Release Date: December 10, 2009
Director: James Cameron
Production Company: Lightstorm Entertainment | Dune Entertainment | Ingenious Media
Avatar is a movie that has the unique distinction of being one of the top-grossing movies of all time while simultaneously being a movie that no one seems to like all that much. I decided to finally watch it in small bits over five nights until I drifted off to sleep. That I kept falling asleep during this movie is more of indication that I’m old and tired than that the movie is boring, but it should be noted that it is excessively long.
The gist of the movie if you’re not aware is that corporate interests from Earth want to exploit the natural resources of a moon called Pandora, but they find that the indigenous peoples, the Na’vi, in the way. A team of biologists lead by Dr. Grace Augustine (Sigourney Weaver) negotiate with the Na’vi by genetically engineering Na’vi bodies which they control remotely through their minds. The protagonist of the film is Jake Sully (Sam Worthington), a disabled Marine who is called into use the avatar of his deceased twin brother.
The story has Sully gradually question his role in exploiting the Na’vi as he comes to learn more of their culture and falls in love with a female Na’vi named Neytiri. It’s a message movie, but one that fails to hold the conviction of it’s messages (exploitation of indigenous people, imperialism, environmental destruction), and instead falls into tropes of the “white savior” complex and “explosions are cool.”
This is a very militaristic movie, and curiously the technology and behavior of the military forces in the movie are so similar to those depicted in Cameron’s Aliens, that I wonder if the two stories are set in the same universe. There’s no subtly at all in this story, and in addition to the other “messages” in the movie the military are depicted basically reenacting atrocities from Vietnam and Iraq.
What stands out from this movie are the stunning visuals of the world of Pandora. The movie is probably a bit better if I saw it in 3-D on a big screen as intended. The best parts of the movie are when the narrative slows down and we the audience get to just explore the environment and learn about the Na’vi, even if these scenes add a lot to the movies length. There weren’t Netflix series in 2009, but I kind of wonder if the whole story would’ve been more interesting if they had time to develop the world and characters rather than falling back on tired cliches to accompany the special effects. On the other hand, I’m not sure if Worthington’s acting would improve any.