Posts Tagged ‘Literature’

Liam:

I’m surprised that I’ve read 9 of the 15 books on this list of Modern Classic novels since I tend to read non-fiction these days. Not only that but I really love several of these books.

Here are my reviews of the books I’ve read:

I think from the remaining books I’d like to read Cloud Atlas and maybe Kafka on the Shore.

What are your modern classics?

Originally posted on Qwiklit:

People may tell you that literature is dying, but plenty of authors are hard at work redefining the book world with groundbreaking and mind-bending works sure to be read and reread for quite some time. With so many books vying to be the next “Great American Novel”, this is merely a list of those who have earned their eminence and moved a generation some believed was devoid of literacy. Let us know what makes your list of modern classics in the comments.

1. Middlesex – Jeffrey Eugenides (2002)

What is it about?

Spanning three generations, this novel chronicles a hermaphrodite’s shift in gender identity in 1960’s Detroit. The story jumps between Greece, Detroit and San Francisco in this moving coming-of-age tale with a twist.

Why you should read it:

While Oprah sang this novel’s praises by including it in her book club, Eugenides is a very skilled storyteller that understands…

View original 1,153 more words

Book Review: Proust Was a Neuroscientist by Jonah Lehrer

Author: Jonah Lehrer
Title: Proust Was a Neuroscientist
Publication Info: Brilliance Audio on CD (2008)
ISBN: 9781423374206

Previously read by same author: How We Decide

Summary/Review:

This book explores the work of eight artists and how their art revealed truths about the human brain that would later be discovered through science.  A quick search of Google brings up several reviews that dismiss Lehrer’s work as “popular science” but I think they’re missing the point that readers can learn scientific concepts  through an artistic lens.  Of course, with my humanities background I’m biased to the idea that the arts have something to offer to scientific study.  The artists include Walt Whitman (feeling), George Eliot (malleability of the brain), Auguste Escoffier (taste), Marcel Proust (memory), Paul Cezanne (vision), Igor Stravinsky (music), Gertrude Stein (language), and Virginia Woolf (self).  The conclusion of the book is an appeal to end the artificial divide between arts and sciences that I strongly support.

Favorite Passages:

“Nature, however, writes astonishingly complicated prose. If our DNA has a literary equivalent, it’s Finnegan’s Wake.”

Recommended books: Emergence: The Connected Lives of Ants, Brains, Cities, and Software by Steven Johnson, Lost Discoveries: The Ancient Roots of Modern Science–From the Babylonians to the Maya by Dick Teresi, Out of Our Heads: Why You Are Not Your Brain, and Other Lessons from the Biology of Consciousness by Alva Noë, and The Man Who Mistook His Wife For A Hat: And Other Clinical Tales by Oliver Sacks.
Rating: ***

Book Review: The Deerslayer by James Fenimore Cooper

Author: James Fenimore Cooper
Title: The Deerslayer
Publication Info: [Ashland] : Blackstone Audiobooks, [2004]
ISBN: 0786132353

Summary/Review:

This is the first chronological story of Cooper’s Leatherstocking Tales although the last of the five books published by Cooper.  I’ve long intended to read this book and I was somewhat disappointed.  It was hard to get past the racism, sexism, and ableism (the inordinate references to Hetty as “feeble-minded”)  even while making allowances for these attitudes being accepted at the time the story is set as well as when Cooper was writing.  The excessive piety and preachiness of Deerslayer and Hetty get obnoxious as well.

That being said, I did enjoy the setting of the book in a New York when it was still a wilderness with warring parties of English & French, Huron, Iroquois & Delaware fighting for its control.   And for all the stereotypes, Cooper wryly shows how the native Indians and the simple woodsman Deerslayer can be more civilized than Europeans like Floating Tom and Hurry Harry.

Despite my disappointment, I would still like to give the next book (chronologically) in the series a chance — The Last of the Mohicans — as it has a good reputation.


Rating: **

Banned Books Week 2010

It’s Banned Books Week again where we celebrate intellectual freedom by reading and highlighting books that have been banned, challenged, or otherwise suppressed.  Usually I pick out a banned book or two to read but I’m behind the curve on this one and haven’t even finished reading a book I started a couple of weeks ago and don’t have time to pick out new books to read.  So I decided to go through the ALA list of frequently challenged books and highlights the ones I’ve read.

