I’m participating in the Blogging from A to Z Challenge by watching and reviewing some of my favorite movies of all time that I haven’t watched in a long time. This post contains SPOILERS!
Release Date: May 4, 1944
Director: George Cukor
Production Company: Metro-Goldwyn-Mayer
This psychological thriller actually lent its name to the form of psychological manipulation and abuse depicted in the film. The movie begins just after the murder of famed opera singer Alice Alquist as her niece Paula (Ingrid Bergman) leaves her London home and is told not to look back. A decade later, Paula is pursuing her own singing career in Italy, but her instructor notices that she is distracted by being in love. Turns out she’s fallen madly in love with her piano accompanist Gregory Anton (Charles Boyer).
Gregory and Paula marry and he manipulates her into moving back into her aunt’s townhouse in London. Over the weeks and months that follow, Gregory isolates Paula by preventing her from going out and refusing to allow visitors to the house. He begins to tell her that she’s not well, that she loses things, and is a kleptomaniac. He embarrasses her in front of their saucy, young maid, Nancy (Angela Lansbury). Paula begins to question her own sanity.
In reality, Gregory is a jewel thief named Sergis Bauer, who murdered Alice Alquist and is now sneaking in the attic to search Alice’s possessions for her famous jewels. Gregory’s time in the attic leads to Paula noticing the fluctuation in the gaslight (hence the film’s title) and footsteps that add to her sense that she is imagining things. Inspector Brian Cameron of Scotland Yard (Joseph Cotten, with an unexplained American accent), who was a fan of Alice Alquist, becomes suspicious of what is happening in her niece’s house and reopens the investigation in her murder. Eventually he is able to help Paula turn the tables against Gregory. Watching Gregory abuse Paula is extremely difficult, but the ending is very cathartic.
When Did I First See This Movie?:
This is one of the movies I watched in a film studies class in high school. Imagine, if you will, a bunch of 15-year-old boys realizing that the same actress who played Jessica Fletcher was really hot when she was young. We also were amused by Boyer’s outrageous French accent and spent weeks imitating the way he said “Paula.”
What Did I Remember?:
I remembered the basic plot, but none of the details, so it was really like watching the movie anew.
What Did I Forget?:
Most everything. I’ll also add that watching as an adult, the severity of Gregory’s abuse hit me a lot harder, and I felt a lot of sympathy for Paula.
What Makes This Movie Great?:
The movie is melodramatic, but I think that it otherwise is a good microcosm of the very real psychological abuse that occurs in some relationships. Boyer is convincingly evil while hiding it beneath his charm. Bergman does a great performance of how even a strong person can fall victim to these psychological attacks. It’s not your typical thriller.
What Doesn’t Hold Up?:
This is a 1940s movie based on a 1930s play with a story that is set somewhere around the 1890s, so it should feel dated in some way. But I think it holds up pretty well overall.
Is It a Classic?:
Yes. And definitely a unique addition to an all-time thrillers list.
Five more all-time favorite movies starting with G:
- Genghis Blues (1999)
- Glory (1989)
- The Gods Must Be Crazy (1980)
- Good Will Hunting (1997)
- The Grapes of Wrath (1940)
What is your favorite movie starting with G? What do you think will be my movie for H? (Hint: It’s set in Brooklyn in the 1960s). Let me know in the commments.