Heading into the home stretch on the first decade of post-Beatles music, and I’ve not been all impressed with the mid-to-late 70s offerings of Paul, George, & Ringo and John has gone on sabbatical. Entering the period covered by this period, they can all be relieved that the then most popular band in the world – the Bee Gees – decided to put together an all-star cast to make a film and album based on Beatles’ songs called Sgt. Peppers Lonely Hearts Club Band. And it BOMBED! So the former Beatles could rest assured they would not make to most embarrassing music tied to the Beatles in the late 1970s.
Album: London Town
Artist: Paul McCartney & Wings
Release Date :31 March 1978
Favorite Tracks: none
Paul McCartney ventures into yacht rock by literally recording parts of this album on a yacht. The band is down to a trio once again with McCartney and Denny Laine collaborating on a number of songs. It’s awfully yawn-ful.
Album: Bad Boy
Artist: Ringo Starr
Release Date: 21 April 1978
Ringo cuts back the disco flourishes (thankfully!) and eschews famous guest artists, focusing on an album of mostly covers with the same backing band behind him. Unfortunately, the world didn’t need Ringo’s renditions of these songs.
Album: George Harrison
Artist: George Harrison
Release Date:20 February 1979
Favorite Tracks: Not Guilty,
And now George releases a yacht rock album, with Steve Winwood going overboard on the cheezy synths on many tracks. “Not Guilty” is good, but I like the version recorded for the White Album better.
Album: Back to the Egg
Artist: Paul McCartney & Wings
Release Date: 8 June 1979
Favorite Tracks: Getting Closer, Spin It On, Old Siam Sir, So Glad to See You Here
With an album title this dumb, I braced myself for the worst, only to be surprised that this is the most enjoyable McCartney album released thus far! Part of the reason is that this album rocks harder than McCartney & Wings have ever done before. Songs like “Spin It On” even approach a punk rock sound, albeit one that will never be confused with The Ramones or Sex Pistols. It seemed like McCartney had been creatively stuck for some time, with his previous 8 albums all sounding like they could’ve been outtakes from the Beatles recording sessions circa 1967-1969. Blending in punk and new wave influences helps reconnect McCartney with his own rock & roll roots, and create something original for the first time in ages. The album slows down on the backside and lyrically it’s not strong, but definitely an improvement on the McCartney oeuvre.
Album: McCartney II
Artist: Paul McCartney
Release Date: 16 May 1980
Favorite Tracks: Coming Up, On the Way,
So, Paul McCartney releases his second album, disavowing everything that was released over the previous 10 years. I jest. With McCartney playing every instrument, experimenting with synthesizers, and drawing some influence from synth-pop, this album is quite odd, sometimes delightfully so. Even “Temporary Secretary” is a fun track, albeit not one I’m going to listen to over and over. It’s not all good, but McCartney experimenting is better than McCartney repeating the same old dreck in my book.
Album: Double Fantasy
Artist: John Lennon & Yoko Ono
Release Date: 17 November 1980
Favorite Tracks: (Just Like) Starting Over, Watching the Wheels, Woman
John & Yoko record their first album together since 1972, and John’s first recording at all since 1975 on the album set up as a conversation between the once-again happily married couple. The critics don’t like it, they never like anything with a lot of Yoko Ono on it, but I think it was a pretty good comeback and a sign of possibilities to come (never realized). Besides, Yoko’s music is now no weirder than some new wave music being released at the time, like the B-52s. This album was released just before my 7th birthday and I distinctly remember it as among my earliest memories of knowing anything about the Beatles, so it holds a particular nostalgia.
The 1980s would not see a Beatles’ reunion. John Lennon was murdered on December 8, 1980. The surviving members of the band all continued on in their own ways, but made fewer waves than in the previous two decades. Paul McCartney would work to drag down the careers of Stevie Wonder and Michael Jackson and then perform with a frog chorus, before re-rediscovering that he’s a rock star at the end of the decade. Ringo Starr retreated from recording for most of the 80s, spending some time narrating Thomas & Friends, before getting back on the music bandwagon in 1989 with His All-Starr Band, that has served him well. And George Harrison also retreated from making music for a time before returning with some big solo hits and then forming the supergroup The Traveling Wilburys.