The Politics of Everything :: The Political Power of Protests
Kimberlé Williams Crenshaw talks on police killings and the effect of COVID-19 on Black Americans, Osita Nwanevu talks about how protests affect public policy, and Patrick Blanchfield explains how the police use language to obscure police violence.
What Next :: How the NYPD Gets Away With It
The story of what happened when a police car hit a Black child on Halloween in New York. Read more in this Pro Publica article by Eric Umansky.
Title: Just Mercy
Release Date: December 25, 2019
Director: Destin Daniel Cretton
Production Company: Endeavor Content | One Community | Participant Media
Macro Media | Gil Netter Productions | Outlier Society
This movie flew under radar when it was released last Christmas, but it was available for free on streaming networks in June, so I thought I’d check it out. The movie is based on the true story of Bryan Stevenson (Michael B. Jordan) and adapted from his book of the same name. Stevenson is a Harvard-trained lawyer and as an idealistic young man we see him move to Alabama to begin the Equal Justice Initiative. With the support of local activist Eva Ansley (Brie Larson) he works to represent poor prisoners, including death row inmates, get proper legal representation.
The main plot of the movie relates to the case of Walter “Johnny D.” McMillian (Jamie Foxx), a man convicted and sentenced to death for the murder of white teenage girl in Monroeville (a town the is shown to be proud of its connection with Harper Lee and To Kill a Mockingbird). Stevenson sees that Johnny D. was convicted primarily on the testimony of another prisoner, Ralph Myers (Tim Blake Nelson), who received a lighter sentence in exchange, and that witnesses who saw Johnny D at the time of the crime (including a cop) were not called at all.
I expect it is no spoiler to note that Stevenson will get Johnny D.’s conviction overturned, but the procedures and indiginities he has to go through still create a lot of tension. The early 1990s were a time when “tough on crime” was at its post-Jim Crow era peak, so its amazing that Stevenson is able to succeed (compare this movie with When They See Us, the story of the Central Park Five case happening around the same time). There is also a subplot involving another death row inmate, Herbert Richardson (Rob Morgan), a Vietnam veteran whose mental health was shattered by PTSD and is convicted for planting a bomb that unintentionally kills someone. Some of the most harrowing scenes in the film relate to Richardson’s case.
The movie falls back on some of the cliches of civil rights themed biopics, but it does stand a notch above them. Jordan and Foxx are absolutely spectacular in acting their roles, and they are a joy to watch. The movie also foregrounds the Black characters, so it avoids Hollywood’s predilection for “white savior” narratives. If you haven’t seen this movie, check it out while it’s still free (although it would also be worth paying for).