Movie Review: A Night at the Opera (1935)


Welcome to Marx Brothers Mondays! I’ll be watching and reviewing the Marxist oeuvre over the next several weeks.

Title: A Night at the Opera
Release Date: November 15, 1935
Director: Sam Wood
Production Company: Metro-Goldwyn-Mayer
Summary/Review:

A Night at the Opera is the Brothers Marx first film with MGM and the first produced by Irving Thalberg. At Thalberg’s suggestion, the Marx Brothers were to become less anarchic and only use their sass and nonsense against the movie’s antagonists while offering their help to the film’s heroes.  After being absent from Duck Soup, a romantic subplot and non-comic musical numbers return.  In fact this is the first time the Marx Brothers bits, romance, and musical aspects are all tied together into a coherent plot.

Allan Jones takes over for Zeppo as a chorister named Ricardo Baroni who is in a romance with the opera company’s lead soprano Rosa Castaldi (a strong performance by Kitty Carlisle).  The “bad guys” in the film are the abusive lead tenor Rodolfo Lassparri (Walter Woolf King) director of the New York Opera company Herman Gottlieb (Sig Ruman), and the dowager investor Mrs. Claypool (Margaret Dumont, of course!).  The Marxes get several set pieces including the famous contract scene between Chico and Groucho, the crowd of people in Groucho’s tiny stateroom, and the general disturbance they cause in the concluding opera scenes. Chico and Harpo get their traditional piano and harp solos, but they’re vastly improved by performing on a ship’s deck surrounded by Italian children and comically interacting with them.

A Night at the Opera may not be my #1 or #2 Marx Brothers film, but it is a worthy classic.

Rating: ****

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