This afternoon my family and I took in the annual performance of The Christmas Revels at Sanders Theater in Cambridge. The Revels is a family tradition and this marks the tenth Christmas Revels production I’ve attended (including a Washington Revels performance in 1995 and performing as a cast member in the 2009 Christmas Revels). This was also my four-year-old son’s second Christmas Revels and my five-week-old daughter’s first Revels ever. Peter showed exemplary behavior and was deeply engaged by the performance while Kay amazed me by actually appearing to watch the show at times when she wasn’t feeding or napping.
The Revels impress me each year by crafting a show around a theme with consistent narrative that logically incorporates music and dance from various traditions. This year’s production is set in a French fishing village on the Mediterranean that is hosting an annual feast that draws pilgrims from near and wide. Thus we are able to enjoy traditional music from France and other parts of Europe as well as traveling performers from the East playing Arabic music. The Sharq Trio steal the show with sets in both acts of Arabic singing, dance and percussion. The trio seemed to mesmerize my infant daughter at the very least. Salome Sandoval also lends her stunning voice as a soloist.
The center of the performance is three members of the Guild of Fools – Soleil (Timothy Sawyer), Etoile (Sabrina Selma Mandell), and Eclaire de Lune (Mark Jaster) – performing the annual pageant. Amid the music and revelry there is the lurking presence of the skeletal Boney (Linnea Coffin) who seems to be just out of sight of the villagers on stage, but very frightening to at least one four-year-old boy in the audience. At a key moment in the first act, Boney and her skeleton crew seize the light from the world plunging the holiday performance into darkness. The fools thus are given the quest of finding their namesake light sources – the moon, the stars, and the sun – which they do with plenty of song and dance and a nativity play along the way. The Revels crew deserve a lot of credit for the stage design featuring multiple layers of scaffolding for the performers and a Ship of Fools upon which the featured trio sail to fish for the reflection of the moon. The costuming is also brilliant, especially Soleil, Etoile, and Eclaire de Lune’s outfits for the concluding mummer’s play. And the makeup helped make Boney and the other skeletons the scariest things I’ve ever seen in a Revels’ production.
The final performance is Thursday December 29th at 1 pm, so get tickets and go see the show if you can. If you’re reading this after the fact, make sure to check out The Revels’ website for future events.
- The Boston Globe: Traditional and Terrific ‘Revels’ Fun
- Dorchester Reporter: Revels Returns Christmas Story to its Roots
- Boston Herald: ‘Revels’ puts the fun back into Christmas
- Christmas Revels (2006)
- Pub Sing
- Christmas Revels: The Reviews Are In (2009)
- The 40th Anniversary Christmas Revels (2010)