Album Review: Cuz I Love You by Lizzo


AlbumCuz I Love You
Artist: Lizzo
Release Date: April 19, 2019
Favorite Tracks:

  • Cuz I Love You
  • Like A Girl
  • Exactly How I Feel
  • Tempo
  • Juice
  • Lingerie

Thoughts:

Lizzo is one of those artists that excels in making music that fits into multiple genres – pop, hip hop, soul, funk, & R&B – so much so that her music is kind of it’s own Lizzo genre.  I was going to compare the music on Cuz I Love You to the work of Prince, and that was before I learned that Lizzo is from Minneapolis (in fact she appeared on the Prince and 3rdeyegirl album Plectrumelectrum).  The other obvious comparison is Janelle Monáe, and again there’s a direct connection as the pair performed together at Coachella last week and Lizzo interviewed Monáe for them. magazine.  What sets Lizzo apart is her joyful exuberance.  A large, black woman gets discriminated at from every angle, but Lizzo has embraced self-love, and much of the theme of this album is sharing the message of empowerment.  And she sounds she’s having so much fun while doing it.

Rating: ****

Movie Review: Waking Sleeping Beauty (2009) #atozchallenge


This is my entry for “W” in the Blogging A to Z Challenge. Throughout April I will be watching and reviewing a documentary movie from A to Z. Some other “W” documentaries I’ve reviewed are WattstaxWhat Happened, Miss Simone?, Wild AfricaThe Wild Parrots of Telegraph Hill, Won’t You Be My Neighbor, and Word Wars.

TitleWaking Sleeping Beauty
Release Date: September 6, 2009
Director: Don Hahn
Production Company: Stone Circle Pictures
Summary/Review:

Waking Sleeping Beauty is the behind-the-scenes story of the Walt Disney Animation Studios from 1984 to 1994, a period known as the Disney Renaissance. At the beginning of this time period, Disney animated films were commercial and critical flops, budgets for new movies were slashed, and the animation division had fewer than 200 employees, and the animation division was even kicked out of their traditional building at the studios. There was an uncomfortable divide between a few older animators left from the time of Walt Disney himself, younger recent graduates of the Cal Arts program who wanted to try new things, and lingering effects of Don Bluth leaving and taking several animators with him to create a competing studio. There was talk of closing the animation division for good, which may have also signaled an end to animated feature films throughout the industry.

At the end of this period, Walt Disney Animation Studios had released a string of commercially and critically successful films that equalled, and perhaps even surpassed, anything produced during Disney’s lifetime.  These movies include The Little Mermaid, Beauty and Beast, Aladdin, and The Lion King.  Music from these Broadway-style movies became part of the American songbook, awards were received, and Beauty and the Beast became the first animated feature nominated for a best picture Oscar. The animation division grew to five times as many employees, got a brand new building, and satellite studios opened in Florida and Europe.  Animated feature films were once again recognized as culturally and fiscally viable for wide audiences.

Waking Sleeping Beauty documents these changes relying on archival footage, especially home videos the animators made while working in the studios.  The film is also illustrated with caricatures that the animators drew of their bosses at the time, which provide a comical and insightful view of what they thought of tensions within the studio at the time.  Don Hahn, who produced many successful Disney Renaissance films, directs and narrates the documentary and Hahn co-produces Waking Sleeping Beauty with Peter Schneider, who was president of Walt Disney Feature Animation from 1985 to 1999.

Key figures featured in the film include Roy E. Disney (son of Disney co-founder Roy O. Disney and Walt’s nephew who served as  vice chairman and chairman of the animation department during this period), who sought to fend of corporate takeovers of Disney by bringing in Frank Wells from Warner Brothers as President, and Michael Eisner from Paramount as CEO.  Eisner also brought Jeffrey Katzenberg with him from Paramount to take over the motion pictures division.  Over the years tensions grew as Roy E. Disney saw Katzenberg as taking too much credit for Disney’s success, and Eisner and Katzenberg’s relationship also became strained.  Wells was the peacemaker, but died in a tragic helicopter crash in 1994, and Katzenberg left Disney when Eisner refused to promote him to Wells’ position.  This signaled the end of the Disney Renaissance.

