Spring descended on Jamaica Plain this past weekend with the annual Wake Up the Earth Festival presented by Spontaneous Celebrations. This was the 35th annual festival, an event that grew out of the “highway revolt” of the 1960s & 70s when local activists opposed the construction of highway infrastructure in Jamaica Plain & Roxbury, leading to the creation of the Southwest Corridor as a system of train lines, bike paths, and parks that we enjoy today. Ironically, some people who want to create new prioritized highway infrastructure for cars marched in this year’s parade which I guess shows that this festival takes all kinds. The festival itself was home to many tents of activists of many causes, food, games, and musical performances. My family and I sang a few songs with the intergenerational chorus SingPositive, JP in preparation for our concert on May 19th. We also danced to Maaak Pelletier’s jam band the Mystical Misfits as they played Grateful Dead classics. Finally, the potato sack slide down the hillside was great fun for everyone.
A peace sign and yin yang grow out of the hillside at Jamaica Pond’s Sugar Bowl.
Peace and flowers!
The Brendan Behan quote seems appropriate to the occassion.
Spanish banner for the festival.
Here comes the parade.
The stilt walkers always impress.
I’m pretty sure this woman participates every year.
The theme of the year is snakes and these folks won the Best Family Costume award.
Hula hooping is another big highlight of the festival.
The songs in my head this week, of course, are the songs I’m rehearsing for a concert called Beck’s Song Reader Performed Live. The show is next Thursday, February 28, 2013 at Somerville Theatre in Davis Square (on the Red Line) at 8:00. Beck released his 2012 album Song Reader entirely as sheet music, and 150 of Boston’s best musicians, dancers, and performance artists will be presenting their interpretations of all 20 songs. My choir will perform an arrangement of one song a capella and provide accompaniment to four other songs.
Get your tickets now for $25/seat as this show is sure to sell out!
The choral centerpiece is a song called “The Wolf is on the Hill.” In this video, you may hear us rehearsing a couple of weeks ago. We sound even better now. At the end of this clip you can also hear a small portion of “Title of the Song” which is the grand finale of the concert.
The choir is also accompanying Sarah Ribdau and Peter Moore on their rendition of “Please Leave the Light On When You Go” and Peter Moore’s take of “Heaven’s Ladder”:
The choir is participating on a fifth song as well, “Don’t Act Like Your Heart Isn’t Hard” by Molly Zenobia. This may be my favorite of all the songs I’ve heard, but you’ll have to take my word for it and come to the concert to hear it, because there is no demo.
Some other songs you will hear at the concert include:
“Why Did You Make Me Care” by Mary Bichner:
“Now That Your Dollar Bills Have Sprouted Wings” by The Highland Drifters
“Sorry” by Endation
“Old Shanghai” by Mary Bichner
This barely scratches the surface, as there will be a dozen more songs plus choreographed dance performances for each number.
Next week, I will singing in a 50-person kick-ass choir as part of a concert called Beck’s Song Reader Performed Live. The show is next Thursday, February 28, 2013 at Somerville Theatre in Davis Square (on the Red Line) at 8:00. Beck released his 2012 album Song Reader entirely as sheet music, and 150 of Boston’s best musicians, dancers, and performance artists will be presenting their interpretations of all 20 songs. My choir will perform an arrangement of one song a capella and provide accompaniment to four other songs. Get your tickets now for $25/seat as this show is sure to sell out!
It would not be Christmas without the Christmas Revels at Sanders Theatre in Cambridge. This year my wife, son and I joined by our friends Abby, Kim, & Sid took in the Winter Solstice performance on the evening of December 21st. The show was delightful as always with the subject being near and dear to my heart, the music of Irish emigrants as they sail the new world.
The show was a more restrained and simple performance than a typical Revels keeping to the theme of the cast being impoverished immigrants aboard a ship and not having much to celebrate with. After the opening number, lines and gangways were removed from the sides of the stage and notably no cast members went down the steps into “the ocean” except during a storytelling sequence. These restraints did nothing to detract from the beauty of the song, dance, and stories performed.
Highlights of the show for me included:
Bill Meleady’s colorful telling of The Soul Cages, the exception to the restraint on the performance where the visuals of the story come to life in vivid detail. I enjoyed the dancing crustaceans especially as well as Steve Barkhimer’s portrayal of the merrow Coomara.