1 Harry Potter (series), by J.K. Rowling
2 Alice series, by Phyllis Reynolds Naylor
3 The Chocolate War, by Robert Cormier
4 And Tango Makes Three, by Justin Richardson/Peter Parnell
5 Of Mice and Men, by John Steinbeck
6 I Know Why the Caged Bird Sings, by Maya Angelou

7 Scary Stories (series), by Alvin Schwartz
8 His Dark Materials (series), by Philip Pullman
9 TTYL; TTFN; L8R, G8R (series), by Myracle, Lauren
10 The Perks of Being a Wallflower, by Stephen Chbosky
11 Fallen Angels, by Walter Dean Myers
12 It’s Perfectly Normal, by Robie Harris
13 Captain Underpants (series), by Dav Pilkey (one book in series)
14 The Adventures of Huckleberry Finn, by Mark Twain
15 The Bluest Eye, by Toni Morrison

16 Forever, by Judy Blume
17 The Color Purple, by Alice Walker
18 Go Ask Alice, by Anonymous
19 Catcher in the Rye, by J.D. Salinger
20 King and King, by Linda de Haan
21 To Kill A Mockingbird, by Harper Lee
22 Gossip Girl (series), by Cecily von Ziegesar
23 The Giver, by Lois Lowry
24 In the Night Kitchen, by Maurice Sendak
25 Killing Mr. Griffen, by Lois Duncan
26 Beloved, by Toni Morrison
27 My Brother Sam Is Dead, by James Lincoln Collier
28 Bridge To Terabithia, by Katherine Paterson
29 The Face on the Milk Carton, by Caroline B. Cooney
30 We All Fall Down, by Robert Cormier
31 What My Mother Doesn’t Know, by Sonya Sones
32 Bless Me, Ultima, by Rudolfo Anaya
33 Snow Falling on Cedars, by David Guterson
34 The Earth, My Butt, and Other Big, Round Things, by Carolyn Mackler
35 Angus, Thongs, and Full Frontal Snogging, by Louise Rennison
36 Brave New World, by Aldous Huxley
37 It’s So Amazing, by Robie Harris
38 Arming America, by Michael Bellasiles
39 Kaffir Boy, by Mark Mathabane
40 Life is Funny, by E.R. Frank
41 Whale Talk, by Chris Crutcher
42 The Fighting Ground, by Avi
43 Blubber, by Judy Blume
44 Athletic Shorts, by Chris Crutcher
45 Crazy Lady, by Jane Leslie Conly
46 Slaughterhouse-Five, by Kurt Vonnegut
47 The Adventures of Super Diaper Baby, by George Beard
48 Rainbow Boys, by Alex Sanchez
49 One Flew Over the Cuckoo’s Nest, by Ken Kesey
50 The Kite Runner, by Khaled Hosseini

51 Daughters of Eve, by Lois Duncan
52 The Great Gilly Hopkins, by Katherine Paterson
53 You Hear Me?, by Betsy Franco
54 The Facts Speak for Themselves, by Brock Cole
55 Summer of My German Soldier, by Bette Green
56 When Dad Killed Mom, by Julius Lester
57 Blood and Chocolate, by Annette Curtis Klause
58 Fat Kid Rules the World, by K.L. Going
59 Olive’s Ocean, by Kevin Henkes
60 Speak, by Laurie Halse Anderson
61 Draw Me A Star, by Eric Carle
62 The Stupids (series), by Harry Allard
63 The Terrorist, by Caroline B. Cooney
64 Mick Harte Was Here, by Barbara Park
65 The Things They Carried, by Tim O’Brien
66 Roll of Thunder, Hear My Cry, by Mildred Taylor
67 A Time to Kill, by John Grisham
68 Always Running, by Luis Rodriguez
69 Fahrenheit 451, by Ray Bradbury
70 Harris and Me, by Gary Paulsen
71 Junie B. Jones (series), by Barbara Park
72 Song of Solomon, by Toni Morrison
73 What’s Happening to My Body Book, by Lynda Madaras
74 The Lovely Bones, by Alice Sebold
75 Anastasia (series), by Lois Lowry
76 A Prayer for Owen Meany, by John Irving
77 Crazy:  A Novel, by Benjamin Lebert
78 The Joy of Gay Sex, by Dr. Charles Silverstein
79 The Upstairs Room, by Johanna Reiss
80 A Day No Pigs Would Die, by Robert Newton Peck
81 Black Boy, by Richard Wright
82 Deal With It!, by Esther Drill
83 Detour for Emmy, by Marilyn Reynolds
84 So Far From the Bamboo Grove, by Yoko Watkins
85 Staying Fat for Sarah Byrnes, by Chris Crutcher
86 Cut, by Patricia McCormick
87 Tiger Eyes, by Judy Blume
88 The Handmaid’s Tale, by Margaret Atwood
89 Friday Night Lights, by H.G. Bissenger
90 A Wrinkle in Time, by Madeline L’Engle
91 Julie of the Wolves, by Jean Graighead George
92 The Boy Who Lost His Face, by Louis Sachar
93 Bumps in the Night, by Harry Allard
94 Goosebumps (series), by R.L. Stine
95 Shade’s Children, by Garth Nix
96 Grendel, by John Gardner
97 The House of the Spirits, by Isabel Allende
98 I Saw Esau, by Iona Opte
99 Are You There, God?  It’s Me, Margaret, by Judy Blume
100 America: A Novel, by Frank, E.R.

