Title: Ferris Bueller’s Day Off
Release Date: June 11, 1986
Director: John Hughes
Production Company: Paramount Pictures
My 12 y.o. wanted to watch this movie which was a surprise since he rarely wants to watch movies at all, much less teen classics from the 80s. Some things you notice when you’re watching a movie for the first time in decades with your children: 1. there’s a lot more profanity than I remembered, and 2. Ferris is really a jerk and deserves to suffer SOME consequences for his misbehavior. Maybe not so much for skipping school, but for how he mistreats his friends and family. At least Cameron calls him out on it.
The story, should you not be aware of it or have forgotten, is that Ferris Bueller (Matthew Broderick) pretends to be sick in order to skip school for the 9th time in his senior year in high school (we need 8 prequels to learn what he did on those days!). He picks up his chronically-depressed and hypochondriac friend Cameron (Alan Ruck), who is also absent from school. Ferris basically steals Cameron’s father’s antique sportscar (Cameron has some good suggestions of renting a car or hiring a limo, something these kids had the means to do). They pick up Ferris’ girlfriend, Sloane (Mia Sara), from school on the excuse that her grandmother died.
The trio drive to Chicago for the geekiest day of truancy ever. Impossibly, they are able to to visit Sears Tower and the Chicago Mercantile Exchange, dine at a fancy restaurant, attend a Cubs game, visit the Art Institute of Chicago, and then see the Von Steuben Parade, which Ferris famously crashes to lead a sing-a-long and dance of joyous Chicagoans (and since I visited Chicago in 2018, I recognized exactly where those parade scenes were shot). Meanwhile, the school principal Ed Rooney (played by real-life sex offender Jeffrey Jones), creepily tries to track down Ferris, going so far as to break into the Bueller’s home. Simultaneously, Ferris’ younger sister, Jeanie (Jennifer Grey), angered at her parents’ favoritism toward Ferris, also tries to bust him for faking illness.
The movie works because of the generally wholesome activities the lead trio engage in on their trip to Chicago, a steady series of gags, and all-around great performances from the cast and great chemistry among the leads. But as I noted above, Ferris is not a hero, but more of an agent of chaos. The real protagonists of this movie, or at least the ones who change the most, are Cameron and Jeanie. Cameron finally reaches a breaking point where he’s able to stand up for himself to Ferris, which leads him to gain the confidence to stand up to his neglectful father. And by the way, watching is this as a parent makes me wonder just how monstrous this father is. Meanwhile, Jeanie is able to exorcise her jealousy and righteous rage at Ferris and attempt to just take control of her own destiny. This, of course, means that everything works out just perfectly for Ferris, the little twerp.
Almost 35 years after its release, Ferris Bueller’s Day Off is still very funny and doesn’t feel dated. Sure, there are boxy cars and big hair, but it doesn’t scream “EIGHTIES!” as much as John Hughes’ other movies. I do wonder what this movie would be like if Ferris had a cell phone, though, considering his ability to use technology to his advantage. More importantly, it doesn’t have the inappropriate moments that make one cringe at the sexual misconduct and racism that you find in 16 Candles and The Breakfast Club. I also appreciate the directorial style, such as viewing Cameron debating himself about joining Ferris through his car window, or how Ferris running home at the end is directed like a Chuck Jones/Tex Avery cartoon, complete with zany sound effects and music cues.
If you liked it when you’re young, watch it with your (older) kids. They may just enjoy it as well.