Release Date: 28 November 2014
Director: Paul King
Production Company: Studio Canal
While a lot of family films these days seem to focus on the lowest common denominator of fart jokes and rock music standards, this adaptation of Paddington strikes a nice balance between being faithful to source material with a contemporary appeal. In fact, it feels a lot like the family films of the 1970s and 80s. A prologue to the film where an explorer meets Paddington’s aunt and uncle in Peru in what appears to be the 1930s adds to this feeling because the main part of the film is supposed to be 40 years later which would place it in the 1970s although what’s on the the screen is clearly London in the 2010s. Setting aside this chronological confusion, Paddington is a delight with well-timed slapstick humor and a lot of heart as Paddington finds a place with the quirky Brown family. There’s also a subtle commentary of the reception of immigrants in modern England, not just with Paddington but other characters such as an antique store owner who’s suggested to have fled Nazi persecution and a diagetic group of buskers whose mambo tunes comment on Paddington’s situation.
The thing that keeps the movie from being great is a plot involving Nicole Kidman as an evil taxidermist from the Natural History Museum eager to make her mark by stuffing a new species for display in the museum (namely, Paddington). While this leads to the climax of the movie where the Brown family rallies to save Paddington, I think the movie would’ve been stronger if the filmmakers had the confidence that the story of Paddington adjust to life in London would be enough to carry the movie.