I have to say, of the books left there are not many I want to read.  I guess just because a book is banned doesn’t make it good, but more power to the people who want to read them.

More coverage of Banned Books Week 2010:

Related Posts:

1 Harry Potter (series), by J.K. Rowling
2 Alice series, by Phyllis Reynolds Naylor
3 The Chocolate War, by Robert Cormier
4 And Tango Makes Three, by Justin Richardson/Peter Parnell
5 Of Mice and Men, by John Steinbeck
6 I Know Why the Caged Bird Sings, by Maya Angelou
7 Scary Stories (series), by Alvin Schwartz
8 His Dark Materials (series), by Philip Pullman
9 TTYL; TTFN; L8R, G8R (series), by Myracle, Lauren
10 The Perks of Being a Wallflower, by Stephen Chbosky
11 Fallen Angels, by Walter Dean Myers
12 It’s Perfectly Normal, by Robie Harris
13 Captain Underpants (series), by Dav Pilkey
14 The Adventures of Huckleberry Finn, by Mark Twain
15 The Bluest Eye, by Toni Morrison
16 Forever, by Judy Blume
17 The Color Purple, by Alice Walker
18 Go Ask Alice, by Anonymous
19 Catcher in the Rye, by J.D. Salinger
20 King and King, by Linda de Haan
21 To Kill A Mockingbird, by Harper Lee
22 Gossip Girl (series), by Cecily von Ziegesar
23 The Giver, by Lois Lowry
24 In the Night Kitchen, by Maurice Sendak
25 Killing Mr. Griffen, by Lois Duncan
26 Beloved, by Toni Morrison
27 My Brother Sam Is Dead, by James Lincoln Collier
28 Bridge To Terabithia, by Katherine Paterson
29 The Face on the Milk Carton, by Caroline B. Cooney
30 We All Fall Down, by Robert Cormier
31 What My Mother Doesn’t Know, by Sonya Sones
32 Bless Me, Ultima, by Rudolfo Anaya
33 Snow Falling on Cedars, by David Guterson
34 The Earth, My Butt, and Other Big, Round Things, by Carolyn Mackler
35 Angus, Thongs, and Full Frontal Snogging, by Louise Rennison
36 Brave New World, by Aldous Huxley
37 It’s So Amazing, by Robie Harris
38 Arming America, by Michael Bellasiles
39 Kaffir Boy, by Mark Mathabane
40 Life is Funny, by E.R. Frank
41 Whale Talk, by Chris Crutcher
42 The Fighting Ground, by Avi
43 Blubber, by Judy Blume
44 Athletic Shorts, by Chris Crutcher
45 Crazy Lady, by Jane Leslie Conly
46 Slaughterhouse-Five, by Kurt Vonnegut
47 The Adventures of Super Diaper Baby, by George Beard
48 Rainbow Boys, by Alex Sanchez
49 One Flew Over the Cuckoo’s Nest, by Ken Kesey
50 The Kite Runner, by Khaled Hosseini
51 Daughters of Eve, by Lois Duncan
52 The Great Gilly Hopkins, by Katherine Paterson
53 You Hear Me?, by Betsy Franco
54 The Facts Speak for Themselves, by Brock Cole
55 Summer of My German Soldier, by Bette Green
56 When Dad Killed Mom, by Julius Lester
57 Blood and Chocolate, by Annette Curtis Klause
58 Fat Kid Rules the World, by K.L. Going
59 Olive’s Ocean, by Kevin Henkes
60 Speak, by Laurie Halse Anderson
61 Draw Me A Star, by Eric Carle
62 The Stupids (series), by Harry Allard
63 The Terrorist, by Caroline B. Cooney
64 Mick Harte Was Here, by Barbara Park
65 The Things They Carried, by Tim O’Brien
66 Roll of Thunder, Hear My Cry, by Mildred Taylor
67 A Time to Kill, by John Grisham
68 Always Running, by Luis Rodriguez
69 Fahrenheit 451, by Ray Bradbury
70 Harris and Me, by Gary Paulsen
71 Junie B. Jones (series), by Barbara Park
72 Song of Solomon, by Toni Morrison
73 What’s Happening to My Body Book, by Lynda Madaras
74 The Lovely Bones, by Alice Sebold
75 Anastasia (series), by Lois Lowry
76 A Prayer for Owen Meany, by John Irving
77 Crazy:  A Novel, by Benjamin Lebert
78 The Joy of Gay Sex, by Dr. Charles Silverstein
79 The Upstairs Room, by Johanna Reiss
80 A Day No Pigs Would Die, by Robert Newton Peck
81 Black Boy, by Richard Wright
82 Deal With It!, by Esther Drill
83 Detour for Emmy, by Marilyn Reynolds
84 So Far From the Bamboo Grove, by Yoko Watkins
85 Staying Fat for Sarah Byrnes, by Chris Crutcher
86 Cut, by Patricia McCormick
87 Tiger Eyes, by Judy Blume
88 The Handmaid’s Tale, by Margaret Atwood
89 Friday Night Lights, by H.G. Bissenger
90 A Wrinkle in Time, by Madeline L’Engle
91 Julie of the Wolves, by Jean Graighead George
92 The Boy Who Lost His Face, by Louis Sachar
93 Bumps in the Night, by Harry Allard
94 Goosebumps (series), by R.L. Stine
95 Shade’s Children, by Garth Nix
96 Grendel, by John Gardner
97 The House of the Spirits, by Isabel Allende
98 I Saw Esau, by Iona Opte
99 Are You There, God?  It’s Me, Margaret, by Judy Blume
100 America: A Novel, by Frank, E.R.

