Title: Taxi Driver
Release Date: February 8, 1976
Director: Martin Scorsese
Production Company: Bill/Phillips Productions | Italo/Judeo Productions
Taxi Driver is one of those movies constantly marinating in the ether of popular culture, but another one I’d never watched before. It wasn’t quite what expected, at least the first half of the movie had some surprises. I knew that Robert DeNiro starred as a taxi driver named Travis Bickle who becomes obsessed with protecting a child prostitute, Iris, played by Jodie Foster. I also knew that in the twisted mind of John Hinkley, this movie played a part in his plan to assassinate Ronald Reagan.
I didn’t know that this movie also starred Cybill Shepherd, Albert Brooks, and Peter Boyle. Shepherd plays Betsy who is a campaign worker for a presidential candidate, and Brooks is her very funny co-worker. Bickle initially becomes obsessed with Betsy and the first half of the movie shows his extremely awkward and uncomfortable attempts to date her. Boyle plays Wizard, a fellow cab driver who attempts to mentor Bickle but fails to have any influence.
It’s only after being rejected by Betsy that Bickle begins his obsession with Iris, and Jody Foster only appears in a small part of the movie (albeit a brilliant acting performance, especially for a 12-year-old). Bickle stocks up on weapons and trains to both assassinate the presidential candidate and kill Iris’ pimp, Sport (Harvey Keitel). It’s extremely disturbing and the final scenes where Bickle goes on a murderous rampage are gory but glamorized violence. The movie reflects the white moral panic of the 1970s when the victims of disinvestment and poverty in cities like New York were blamed for the degeneracy. It also foreshadows the rise of MRA/incel ideologies with Bickle the prototype of men who feel that rejection by women gives them license to carry out unspeakable murder.
There is nothing technically wrong with this movie. The acting, especially by DeNiro and Foster, is terrific. The cinematography is stunning with many shots that are instantly iconic. The musical score by Bernard Herrmann is both brilliant and disconcerting. I can even admit that this movie depicts accurately the way a person like Bickle acts and thinks. Nevertheless, I absolutely hate this movie and never want to watch it again.
Rating: *** (to be honest I don’t know how I can rate this movie at all, so I’m just giving it the standard ***)