Title: Blade Runner
Release Date: June 25, 1982
Director: Ridley Scott
Production Company: The Ladd Company
It’s 2019, so it’s time for me to finally watch the 1982 movie that’s set in 2019, Blade Runner. I should note that on the advice of a fan, I didn’t watch the 1982 release, but the Final Cut released in 2007 (and the last of seven different versions of the movie released). This means that I got to watch the movie without poorly written voice-overs and a happy ending that many viewers feel marred the theatrical release.
The story focuses on Rick Deckard (Harrison Ford), a police investigator tasked with finding renegade replicants (synthetic humans designed to work on Earth’s off-world colonies) and “retire” them (kill them). In this instance, Deckard has to track down four replicants who have come to Earth seeking the secret of elongating their lives beyond the four years programmed into their DNA, and in the process Deckard meets an even more advanced replicant named Rachael (Sean Young) who is initially not aware she’s not human. Deckard and Rachael form an awkward relationship, while Deckard hunts down the other four and eventually faces off against the renegade replicants leader Roy (Rutger Hauer).
With it being 2019, the predictions of the future are largely inaccurate, but interesting nonetheless (I’m particularly amused that Blade Runner, like 2001: A Space Odyssey and Until the End of the World, features video payphones but didn’t foresee portable devices). The vision of 2019 in this film is of a dark, claustrophobic, yet lonely world. Blade Runner imagines the deteriorating inner cities of the 1970s and 1980s simply left to rot while monolithic buildings for corporations and the wealthy are just built above them. The set dressing features an incredible amount of trash and dirt which the camera lingers on to make the point. Ironically, American cities like Los Angeles are tidier and shinier than when the film was made for the most part. Omnipresent advertising lights up the sides of buildings and from looming airships floating low above the city, in one of the more accurate predictions of the real 2019. This movie must’ve hired armies of extras – or expertly filmed the same packs of extras from clever angles – to fill the set’s streets with the people Deckard must elbow through. And the people come from all over the world – Chinese predominately, even in the advertising – but I heard a whole lot of languages spoken. The great achievement of Blade Runner is so thoroughly creating a world that feels real and lived in.
I found the movie very uncomfortable to watch, which is not a bad thing since it is definitely designed to discomfort with its dystopian view of the future and examination of humanity. It’s good that I did NOT watch this back in the 1980s, because it would’ve totally freaked out my younger self. Despite having accrued a lot of cultural knowledge of the story over time, there were a lot of WTF! moments that caught me off guard. I’m particularly haunted by J.F. Sebastian’s “toys” which just plain creeped me out. Of course, I probably didn’t need to wait until I was 45 to get around to watching this movie for the first time.
Blade Runner is a movie that impresses, although I can’t say that I love it. There’s definitely some good acting from the three leads and of course the sets and visuals are remarkable. But the story leaves me a bit cold, although I’m not sure if it’s missing something, or if I just can’t cogitate the dystopian themes yet. Nevertheless, I think I will have to revisit it at some point and perhaps check out some of the alternate versions.