The movie focuses Howard Ashman and Alan Menken who composed and wrote the music that was a key factor to the success of the Disney Renaissance film’s reinvention of animated features in the Broadway musical style.  Ashman’s death from AIDS in 1991 is also a solemn and tragic moment during the film.  While The Little Mermaid, Beauty and Beast, Aladdin, and The Lion King are the key movies of the Disney Renaissance, other films in the period are documented for their importance to the studio’s revival.  Who Framed Roger Rabbit? is recognized for its innovative hybrid of animation and live action (and also was a big money-maker).  The Rescuers Down Under, while not commercially successful, introduced the new CAPS system, making it the first fully computer animated feature, and the first time Disney worked with Pixar.  Tim Burton, seen as a young animator at Disney early in this movie, returns to collaborate with Walt Disney Studios on his stop-motion animated film The Nightmare Before Christmas.

What Can One Learn From Watching This Documentary:

While not in-depth, this is an interesting glimpse into the animation process.  One particularly poignant scene discusses the effects of working on hand-animated films, with Disney animators dedicating long hours to drawing, and developing carpal tunnel and other injuries.

If You Like This You Might Also Want To …:

The most obvious thing to do is watch a Walt Disney Animated Feature! Or several!

Source: Hoopla


 

2019 Blogging A to Z Challenge – Documentary Films

A: Amy
B: Being Elmo
C: Central Park Five
D: Dear Mr. Watterson
E: The Endless Summer
F: F for Fake
G: Grey Gardens
H: High School
I: Ida B. Wells: A Passion for Justice
J: Jiro Dreams of Sushi
K: Kon-Tiki
L: The Last Waltz
M: Man With a Movie Camera
N: Nanook of the North
O: Obit.
P: Pelotero
Q: Quest: A Portrait of an American Family
R: Restless Creature: Wendy Whelan
S: Soundtrack for a Revolution
T: Titicut Follies
U: Unforgivable Blackness
V: Virunga

If you want to read more, check out my previous Blogging A to Z Challenges:

And dig deep into Panorama of the Mountains, by checking out my:

And, if you like Doctor Who, I have a whole ‘nother blog where I review Doctor Who stories across media: Epic Mandates.

A Song and a Story: Wanna Dance? #AtoZChallenge


Today’s post is about two songs that have to do with people getting up and dancing.  The first comes from The Spinners:

Working My Way Back To You Girl

Back in the 1970s, The Spinners had a lot of r&b hits, including this disco-fied cover of The Four Seasons, “Working My Way Back To You Girl.”  As a child, I had a confusing mondegreen with this song where I thought the vocalist was saying he was working his way back, to you babe, “with a pretty girl by my side,” which I figured would be frankly offensive.  But it was a good tune nonetheless.

One day in the 70s, my sister and I were playing with the clock radio in my bedroom and somehow we just started dancing to all the songs that came on.  “Working My Way” is one I clearly remember, but there were more.  It was just a fun, spontaneous, silly thing.  I remember trying to turn on the radio and get my sister to dance again the next day, but it just didn’t have the same magic.

The next song by Dire Straits is the third and final song I associate with my wedding day:

Walk of Life

I gave instructions to our wedding reception DJ of songs he should absolutely not play and some suggestions of songs he should play.  “Walk of Life” was not on either list.  But after all the formalities – first dances danced, toasts made, food served, cake sliced – this is the song the DJ chose to play.  Mind you, I like the song just fine, but I thought it an odd choice.  But as I looked around the reception tent, I saw streams of guests winding their way through the table to the dance floor.  “Walk of Life” was an unexpected call to boogie, and suddenly I liked it 100x more.


2019 Blogging A to Z Challenge – A Song and a Story

A: Always on My Mind
B: Baby Come Back and Baker Street
C: Cheek to Cheek
D: Don’t Worry, Be Happy and Doctor Jones
E: Everyday Sunshine
F: Fly Me to the Moon
G: Ghost Town
H: Hobo Humpin’ Slobo Babe
I: If I Were John Carpenter
J: Jungle Strut and Justified & Ancient
K: Kiss
L: Loaded
M: Marble Halls and My Moon, My Man
N: New York, New York
O: Oliver’s Army
P: The Parting Glass
Q: Qué Onda Guero
R: Rave On
S: The Servant Song
T: Thing of Beauty
U: Unworthy
V: The Voyage

If you want to read more, check out my previous Blogging A to Z Challenges:

And dig deep into Panorama of the Mountains, by checking out my:

And, if you like Doctor Who, I have a whole ‘nother blog where I review Doctor Who stories across media: Epic Mandates.