Movie Review: Birth of a Movement (2017)


TitleBirth of a Movement
Release Date: February 6, 2017
Director: Susan Gray and Bestor Cram
Production Company: Northern Light Productions
Summary/Review:

This documentary is about William Monroe Trotter, a civil rights leader and newspaper editor in Boston in the early 20th century.  Raised in a well-to-do family and Harvard educated, Trotter advocated for more radical civil rights activism than his peers such as Booker T. Washington.  He participated in founding the NAACP, but ultimately did not find it radical enough.

The documentary is also about D.W. Griffith, the groundbreaking filmmaker, who made the first Hollywood blockbuster in 1915.  Released 50 years after the end of the Civil War and based on a novel  called The Clansman, the film was eventually re-titled Birth of Nation. The movie depicts the Civil War through a sympathetic portrayal of the insurgent Southerners.  The post-war Reconstruction is depicted as a time when bestial, sexually-aggressive Black men (portrayed by white actors in blackface) ran rampant until the Ku Klux Klan restores order.

The movie gained widespread acclaim and opposition as Griffith opened it in cities across the country, and even held the first ever film screening in the White House for President Woodrow Wilson.  Knowing that Boston had a history of supporting abolition and Black civil rights, Griffith targeted the city for an opening knowing that success there would lead to widespread distribution of the film.  Trotter organized massive protests against the film’s opening at Tremont Theatre across from Boston Common.  While the protests failed to stop the screening, Trotter’s protests did invigorate a new direction for Black civil rights activism.

Rating: ****

Book Review: Freedom is a Constant Struggleby Angela Davis


Author: Angela Davis
Title: Freedom Is a Constant Struggle: Ferguson, Palestine, and the Foundations of a Movement
Publication Info: Haymarket Books (2016)
Summary/Review:

This books collects several interviews with long-time activists Angela Davis as well as some articles and speeches.  The downside to this collection is that she touches on some of the same issues in each of the pieces (as you would expect of someone delivering speeches to new audiences) but the format of this collection doesn’t allow the reader to see Davis delve deep into any of the issues.

Davis reflects on the Civil Rights movement and feminist movies, her involvement in each, and their accomplishments.  She also compares it to the revival of activism in the Black Lives Matter movement that rose out of the protests in Ferguson, Missouri against the police killing of Michael Brown.  Davis urges the reader/listener to recognize the intersectionality of movements and that Americans need to broaden their scope to include global crises in their activism (with a particular emphasis on Palestine).

Davis always offers harsh truths but is never disparaging of efforts towards revolutionary change that are incomplete.  Instead she encourages the reader to keep trying and keep struggling.  I’m particular impressed by her reflections that Black Americans truly defined democracy since they are the ones who advocated for true freedom, which is more than civil rights.  I have had this book for some time and to my shame only got around to reading it now, but I’m glad I’ve read since it speaks to issues that are front and center in the current moment.

Favorite Passages:

Trying and trying again. Never stopping. That is a victory in itself. Everyone and everything tells you that “outside” you will not succeed, that it is too late, that we live in an epoch where a revolution cannot happen anymore. Radical changes are a thing of the past. You can be an outsider, but not outside the system, and you can have political beliefs, even radical ones, but they need to stay within the bounds of the permissible, inside that bubble that has been drawn for you by the elites.


It is essential to resist the depiction of history as the work of heroic individuals in order for people today to recognize their potential agency as a part of an ever-expanding community of struggle.


It’s very interesting that during the commentary on Ferguson, someone pointed out that the purpose of the police is supposed to be to protect and serve. At least, that’s their slogan. Soldiers are trained to shoot to kill. We saw the way in which that manifested itself in Ferguson.


The civil rights movement was very successful in what it achieved: the legal eradication of racism and the dismantling of the apparatus of segregation. This happened and we should not underestimate its importance. The problem is that it is often assumed that the eradication of the legal apparatus is equivalent to the abolition of racism. But racism persists in a framework that is far more expansive, far vaster than the legal framework. Economic racism continues to exist. Racism can be discovered at every level in every major institution—including the military, the health care system, and the police. It’s not easy to eradicate racism that is so deeply entrenched in the structures of our society, and this is why it’s important to develop an analysis that goes beyond an understanding of individual acts of racism and this is why we need demands that go beyond the prosecution of the individual perpetrators.


I fear that if we don’t take seriously the ways in which racism is embedded in structures of institutions, if we assume that there must be an identifiable racist… The “bad apples” type of… …who is the perpetrator, then we won’t ever succeed in eradicating racism.


But if one looks at the history of struggles against racism in the US, no change has ever happened simply because the president chose to move in a more progressive direction. Every change that has happened has come as a result of mass movements—from the era of slavery, the Civil War, and the involvement of Black people in the Civil War, which really determined the outcome.