Book Review: Ulysses by James Joyce

What can I possibly say about Ulysses (1920) by James Joyce in way of review? Here are 18 thoughts, one for each episode.

  1. I can’t believe I finally finished reading Ulysses.
  2. I can’t believe I read Ulysses for fun.
  3. I can’t believe I didn’t read Ulysses in my college English courses.  What cowardice forced my professors to make us read Dubliners over and over again when class room discussions would have made reading Ulysses such a valuable experience?
  4. Ulysses lends itself well to reading online via DailyLit.
  5. It takes a village to read Ulysses.  Here are some resources I referred to guide my way through the book:
      1. Joyce does a spectacular job of drawing in mythology, literature, history, and current events into the storyline of June 16, 1904.
      2. It’s equally amazing how Joyce well-plotted the movements of characters and overlapping plots in that one day in Dublin.
      3. The structure of the book is remarkable – each episode alluding the the Odyssey as well as having symbols, colors, body parts, writing techniques, et al as detailed in the Linati and Gilbert schema.
      4. The experiments in language and writing styles to evoke meaning beyond the plot and dialogue is also impressive even if it makes the book quite complex to read.
      5. Despite all that, I actually think I understood a good portion of the novel.
      6. Which doesn’t mean I shouldn’t read it again some day to gain a richer understanding.
      7. And despite being a “masterpiece of modern literature” and all that, Ulysses is also pretty funny.
      8. I mean there are as many fart and penis jokes in this book as your typical Kevin Smith movie.
      9. Ulysses can also be quite grotesque and disturbing.
      10. But always poetic.
      11. And sometimes quite sexy, although with an earthy realism.
      12. If this is not a good enough review for you, I have also posted my reflections while reading the book:
      13. Next I’ll have to re-try reading Finnegan’s Wake.

      Reading James Joyce’s Ulysses, part VII – Film Edition

      One would think that Ulysses, a novel which is remarkable for it’s experiments with language and writing styles as well as the interior dimensions of its characters far more than plot, would be unfilmable.  Yet I found two different movies that attempt to take Ulysses on, and having read the book I decided to watch the movies.

