Release Date: December 4, 1924
Director: Erich von Stroheim
Production Company: Metro-Goldwyn-Mayer
I came to this film reluctantly because in college I read the awful book it’s based on, McTeague, about a horrible dentist who abuses his wife. The novel’s author, Frank Norris, practiced scientific racism and the fictional work is supposed to be his expose of the inferiority of the working class, immigrants, Jewish people, et al. So, you know this is going to be a fun movie!
In a sense, the movie is better than the book, especially since director Erich von Stroheim removed the prejudicial undertones. Gibson Gowland plays the irascible John McTeague, a dentist in San Francisco. His friendship with Marcus Schoule (Jean Hersholt) deteriorates when he marries Trina Sieppe (ZaSu Pitts, one of the great names in Hollywood history), whom they both courted. McTeagues marriage swiftly falls apart, partly dur to Trina clinging to $5000 she won in a lottery even as the couple fall into destitution.
Von Stroheim largely filmed on location which means you get a lot of cool glimpses of San Francisco from a century ago. The final scenes were filmed on location in Death Valley under brutal conditions for the actors and crew. Still, the final shot is about as iconic as they come in film history. Von Stroheim also used tinting to add a golden glow to the objects of desire that the characters lust after. The movie is melodramatic and the characters are more types than realized people. Overall, this is another film that I’m glad to have watched from a film history perspective, but not one that I would otherwise have enjoyed.