“The Wexford Lullaby” gorgeously performed by Mary Casey along with Jamie Jaffe as a duet and later as a quartet.
The dramatic “St. Patrick’s Breastplate” swelling as the audience joins the chorus.
“The Lord of the Dance” is always a highlight and was cleverly worked into the show as being the English ship crews’ contribution to the shipboard celebration.
The show had several sets of traditional Irish music by The Rattling Brogues and step dance by O’Shea-Chaplin Academy of Irish Dance that livened up the proceedings greatly.
If there was one minor disappointment is that the show ends with the immigrants seeing The Statue of Liberty in New York Harbor. The show is set aboard the Cunard steamship RMS Carpathia and since Cunard had a western terminus in Boston (there’s still an office building marked “CUNARD” on State Street) it would have been a nice local connection to have the ship dock here instead of New York.
A traditional element of the Revels – “The Abbots Bromley Horn Dance” – was not included in the program but as this was the Winter Solstice, the audience was treated to a special rendition of Abbots Bromley after the curtain call. I’d actually guessed that Abbots Bromley was the surprise we’d been promised before the show, but it was still a thrill when the first haunting notes of the recorder came out and the audience reacted with joy.
This was another great Revels and I believe all the shows were sold out. If you missed this year’s Revels, make sure to get your tickets early for next year’s show which I promise will be just as great.
If you’ll allow a moment of self-publicity, my son & I will be singing with the SingPositive, JP family chorus in our Winter Concert on Sunday, December 16 at 4 pm at St. John’s Episcopal Church (1 Roanoke Av) in Jamaica Plain. If you live in or near Boston, please consider this your invitation to join us of songs of “Hope & Healing” - celebrating optimism and the relationships that pull us through. Tickets are $10/adults and $5/kids ages 2-16.
If you’d like to learn more about Sing Positive, JP and sing with us in the future, like the SingPositive Facebook page. There’s also an invitation to the concert on Facebook.
In the coming months I will be singing thrice weekly with a variety of organizations. It looks like it will be a lot of fun, although maybe a challenge for time commitments as well with rehearsals starting this week.
For the first time, I will be singing with the Mystic Chorale. The fall concert Pastures of Plenty – Woody Guthrie at 100 will take place Saturday, Nov 17, 8:00pm and (my birthday!) Sunday, Nov 18, 3:30pm at Tremont Temple in Boston. I’m looking forward to singing songs written and inspired by one of my all-time favorite persons.
My son and I will also once again be performing with SingPositive, JP. This multi-generational, family chorus will be making our sophomore outing with a concert themed on Optimism in Hard Times on Sunday, December 16th, 4pm at St. John’s Episcopal Church in Jamaica Plain. If you are looking for a musical, community experience, I definitely recommend looking into SingPositive which is branching out into other communities in the Boston area.
Finally, my daughter and I will be attending regular classes of Music Together at the Children’s Music Center of Jamaica Plain. There’s no performance with this one but it may be the most fun. I enjoyed singing with my son when he was little and look forward to repeating the experience and introducing my baby girl to music and rhythm.
This post is partially shameless self-promotion to get you to come out to my performances, but I also hope that anyone looking for opportunities to sing and perform music in the Boston area (with or without children) will see this post. I highly recommend all of these organizations and suggest you check them out and get involved if you’re interested. If you know of any good singing and music activities in the Boston area, let me know in the comments.
Over Memorial Day Weekend, I enjoyed a two-city, two-team, two-day baseball double header. On Sunday, I traveled down to New York to see R.A. Dickey and the Mets take on the San Diego Padres in the good company of some of my Mets fan friends. The next day, my son Peter & I went to Fenway Park for the Red Sox victory over the Detroit Tigers.
The Mets starting lineup.
R.A. Dickey on the mound.
St. Mary High School alumnus Tim Teufel coaches at third base.
David Wright at bat.
Mookie Wilson’s plaque in the Mets Hall of Fame.
1986 World Series trophy (sorry Red Sox fans)
Detail of the trophy.
John Franco’s hat from the first game after the September 11th attacks.
Ball from Game 6 of the 1986 World Series.
View of the ballpark from the LIRR platform.
Welcome to Fenway Park.
Catcher Jarrod Saltalamacchia before the game.
Pitcher Félix Doubront warms up in the outfield.
Celebrating America with the National Anthem and a big flag.
Retired Red Sox Trot Nixon is honored before the game.
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