Title: Mary Poppins Returns
Director: Rob MarshDecember 19, 2018all
Production Company: Walt Disney Pictures | Lucamar Productions |Marc Platt Production
It’s the Great Depression in London, and Michael Banks (Ben Whishaw), a recent widower with three children, is at risk of having his house repossessed by the very same bank that employed his father. His children, Annabel (Pixie Davies), John (Nathanael Saleh), and Georgie (Joel Dawson), have matured quickly and almost have to parent their grieving father. Even their Aunt Jane (a winsome Emily Mortimer), a labor organizer who has retained the joie de vivre of her childhood, is distraught by the potential loss of the family house.
Into this milieu steps Mary Poppins (Emily Blunt capably stepping into Julie Andrews’ shoes), who arrives to set things right by giving the children the chance to be children, help Michael recover his childlike sense of wonder, and oddly, pairing off the confident single woman Jane with a man. At least in this old-fashioned notion of forced pair bonding, Jane is matched up with Jack (Lin-Manuel Miranda), a charming lamplighter who fills the role of Dick Van Dyke’s Bert.
I’m struck by how much this sequel follows the same structure as its predecessor. Mary takes the kids on a couple of fantastical adventures – an undersea journey through the bathtub and into a ceramic bowl. They visit a relative who ends up on the ceiling, in this case Meryl Streep as Topsy. They dance with the working class laborers of London, in this case Jack and his fellow lamplighters. There is a final showdown in the bank. And the film ends with a day in the park but instead of flying kites, the characters themselves fly on magical balloons, with Angela Lansbury in a singing cameo as the Balloon Lady.
The song and dance number provide wonderful choreography and spectacle. I particularly enjoy the lamplighters’ number incorporating bicycles. This is a very bike-positive movie over all. And the animation of the ceramic bowl is very well done too. Unfortunately, none of the songs really made an impression. The music isn’t bad, there’s just nothing I remember after the fact that can stand by “A Spoonful of Sugar” or “Supercalifragilisticexpialidocious.”
Movies made over 50 years typically do not need sequels, particularly classics like Mary Poppins. Mary Poppins Returns offers little to justify its existence. There’s nothing particularly bad about it, it just lacks the ambition to be great. Nevertheless, it does have enough whimsy and charm to fill a couple of hours should you be so inclined.