sides of the stage and notably no cast members went down the steps into “the ocean” except during a storytelling sequence. These restraints did nothing to detract from the beauty of the song, dance, and stories performed.
Highlights of the show for me included:
- Bill Meleady’s colorful telling of The Soul Cages, the exception to the restraint on the performance where the visuals of the story come to life in vivid detail. I enjoyed the dancing crustaceans especially as well as Steve Barkhimer’s portrayal of the merrow Coomara.
- “The Wexford Lullaby” gorgeously performed by Mary Casey along with Jamie Jaffe as a duet and later as a quartet.
- The dramatic “St. Patrick’s Breastplate” swelling as the audience joins the chorus.
- “The Lord of the Dance” is always a highlight and was cleverly worked into the show as being the English ship crews’ contribution to the shipboard celebration.
- The show had several sets of traditional Irish music by The Rattling Brogues and step dance by O’Shea-Chaplin Academy of Irish Dance that livened up the proceedings greatly.
- If there was one minor disappointment is that the show ends with the immigrants seeing The Statue of Liberty in New York Harbor. The show is set aboard the Cunard steamship RMS Carpathia and since Cunard had a western terminus in Boston (there’s still an office building marked “CUNARD” on State Street) it would have been a nice local connection to have the ship dock here instead of New York.
A traditional element of the Revels – “The Abbots Bromley Horn Dance” – was not included in the program but as this was the Winter Solstice, the audience was treated to a special rendition of Abbots Bromley after the curtain call. I’d actually guessed that Abbots Bromley was the surprise we’d been promised before the show, but it was still a thrill when the first haunting notes of the recorder came out and the audience reacted with joy.
This was another great Revels and I believe all the shows were sold out. If you missed this year’s Revels, make sure to get your tickets early for next year’s show which I promise will be just as great.
A special edition of SOTW brings together three current songs to get you in the holiday spirit.
First, Sufjan Stevens’ “Lumberjack Christmas/No One Can Save You From Christmases Past”:
Next, the Dismemberment Plan’s take on Donny Hathaway’s “This Christmas”:
Finally, JD McPherson’s soulful “Twinkle (Little Christmas Lights)”
On the Sunday before Christmas, my son Peter & I joined the Boston Caroling Mob jauntily wassailing from the Green St. MBTA station to nearby homes in Jamaica Plain singing cheerfully and in harmony. The leaders of SingPositive, JP are also in charge of the Caroling Mob so there were some familiar faces among the nearly 100 carolers of all ages. We were well-received by the residents of the houses we serenaded – one of whom even posted a video of us on Facebook – and received hot drinks and cookies at the JP Cohousing for a finale.
Here we are singing “Carol of the Bells:”
This is the first time I’ve ever gone Christmas caroling anywhere and I hope it won’t be my last because it was great fun.
There’s no place like home for the holidays, and Boston is our holiday home. With a week off from work and school, my wife Susan, son Peter, and baby Kay sought and found many adventures including: The Museum of Science, Boston Common, The Children’s Museum, The New England Aquarium, The Christmas Revels, The Larz Anderson Auto Museum and Park, and Edaville USA. Thanks to the Boston Public Library for providing the museum passes that allowed free entrance to the Museum of Science, Aquarium, and Auto Museum.
Some of my favorite photos are below. If you want to see more, check out my online photo slideshow.
San T. Rex is coming to town.
Leatherback Turtle surfaces for a snack in the giant ocean tank.
Anderson Auto Museum license plate collection.
The Edaville Railroad's steam engine
Big fun on the big wheel
This afternoon my family and I took in the annual performance of The Christmas Revels at Sanders Theater in Cambridge. The Revels is a family tradition and this marks the tenth Christmas Revels production I’ve attended (including a Washington Revels performance in 1995 and performing as a cast member in the 2009 Christmas Revels). This was also my four-year-old son’s second Christmas Revels and my five-week-old daughter’s first Revels ever. Peter showed exemplary behavior and was deeply engaged by the performance while Kay amazed me by actually appearing to watch the show at times when she wasn’t feeding or napping.
The Revels impress me each year by crafting a show around a theme with consistent narrative that logically incorporates music and dance from various traditions. This year’s production is set in a French fishing village on the Mediterranean that is hosting an annual feast that draws pilgrims from near and wide. Thus we are able to enjoy traditional music from France and other parts of Europe as well as traveling performers from the East playing Arabic music. The Sharq Trio steal the show with sets in both acts of Arabic singing, dance and percussion. The trio seemed to mesmerize my infant daughter at the very least. Salome Sandoval also lends her stunning voice as a soloist.
The center of the performance is three members of the Guild of Fools – Soleil (Timothy Sawyer), Etoile (Sabrina Selma Mandell), and Eclaire de Lune (Mark Jaster) – performing the annual pageant. Amid the music and revelry there is the lurking presence of the skeletal Boney (Linnea Coffin) who seems to be just out of sight of the villagers on stage, but very frightening to at least one four-year-old boy in the audience. At a key moment in the first act, Boney and her skeleton crew seize the light from the world plunging the holiday performance into darkness. The fools thus are given the quest of finding their namesake light sources – the moon, the stars, and the sun – which they do with plenty of song and dance and a nativity play along the way. The Revels crew deserve a lot of credit for the stage design featuring multiple layers of scaffolding for the performers and a Ship of Fools upon which the featured trio sail to fish for the reflection of the moon. The costuming is also brilliant, especially Soleil, Etoile, and Eclaire de Lune’s outfits for the concluding mummer’s play. And the makeup helped make Boney and the other skeletons the scariest things I’ve ever seen in a Revels’ production.
The final performance is Thursday December 29th at 1 pm, so get tickets and go see the show if you can. If you’re reading this after the fact, make sure to check out The Revels’ website for future events.
Jamaica Plain continued welcoming in the spring with Lilac Sunday at the Arnold Arboretum. We took some time to pedal our bikes and sniff the petals. Here are a few photos.