      Ulysses (1967)

      This black and white film takes a cinéma vérité approach to adapting the novel to screen.  Although Joyce set Ulysses on a specific day in 1904, all the costumes, sets and scenery are contemporary Dublin lending a swinging sixties vibe.  It makes for some odd juxtapositions such as the Republic of Ireland emblems in the courtroom scene and the appearance of British soldiers on the streets of post-colonial Dublin.  It’s pretty spectacular though that many scenes are on location in the places where Joyce set them.  The first half of the film feels like Cliffs Notes as episodes that took me weeks to read fly by in just a few conversations and monologues.  The second half of the film takes on “Circe” (as bizarre on screen as in the book), skips “Eumaeus” entirely, the actors portraying Bloom & Stephen pantomime in “Ithaca” as disembodied narrators read the catechism, and finally Molly Bloom monologues from bed over flashbacks and daydreams.  A couple of cool film effects include wind blowing in the door of the newsroom in the “Aeolus” scene and Bloom striking the poses of various Dublin statues and landmarks during the New Bloomusalem sequence.

      Bloom (2003)

      This more recent adaptation is more faithful to the costume and setting of 1904 Dublin but less faithful to the book. One good thing the filmmakers did here is to split Molly’s monologue so that half of it is at the start of the movie creating a provocative framing device.  Angeline Ball puts in a great performance as Molly – bawdy, sexy, yet sympathetic.  She doesn’t make the mistake of being overly reverent toward Joyce’s dialogue.  Stephen Rea, an actor I like, seems miscast as Bloom.  I thought Milo O’Shea put in a more versatile performance in Ulysses.  I think Bloom is even more guilty of the Cliffs Notes effects and tries to make things too pretty at times where they should be grotesgue or gritty.  The music is also pretty inappropriate.  I think they’d been better off to go with period music to match the period costumes and scenery.

      Overall I wouldn’t say either of the movies is bad.  They’re entertaining and offers some interesting insights into the novel.  Still, with all the condensing necessary to make an adaptation its impossible not to lose a lot of subtlety and import of the novel.  Perhaps some daring filmmaker should make a 24-part series with each episode based on one hour in Bloomsday.  For an innovative and experimental novel  it would also be nice to see some innovative and experimental film-making.  Ulysses is better than Bloom in this regard, but they’re both fairly pedestrian.  If you’re going to watch just one of these movies get Ulysses.

      Reading James Joyce’s Ulysses, part VI

      Thoughts on the final three sections of Ulysses.

      “Eumaeus”

      Much of this section takes place in a cabman’s shelter which seems to be like a late-night pub.  There are shadowy figures and impostors there including the sailor “Murphy.”  Bloom has paternal feelings about Stephen, wanting to strengthen their relationship but also thinks of ways to profit off Stephen’s vocal talent.  According to Harry Blamires in The New Bloomsday Book:

      In short, there is no coming together here; no meeting of the minds; only a collision between the socialisitic, materialistic, liberal, twentieth-century mind, pinning its faith to the collective and to the assumed capacity of man to build his own Bloomusalem — and the rebellious guilt-ridden, individualistic inheritor of Christian culture who has lost his illusions along withi his faith. – p. 198

      At one point Bloom looks at the newspaper and it is a reflection of many thing that happen in the novel: the horse race won by Throwaway, Dignam’s funeral (Bloom’s name mispelled), and the letter from Mr. Deasy.  The style of writing is deliberately poor as if written sluggishly late at night (much like this blog).  There are also pretentious passages in foreign languages and a mysterious run of numbers that not even Blamires explains.

      The conflict between Ireland & England is a topic in the cabman’s shelter with the proprieter rumored to be one of the Invincibles of the Phoenix Park murders.  Bloom keeps to himself that he thinks Ireland benefits from its association with England.  Still he proudly remembers meeting Parnell and recovering the great man’s hat.
      (NOTE: This episode takes place in part of Dublin I stayed in 1998).

      From inside information extending over a series of years Mr Bloom was rather inclined to poohpooh the suggestion as egregious balderdash for, pending that consummation devoutly to be or not to be wished for, he was fully cognisant of the fact that their neighbours across the channel, unless they were much bigger fools than he took them for, rather concealed their strength than the opposite. It was quite on a par with the quixotic idea in certain quarters that in a hundred million years the coal seam of the sister island would be played out and if, as time went on, that turned out to be how the cat jumped all he could personally say on the matter was that as a host of contingencies, equally relevant to the issue, might occur ere then it was highly advisable in the interim to try to make the most of both countries even though poles apart.

