Photopost: A Visit to the MFA, part two


On my second visit to the Boston Museum of Fine Arts, I began a slow and studious exploration of the Art of the Ancient World.  I had trouble making a connection with the art at first as there seemed to be no story linking them together.  Galleries adjacent to one another held Egyptian, Assyrian, Greek, and Roman art.  Thousands of years, and thousands of miles, and thousands of cultures side by side.  But I did make a connection looking at the sculptures of ancient people and gazing into their eyes.  When face to face with a person it is hard to maintain eye contact, but here I could look into the eyes of humans who lived millennia ago and they had so much to say.  One Greek sculpture, Woman from a funerary monument, almost looked alive in her expression of grief.

To mix things up, I moved on to the Contemporary Art collections. Ancient art memorialized people and honored gods, but contemporary art asks you questions.  The descriptions, the writing on the wall, even the art itself ask questions.  Art here is more a reflection of the viewer, literally in the case of Untitled (Shu-red).  I spent more time that I should be willing to admit trying to take a selfie in its lacquered surface and finding myself delightfully disoriented.  Art also asks the tough questions, like “Why?” and “How can we let this happen?”  A sobering gallery collects artists’ responses to the 2011 earthquake in Japan.  The photographs and film here capture more pain and poignancy than any other news report.

There’s still much more to see and experience at the MFA, so I hope I return soon.

Previously:

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