Author: Thomas Brothers
Title: Help!: The Beatles, Duke Ellington, and the Magic of Collaboration
Narrator: Keith Sellon-Wright
Publication Info: HighBridge Audio (2018)
I received a free advance review copy of this audiobook through the Library Thing Early Reviewers program.
The author of this book is a Duke University musicologist, and I don’t think I will represent the musicology well in this summary, although I did find it interesting to listen to. Brothers uses two popular music acts of the 20th century to illustrate the creative genius of musicians collaborating together to create new tunes: Duke Ellington and The Beatles. This is basically two books in one with half the book about each group of artists.
Ellington is generally depicted as a lone genius composer, but Brothers states that he was more of an arranger than a composer. He relied on others – particularly Bubber Miley and later Billy Stayhorn – to write the songs, and his entire band contributed parts as they worked on a tune. That Ellington frequently gave himself sole writing credit was a recurring source of disgruntlement for Ellington’s band members.
The Beatles are more widely recognized as a collaboration – Lennon-McCartney – although it’s commonly believed that John Lennon and Paul McCartney only composed songs together in The Beatles’ early years. Brothers breaks down the recordings and shows that not only were Lennon and McCartney were collaborating right up until the Beatles broke up, but a wider group of collaborators contributed to creating the Beatles music including George Harrison, Ringo Starr, producer George Martin, sound engineer Geoff Emerick, guest artists like Eric Clapton and Billy Preston, and yes, even Yoko Ono.
Brothers makes the controversial, but accurate, statement that Strayhorn was musically more talented than Ellington, and that McCartney’s musical talent outclassed Lennon’s. But Ellington had the ability to listen to various solos by the artists in his band and arrange them tunefully, while Lennon brought a rock & roll edge and lyrical bite to McCartney’s music. As I noted, there’s an academic level to this book that is perhaps beyond a novice to me, but I still enjoyed reading about these great artists and how they made their most memorable tunes. But mostly, I want to listen to some Duke Ellington and The Beatles now.