Many people are under the impression that it was Abraham Lincoln who played the major role, and he did as a matter of fact help to accelerate the move toward abolition, but it was the decision on the part of slaves to emancipate themselves and to join the Union Army—both women and men—that was primarily responsible for the victory over slavery. It was the slaves themselves and of course the abolitionist movement that led to the dismantling of slavery. When one looks at the civil rights era, it was those mass movements—anchored by women, incidentally—that pushed the government to bring about change. I don’t see why things would be any different today.


At this point, at this moment in the history of the US I don’t think that there can be policing without racism. I don’t think that the criminal justice system can operate without racism. Which is to say that if we want to imagine the possibility of a society without racism, it has to be a society without prisons. Without the kind of policing that we experience today. I think that different frameworks, perhaps restorative justice frameworks, need to be invoked in order to begin to imagine a society that is secure. I think that security is a main issue, but not the kind of security that is based on policing and incarceration. Perhaps transformative justice provides a framework for imagining a very different kind of security in the future.


Optimism is an absolute necessity, even if it’s only optimism of the will, as Gramsci said, and pessimism of the intellect. What has kept me going has been the development of new modes of community. I don’t know whether I would have survived had not movements survived, had not communities of resistance, communities of struggle. So whatever I’m doing I always feel myself directly connected to those communities and I think that this is an era where we have to encourage that sense of community particularly at a time when neoliberalism attempts to force people to think of themselves only in individual terms and not in collective terms. It is in collectivities that we find reservoirs of hope and optimism.


Deep understandings of racist violence arm us against deceptive solutions. When we are told that we simply need better police and better prisons, we counter with what we really need. We need to reimagine security, which will involve the abolition of policing and imprisonment as we know them. We will say demilitarize the police, disarm the police, abolish the institution of the police as we know it, and abolish imprisonment as the dominant mode of punishment. But we will have only just begun to tell the truth about violence in America.


As many times as I’ve spoken during Black History Month, I never tire of urging people to remember that it wasn’t a single individual or two who created that movement, that, as a matter of fact, it was largely women within collective contexts, Black women, poor Black women who were maids, washerwomen, and cooks. These were the people who collectively refused to ride the bus.


But freedom is still more expansive than civil rights. And in the sixties there were some of us who insisted that it was not simply a question of acquiring the formal rights to fully participate in a society, but rather it was also about the forty acres and the mule that was dropped from the abolitionist agenda in the nineteenth century. It was about economic freedom. It was about substantive freedoms. It was about free education. It was about free health care. Affordable housing. These are issues that should have been on the abolitionist agenda in the nineteenth century, and here we are in the twenty-first century and we still can’t say that we have affordable housing and health care, and education has thoroughly become a commodity. It has been so thoroughly commoditized that many people don’t even know how to understand the very process of acquiring knowledge because it is subordinated to the future capacity to make money. So it was about free education and free health care and affordable housing. It was about ending the racist police occupation of Black communities. These were some of the demands raised by the Black Panther Party.


I tell you that in the United States we are at such a disadvantage because we do not know how to talk about the genocide inflicted on indigenous people. We do not know how to talk about slavery. Otherwise it would not have been assumed that simply because of the election of one Black man to the presidency we would leap forward into a postracial era.


For some time now I have been involved in efforts to abolish the death penalty and imprisonment as the main modes of punishment. I should say that it is not simply out of empathy with the victims of capital punishment and the victims of prison punishment, who are overwhelmingly people of color. It is because these modes of punishment don’t work. These forms of punishment do not work when you consider that the majority of people who are in prison are there because society has failed them, because they’ve had no access to education or jobs or housing or health care. But let me say that criminalization and imprisonment could not solve other problems.


We will have to do something quite extraordinary: We will have to go to great lengths. We cannot go on as usual. We cannot pivot the center. We cannot be moderate. We will have to be willing to stand up and say no with our combined spirits, our collective intellects, and our many bodies.

Recommended books:

Rating: ***1/2

Movie Review: The Aristocats (1970)


Title: The Aristocats
Release Date: December 24, 1970
Director: Wolfgang Reitherman
Production Company: Walt Disney Productions
Summary/Review:

I thought I may have seen The Aristocats as a child, but upon watching it for this review, I think I may have only seen some scenes of the movie.  The story is basically Lady and the Tramp (with cats) crossed with One Hundred and One Dalmatians (with cats). It clearly comes from the era when Disney didn’t know what to do next with their animated films.  Dutchess (Eva Gabor) and her three kittens are set to be heirs to their owners fortune, leading the butler Edgar (Roddy Maude-Roxby) to try to get rid of them.

