Title: The Stranger
Release Date: July 2, 1946
Director: Orson Welles
Production Company: International Pictures
This atmospheric film in the film noir style tells the story of a Nazi war criminal hiding among the unsuspecting citizens of a Connecticut town. As someone who grew up in Connecticut, I’m surprised that so many of these classic films I’m watching are set there, particularly one with Nazis. The film begins with Edward G. Robinson (who I liked so much in Double Indemnity) Mr. Wilson of the War Crimes Commission releasing a low-level Nazi named Konrad Meinike (Konstantin Shayne) in hope of leading him to one of the Nazis most notorious masterminds.
In Harper, Connecticut, Franz Kindler (Orson Welles) has taken the identity of Professor Charles Rankin, a teacher at a boys academy, and marrying Mary Longstreet (Loretta Young), the daughter of a Supreme Court Justice. Rankin murders Meinike so that his past identity will not be revealed and attempts to bury his body in the woods. Wilson stays in the town for several weeks hoping to catch Rankin in a mistake that reveals himself, as well attempting to shake Mary’s faith in her new husband. The thrill of the movie is less of a “whodunit” than a “how is this going to shake out?”
Billy House is featured in a prominent role as Mr. Potter, the gossipy druggist who comments on the goings-on in the town while playing checkers with his customers (including Wilson and Rankin). House provides comic relief but his character is also oddly unsettling. Storywise the script is fairly predictable and dialogue unnatural, but it’s worth watching for the acting, and Welle’s use of light and shadows and long takes. It’s also remarkable that a fictional film about a Nazi war criminal was completed so soon after the end of the war. Additionally, it is the first film to include documentary footage of the liberation of concentration camps.