Movie Review: Hamilton (2020)


Title: Hamilton
Release Date: July 3, 2020
Director: Thomas Kail
Production Company: Walt Disney Pictures | 5000 Broadway Productions | Nevis Productions | Old 320 Sycamore Pictures | RadicalMedia
Summary/Review:

Five years after first hearing the Broadway cast recording of Hamilton, Lin-Manuel Miranda’s hip-hop history musical inspired by Ron Chernow’s biography of the first U.S. Secretary of the Treasury, I finally get to see what the performance actually looks like.  And I didn’t even have to pay $500 for a ticket!  This movie is made up of stage performances filmed over three shows in 2016 much like one of my all-time favorite Broadway-shows-become-movies, Camelot (1982). The high-quality film and steady-cam work enhances an already great stage production.

Since it seemed that most everyone I know was already watching this movie yesterday, I’m sure no one is waiting for my review.  Still, I do recommend watching it even if you’re skeptical about all the fuss. The story is somewhat loose with historical facts, but it needs to be recognized that this is a story for our times as much as it is history. The cast is predominately people of color who claim American history – all too often considered white history – as their own. Hamilton and Lafayette probably never considered themselves immigrants, for example, but in Hamilton they identify as such because the show is tying them into a longer story of the American experience.

Anyhow, there’s probably nothing more I can say about Hamilton that hasn’t already been said.  I like it, I love the music, I love the deeply human performances from the cast.

Rating: *****

My Favorite Songs of 2020, So Far


We are halfway through the year 2020! Only halfway, you say? Yes! But all things considered, there has been some good music from this wreck of a year.  Here’s a list of 20 songs I love from 2020.

If there’s a song that you think belongs on this list, let me know in the comments.

“All That” by Sparks
(also consider “Lawn Mower” and “Onomato Pia“)

“Antifa Dance” by Ana Tijoux

“Anyone Can Play Guitar” by Midwife

“Be” by Mourning [A] BLKstar
(look forward to a full review of the band’s album The Cycle in the coming weeks).

“Clean Kill” by Coriky

“Daily Jobs” by Bee Bee Sea

“Devil Put the Coal in the Ground” by Steve Earle & The Dukes 

“Don’t Start Now” by Dua Lipa
(also consider “Boys Will Be Boys” and “Break My Heart“)

“Emotional Devotion Creator” by Peel Dream Magazine

“Finally // beautiful stranger” by Halsey

“IN IN IN” by Zebra Katz

“Is There Something in the Movies” by Samia

“Mansplain” by Thick

“Never (Lagos Never Gonna Be The Same)” by Tony Allen and Hugh Masekela
(also read my full-album review for Rejoice)

“Phenom” by Thao and the Get Down Stay Down
(also read my full-album review of Temple)

“Shameika” by Fiona Apple
(also read my full-album review of Fetch the Bolt Cutters)

“Take a Piece” by The Big Moon

“Take What You Can Carry” by Mia Doi Todd

“Tenebrist” by The Ballroom Thieves
(also read my full-album review of Unlovely)

“The Low” by Jonah Mutono

“walking in the snow” by Run the Jewels
(also read my full album review of RTJ4)