Stranded in the countryside, alleycat Thomas O’Malley (Phil Harris) helps them back to Paris while wooing Duchess.  After dancing with Scat Cat’s (Scatman) jazz band, and some further hijinx, the cats are reunited with their owner and extract their revenge on Edgar.  The animation is limited for a Disney production although there is some interesting color and motion in the dance scenes.  Two floppy-eared dogs and a motorcycle play a part in some great comedic scenes.  On the downside there is a horribly racist depiction of a cat with the worst Chinese stereotypes.

Other than that, there is nothing really bad about The Aristocats, but there’s also nothing really good about the movie.  It’s just kind of is.

Rating: **1/2

Podcasts of the Week Ending June 27


The Politics of Everything :: The Political Power of Protests

Kimberlé Williams Crenshaw talks on police killings and the effect of COVID-19 on Black Americans, Osita Nwanevu talks about how protests affect public policy, and Patrick Blanchfield explains how the police use language to obscure police violence.

What Next :: How the NYPD Gets Away With It

The story of what happened when a police car hit a Black child on Halloween in New York.  Read more in this Pro Publica article by Eric Umansky.


Movie Review: Just Mercy (2019)


Title: Just Mercy
Release Date: December 25, 2019
Director: Destin Daniel Cretton
Production Company: Endeavor Content | One Community | Participant Media
Macro Media | Gil Netter Productions | Outlier Society
Summary/Review:

This movie flew under radar when it was released last Christmas, but it was available for free on streaming networks in June, so I thought I’d check it out.  The movie is based on the true story of Bryan Stevenson (Michael B. Jordan) and adapted from his book of the same name.  Stevenson is a Harvard-trained lawyer and as an idealistic young man we see him move to Alabama to begin the Equal Justice Initiative. With the support of local activist Eva Ansley (Brie Larson) he works to represent poor prisoners, including death row inmates, get proper legal representation.

The main plot of the movie relates to the case of Walter “Johnny D.” McMillian (Jamie Foxx), a man convicted and sentenced to death for the murder of white teenage girl  in Monroeville (a town the is shown to be proud of  its connection with Harper Lee and To Kill a Mockingbird). Stevenson sees that Johnny D. was convicted primarily on the testimony of another prisoner, Ralph Myers (Tim Blake Nelson), who received a lighter sentence in exchange, and that witnesses who saw Johnny D at the time of the crime (including a cop) were not called at all.

I expect it is no spoiler to note that Stevenson will get Johnny D.’s conviction overturned, but the procedures and indiginities he has to go through still create a lot of tension. The early 1990s were a time when “tough on crime” was at its post-Jim Crow era peak, so its amazing that Stevenson is able to succeed (compare this movie with When They See Us, the story of the Central Park Five case happening around the same time). There is also a subplot involving another death row inmate, Herbert Richardson (Rob Morgan), a Vietnam veteran whose mental health was shattered by PTSD and is convicted for planting a bomb that unintentionally kills someone. Some of the most harrowing scenes in the film relate to Richardson’s case.

The movie falls back on some of the cliches of civil rights themed biopics, but it does stand a notch above them.  Jordan and Foxx are absolutely spectacular in acting their roles, and they are a joy to watch.  The movie also foregrounds the Black characters, so it avoids Hollywood’s predilection for “white savior” narratives.  If you haven’t seen this movie, check it out while it’s still free (although it would also be worth paying for).

Rating: ***1/2

Album Review: Put the Shine On by CocoRosie


Album: Put the Shine On
Artist: CocoRosie
Release Date: March 13, 2020
Label: Marathon Artists
Favorite Tracks:

  • High Road
  • Restless
  • Lamb and the Wolf
  • Slow Down Sun Down
  • Ruby Red

Thoughts:

Sisters Bianca “Coco” Casady and Sierra “Rosie” Casady have been creating weird and eclectic music for nearly twenty years.  Their style is basically Americana with electronic instruments and has been classified as New Weird America. This is their first album in five years.  I find it hit or miss, or maybe it’s just that CocoRosie is better in small doses. Listening to the entire album all the way through and their weirdness starts to feel like an act.  I particularly don’t like it much when the Casady sisters rap, but I do like their punk rock vocals.  Nevertheless there are some good moments on this album when they achieve their peak fun and creativity.

Rating: ***

 

Album Review: Temple by Thao & The Get Down Stay Down


Album: Temple
Artist: Thao & The Get Down Stay Down
Release Date: May 15, 2020
Label: Ribbon Music
Favorite Tracks:

  • Temple
  • Phenom
  • Pure Cinema
  • How Could I
  • I’ve Got Something

Thoughts:

I’m a long-time fan of the work of fellow William & Mary alum Thao Nguyen, so I was excited when Thao & The Get Down Stay Down released their newest album in May.  Doubly so when I saw that Thao Nguyen and her many collaborators put together the first great pandemic music video, filmed on Zoom, for the lead single “Phenom.”

