Title: Wild Strawberries
Release Date: December 26, 1957
Director: Ingmar Bergman
Production Company: AB Svensk Filmindustri
The Nordic countries are generally ranked among the happiest nations on Earth, but the movies are depressing AF. Well, this is actually only the second Ingmar Bergman film I’ve watched (I saw The Seventh Seal long ago), so maybe this is a rush to judgement.
Wild Strawberries is about the elderly and misanthropic physician Professor Isak Borg (Victor Sjöström) taking a journey to receive an honorary medal for 50 years of service. Accompanying him on the road trip is his daughter-in-law Marianne Borg (Ingrid Thulin) who is estranged from her husband and makes it clear early on that she doesn’t like Isak much. Along the journey they pick up three young hitchhikers, two men and a woman named Sara (Bibi Andersson), whose exuberance is a contrast to Isak and Marianne and others they encounter on their journey. These include a vitriolic married couple who crash their car and Isak’s cold and unsentimental mother (Naima Wifstrand).
The journey is interspersed with Isak’s dreams and flashbacks to his youth. He’s particularly nostalgic for his childhood sweetheart Sara (also played by Bibi Andersson), who ended up marrying his brother. Both the journey and the dreams and visions help Isak confront what he’s lost in his past, his present loneliness, and mortality. He also forms a bond with Marianne and the hitchhiker Sara. For all the grim realism of the film, it surprisingly has a happy ending. The movie is well-filmed and well-acted and worth a rewatch for a deeper analysis.