Welcome to Muppet Mondays! Over the next several Mondays I will be working my way through the various movies in the Muppets and Jim Henson oeuvre.
Release Date: June 27, 1986
Director: Jim Henson
Production Company: Henson Associates, Inc.| Lucasfilm Ltd.
Surprisingly, I’ve never watched this Jim Henson production before, despite the fact that it came out when I was 12, the ideal age to watch this movie. I remember hearing that the movie was a dud, and believed the criticism, although in later years I learned that Labyrinth became a cult classic. There’s a lot of talent involved in this movie – Jim Henson as directory, George Lucas as producer, Monty Python’s Terry Jones as the main scriptwriter, and David Bowie lending his talents to his performance as Jareth the Goblin King and his music to the soundtrack.
One might expect something huge from this confluence of talents and be disappointed by the smaller film that ensued. If you take the film on its own though, it is a wonderfully imaginative story that draws up fantasy folklore with impressive visuals. Jennifer Connelly plays the fantasy-obsessed teenager Sarah who resents having to babysit her infant brother and asks the goblins to take him away. When Jareth does in fact take Toby to his castle he allows Sarah 13 hours to solve a labyrinth to recover her brother. The resourceful Sarah uses her knowledge of fantasy tropes to find her way through with the help of the cowardly dwarf Hoggle (Brian Henson), the gentle giant Ludo (Ron Mueck), and the overly courageous fox Sir Didymus (performed by Dave Goelz and voiced by David Shaughnessy).
Compared with present day fantasy and adventure movies, there’s very little preamble before Sarah jumps into her adventure in the labyrinth, and a brief conclusion as well. While more grounded in the real world than The Dark Crystal, the movie is wonderfully fantastic with impressive sets, puppetry, and animatronics. On the downside there’s some poor chroma key work in some scenes especially the one where the Fierys are dancing. This film falls into the part of Bowie’s career when he was making over-produced, synth heavy pop, although the songs are better than his work on Tonight.
I’m so used to actors in their 20s playing teenagers that I’m impressed that Connelly was actually 16, because she seems older. She does a good job of portraying the age when one begins to put aside childish things for grownup responsibilities. Although, as we learn, those childish things will always be there when we need them.