Lyrically, the album explores Nguyen’s recently outed queer identity and reconciles it with her Vietnamese-American heritage.  Musically, the songs sound different from the band’s earlier works. The sound draws on a variety of influences from blues rock to 80s post-punk to jazz to indie pop with some tracks incorporating hip-hop elements.  It’s creative and original, and a little bit quirky but also very catchy. It’s a great grab bag that rewards multiple listens.

Rating: ***1/2

Album Review: RTJ4 by Run the Jewels


Album: RTJ4
Artist: Run the Jewels
Release Date: June 3, 2020
Label: Jewel Runners | BMG
Favorite Tracks:

  • ooh la la (feat. Greg Nice and DJ Premier)
  • walking in the snow
  • JU$T (feat. Pharrell Williams and Zach de la Rocha)
  • a few words for the firing squad (radiation)

Thoughts:

This album hits like a ton of bricks.  Killer Mike and El-P rap on a variety of issues including police brutality, mass incarceration, capitalism, the legacy of slavery, and the school-to-prison pipeline. These tracks seem so relevant to the current Black Lives Matter and Defund the Police protests that they may have been written a couple of weeks ago.  But of course, these issues have deep roots. Lest you think this album is all social consciousness, Run the Jewels find room for some party tracks, as well. The album reflects the confidence Run the Jewels have built up over four albums, as well as the personal friendship of El-P and Killer Mike.

Rating: ****

 

Movie Reviews: Mr. Holmes (2015)


Title: Mr. Holmes
Release Date: 19 June 2015
Director: Bill Condon
Production Company: AI Film | BBC Films | FilmNation Entertainment | Archer Gray Productions | See-Saw Films
Summary/Review:

This film is an adaptation of A Slight Trick of the Mind by Mitch Cullin that  stars Ian McKellen as a 93-year-old Sherlock Holmes.  Having retired to a farm decades earlier where he tends to an apiary.  Holmes struggles with losing his brilliant mind to the onset of memory loss due to senile dementia. His only daily contact with other humans is his widowed housekeeper, Mrs. Munro (Laura Linney) and her son Roger (Milo Parker).

The movie intertwines three stories.  Holmes is working on rewriting an accurate account of his last case, one he considers a failure, and is shown in flashbacks.  Struggling to remember the details, Holmes had recently traveled to Japan, and more flashbacks show him meeting his correspondent, Tamiki Umezaki (Hiroyuki Sanada), and visiting the ruins of Hiroshima.  There they retrieve prickly ash, a plant that is supposed to have medicinal properties for restoring the mind.  The main plot depicts Holmes bonding with Roger, an intelligent and curious boy, while training him how to care for the bees.

The movie is a good adaptation of the book.  It’s gorgeous film and McKellen is perfect at the elderly Holmes.  I don’t know if he watched Jeremy Brett’s performance as Holmes, but there are times where he seems to be channeling Brett’s physical tics.  The movie is also a moving depiction of Holmes struggling with the most difficult thing to lose, his mind, and the emotional breakthrough he makes with Roger and Mrs. Munro.

Rating: ***

Book Review: Highfire by Eoin Colfer


Author: Eoin Colfer
Title: Highfire
Publication Info: New York : HarperPerennial, [2020]
Previously Read by the Same Author:

Summary/Review:

I received an advanced reading copy of this novel through the Library Thing Early Reviewers program.

Eoin Colfer writes fantasy fiction primarily for the young adult audience, but this book is most decidedly not for children.  Nevertheless, the book is about an ancient dragon Wyvern, Lord Highfire (“Vern” for short) who has retired to the Louisiana bayou where he reclines in his La-Z-Boy wearing a Flashdance t-shirt and drinking vodka while watching Netflix. A series of incidents bring him together with a teenager named Everett “Squib” Moreau, who has a penchant for trouble but is trying to do his best. Squib eventually becomes Vern’s assistant or “familiar” despite the latter’s mistrust of humans.

Squib has the misfortune that the corrupt and sociopathic constable Regence Hooke is insistent on dating Squib’s single mother.  Squib gets into deeper trouble when he witnesses Hooke murdering a rival.  Hooke learns of Vern from following Squib and comes up with a plan to use the dragon to take out a New Orleans crime lord and take control of drug and arms trafficking.

Parts of this book are a delightful blend of fantasy and gritty, everyday life on the Louisiana bayou.  I especially enjoy the growing relationship between Squib and Vern.  Unfortunately, Colfer seems to revel in detailing Hooke’s cruel and psychotic mind.  It gets to the point where Hooke feels like he’s the main protagonist of the story and he’s not someone I want to spend a lot of time with.

Recommended books:

Rating: **1/2