Author: Human Nature
Title: Paul Cornell
Publication Info: London : BBC Books, 2015 (originally published May 1995)
In this novel, the Doctor has himself genetically modified so he can experience life as a human. Forgetting his real identity, the Doctor believes he is a Scottish teacher named John Smith at a boy’s school in rural England in 1914. If this sounds familiar to Doctor Who tv viewers, it’s because Cornell adapted this book as the two-part episode “Human Nature/Family of Blood” in Series 3 with David Tennant as the Tenth Doctor/John Smith. It’s best not to think of the television adaptation while reading the book as the stories differ in many ways.
Cornell’s basic idea was to have a story featuring the Doctor in a romantic relationship with a fellow teacher, Joan Redfern. Again, in the present day we’ve seen the Doctor fall in love with Rose, snog Madame Pompadour, and marry River Song, so the elaborate plot of making the Doctor a human for him to experience romance would be excessive. Apart from the love story, this book is a good exploration of being human and the Doctor’s character.
On the one hand this is a brutal and gory story. The villainous alien Aubertides are merciless in slaughtering (and eating) anyone who gets in their way. In response, the leaders of the school are willing to mobilize the boys into a military unit to fight back. There’s even a disturbing scene early in the book where the school boys murder one of their own.
On the other hand, John Smith, while still in a human guise is able to determine a better way. To throw away the guns, lead the children to safety, attempt diplomacy, and then win through guile. The willingness of the human characters in this book to support and sacrifice for one another shows our species at it’s best.
Like many Virgin New Adventures, there’s a surplus of side characters and interwoven sideplots that could be excised to make a tighter, more focused adventure. But it’s still a gripping read and Doctor Who at it’s best.
“I can see why Rocastle thinks that way. It’s attractive. Imagine, never having to make any decisions. Because of honor. And etiquette. And patriotism. You could live like a river flowing downhill, hopping from one standard response to the other. Honour this. Defend that.”
“‘Isn’t it odd,’ opined Alexander, ‘how close masculinity is to melodrama?'”