      All kinds of Utopian plans were flashing through his (B’s) busy brain, education (the genuine article), literature, journalism, prize titbits, up to date billing, concert tours in English watering resorts packed with hydros and seaside theatres, turning money away, duets in Italian with the accent perfectly true to nature and a quantity of other things, no necessity, of course, to tell the world and his wife from the housetops about it, and a slice of luck. An opening was all was wanted. Because he more than suspected he had his father’s voice to bank his hopes on which it was quite on the cards he had so it would be just as well, by the way no harm, to trail the conversation in the direction of that particular red herring just to.

      “Ithaca”

      Bloom & Dedalus take cocoa at Bloom’s house.  All of this chapter is written in the form of a catechism with mock scientific/philosophical language.  Thus the part of the book where the reader expects a climax where the two heroes come together is deliberately distanced and obfuscated by a flurry of excess detail.  Much of it reads like this:

      What, reduced to their simplest reciprocal form, were Bloom’s thoughts about Stephen’s thoughts about Bloom and about Stephen’s thoughts about Bloom’s thoughts about Stephen?

      He thought that he thought that he was a jew whereas he knew that he knew that he knew that he was not.

      There are some nice things in this episode nonetheless as Stephen and Bloom compare the Hebrew and Irish languages and then go out for a shared piss in the garden.  Here they look at the stars studying the constellations upon which Bloom reflects with scientific precision.  I can’t help but think of the original Odyseus who would use the stars to navigate as well as see the pantheon of Gods in the constellations.  Despite their failure to truly connect, Bloom & Stephen see something complementary in one another:

      What was Stephen’s auditive sensation?

      He heard in a profound ancient male unfamiliar melody the accumulation of the past.

      What was Bloom’s visual sensation?

      To reflect that each one who enters imagines himself to be the first to enter whereas he is always the last term of a preceding series even if the first term of a succeeding one, each imagining himself to be first, last, only and alone whereas he is neither first nor last nor only nor alone in a series originating in and repeated to infinity.

      He saw in a quick young male familiar form the predestination of a future.

      Bloom, alone, reflects on death, reviews his daily accounts and daydreams of a home in the country and a petit bourgeouis life.  The contents of Bloom’s bookcases and desk are itemized. This includes Bloom’s father’s suicide  note.  He thinks about Molly and Boylan and assumes that Boylan is the latest in numerous affairs, but Bloom himself always is the last:

      If he had smiled why would he have smiled?

      To reflect that each one who enters imagines himself to be the first to enter whereas he is always the last term of a preceding series even if the first term of a succeeding one, each imagining himself to be first, last, only and alone whereas he is neither first nor last nor only nor alone in a series originating in and repeated to infinity.

      Finally, he climbs into bed, head to toe with Molly, kissing her on the bottom and reflecting on the day leaving out some salient details.

      “Penelope”

      This is Molly Bloom’s episode, a long stream-of-consciousness monologue with no punctuation.  Blamires says that it’s written in eight sentences, but I didn’t really see any breaks.  Molly is an earthy and frank woman especially when it comes to sex.  Yet, despite Bloom’s assumptions of her infidelity Boylan is actually her first affair and she only feels driven to it because Bloom has abstained from sex since their son Rudy died ten years earlier:

      Im not an old shrivelled hag before my time living with him so cold never embracing me except sometimes when hes asleep the wrong end of me not knowing I suppose who he has any man thatd kiss a womans bottom Id throw my hat at him after that hed kiss anything unnatural where we havent I atom of any kind of expression in us all of us the same 2 lumps of lard before ever Id do that to a man pfooh the dirty brutes the mere thought is enough I kiss the feet of you senorita theres some sense in that didnt he kiss our halldoor yes he did what a madman nobody understands his cracked ideas but me still of course a woman wants to be embraced 20 times a day almost to make her look young no matter by who so long as to be in love or loved by somebody

      Yet, Molly is still fond of Bloom and there are many memories of their better times together mixed in with her other reflections on the day past and her life growing up in Gibraltar.  At one point Molly mentions she’d like to collect a book of the eccentric things Bloom says:

      if I only could remember the I half of the things and write a book out of it the works of Master Poldy

      The book concludes with the famous if ambigous final line where Molly remembers the day Bloom proposed to her.  It’s a positive and joyful finale nonetheless.

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