Hitchcock Thursdays: Following up on my Classic Movie Project, I made a list of ten Alfred Hitchcock movies I wanted to watch or rewatch. I’ll be posting reviews on Thursdays throughout the summer.
Title: Dial M For Murder
Release Date: May 29, 1954
Director: Alfred Hitchcock
Production Company: Warner Bros
I watched this movie when I was younger and remember that it was Hitchcock’s only movie filmed in 3-D with a famous scene of Grace Kelly reaching toward the camera to get a pair of scissors. That was about all I remember. Like Rope, Dial M for Murder is set primarily in one apartment although without the tension of taking place in real time. Retired tennis player Tony Wendice (played as a gleeful sociopath by Ray Milland) comes up with an elaborate plan to murder his wife Margot (Kelly) as revenge for her having an affair with crime novelist Mark Halliday (Robert Cummings), while also being able to inherit her wealth. Tony comes up with an elaborate plan to blackmail a university acquaintance and low-level criminal, Charles Alexander Swann (Anthony Dawson), into carrying out the murder while he’s at a party with Mark.
Of course, Tony’s plan goes awry, although he is resilient in improvising alternate plots. There are a lot of twists in the story but it also feels overly talky and focused on tiny details. A lot of Hitchcock movie plots don’t make much sense when you think about them after the fact, such as Vertigo, but Dial M for Murder strains its credulity as its playing. This is especially true in the final act when both Mark and police inspector Hubbard (John Williams) each individually come to realization of what Tony really did and challenge him in his apartment. The script also doesn’t give Grace Kelly much to do other than react to things happening to her, which seems a big waste of her talent.
Dial M for Murder is mildly entertaining, but by Hitchcock standards it’s a dud.