Release Date: March 26, 1953
Director: Kenji Mizoguchi
Production Company: Daiei Film
Set during a Civil War in 16th-century Japan’s Sengoku period, this movie is the story of a potter Genjūrō (Masayuki Mori of Rashomon fame) who hopes to take advantage of the troubled times to make a profit selling his wares in a city across a lake. Due to fear of pirates he leaves his wife Miyagi (Kinuyo Tanaka) and their young son behind, but is accompanied by his friend Tōbei (Eitaro Ozawa) and his wife, Ohama (Mitsuko Mito).
The trio are separated in the city. Tōbei, who always dreamed of becoming a samurai, stumbles into being recognized as a hero by one of the armies, and is rewarded with armor, a horse, and troops to command. Meanwhile, Ohama is abducted, raped, and forced to work in a brothel. A noblewoman, Lady Wakasa (Machiko Kyō, who also starred in Rashomon and Floating Weeds) visits Genjūrō’s stall and he eventually he goes to live with her and marry her, not telling of his wife and child.
This movie is a ghost movie, but the spectral parts are subtle, and in a way unexpected. This is also a movie where the two wives are severely wronged and the sympathies of the movie are with them against their foolish husband. The movie is also a morality play, but again one that is well-done and moving. I found myself weeping at the end, primarily because the final scenes involve some sweet scenes between Genjūrō and his toddler son.