Title: My Man Godfrey
Release Date: September 6, 1936
Director: Gregory La Cava
Production Company: Universal Pictures
I watched My Man Godfrey after watching several silent films, and it was startled by the quick and frequent dialogue. Talkies were of course well established by 1936 and this movie makes the most of it with enough witty repartee to make up for decades of silents. This movie is both a romantic comedy and a mild social commentary on the idle rich. At the center of this film is the dysfunctional Bullock Family and the butler they hire, Godfrey (William Powell) who straightens things out for them.
The film begins with Godfrey living in an homeless encampment along New York’s East River until he is picked up by the youngest member of the Bullock clan, Irene (Carol Lombard), who needs a “forgotten man” for a scavenger hunt being held by wealthy elites based at the Waldorf-Astoria Hotel. Irene takes a liking to Godfrey and offers him a job as the family’s butler, and declares that he will be her “protégé.”
Despite learning of the high rate of turnover for the Bullock’s butler and being warned of the family’s general horribleness by the maid Molly (Jean Dixon), Godfrey finds the job restores his spirits, and enables him to work on a project to help out the other “forgotten men.” Irene falls in love with Godfrey and tries many dramatic ways to get his attention and to return her affection. Irene’s vindictive older sister Cornelia (Gail Patrick), meanwhile, and schemes to spoil any happiness for Irene or Godfrey (I’ve never seen Patrick in a movie before, but she is both a talented actor and stunningly gorgeous). And Godfrey has a secret past that may come back to haunt him. All of this if played at maximum screwball comedy level.
The denouement of the movie has Godfrey shorting the stock market, both to save Bullocks from financial ruin, and to fund a night club on the former homeless encampment which provides jobs for 50 “forgotten men.” Honestly, I didn’t expect short-selling stock to feature in a Depression-era comedy, but it was a great twist. The final scene where Irene manipulates Godfrey into marrying is both uncomfortable and unnecessary, but otherwise this is a terrific film.