Movie Review: Parasite (2019)


Title: Parasite
Release Date: 30 May 2019
Director: Bong Joon-ho
Production Company: Barunson E&A
Summary/Review:

The Kim family are unemployed and struggling to make ends meet while living in a semi-basement apartment in a run-down looking part of a South Korean city. Their fortunes start to look up when the college-aged son Kim Ki-woo (Choi Woo-shik) gets the opportunity to substitute for his friend as a tutor of the daughter of the prosperous Park family, despite not having qualified for the university himself. Ki-woo notices the anxiety the Park family’s mother (Cho Yeo-jeong) has for her young son and recommends his artistically-talented sister Kim Ki-jung (Park So-dam) as an art therapist he’s knows named “Jessica.” Ki-jung is able to get the driver of the Park family father fired, and recommends to Park Dong-ik (Lee Sun-kyun) her own father Kim Ki-taek (Song Kang-ho) as a replacement driver (again in disguise).  Finally, the trio work to get the Park’s long-term housekeeper, Gook Moon-gwang (Lee Jung-eun), and replace her with their mother, Chung-sook (Jang Hye-jin).

With all four members of the family gainfully employed by the Parks, they take the opportunity of the Parks leaving for a camping trip to celebrate in the Park’s elegant house, designed by a prominent architect who once lived there. Things look good until Moon-gwang arrives claiming that she left something in the basement. She reveals a shocking secret which unleashes a series of events that lead to a tragic final act.

The movie is a dark satire of socially-stratified society. Despite the fact that the Kims do some morally reprehensible things, you still find yourself rooting for them because people as clearly talented and motivated as them should not be living in poverty (of course, no one should live in poverty). The conflict that arises between the Kims and Moon-gwang is also emblematic of how the poor are forced to fight amongst themselves for the scraps thrown by the wealthy. Without going into spoilers, the grim events of the final act are an indication that actual class war would be devastating for all involved, but that inequality is going to have be addressed by other means.

The movie is very cleverly-written and the acting is all-around terrific.  I really felt like I knew all these characters and they were fully-rounded humans, not just types.  I was also impressed by the direction.  One sequence shows the Kim family running from the Park’s house to their own neighborhood by way of descending a series of staircase.  The social stratification between the families is made literal. There’s also a shot where flood waters rise into the frame and everything above the waterline wipes into the next shot, an effect I’ve never seen before.

Parasite is a clever, funny, thoughtful, and disturbing film.  It’s received a lot of awards and accolades, and I guess I’m adding mine to the pile.

Rating: ****1/2

Classic Movie Review: The Wind (1928)


TitleThe Wind
Release Date:November 23, 1928
Director: Victor Sjöström
Production Company: Metro-Goldwyn-Mayer
Summary/Review:

Silent film star Lillian Gish starred in her last silent film as a young woman named Letty Mason, who travels west to live with a cousin who is like a brother, Beverly (Edward Earle).  All is not well in Sweetwater, Texas, though, as two ranchers want marry Letty, the creepy cattle buyer Wirt Roddy (Montagu Love) pursues her relentlessly, and Beverly’s wife Cora (Dorothy Cumming) is jealous of her.  Worst of all, the relentless wind torments poor Letty.

This movie is a straight-up melodrama to the point where I expected Gish to grab her heart and proclaim “I can’t pay the rent!” Having seen some other late-era silent films, I also don’t think the movie is particularly technically innovative, either. Mostly it’s a movie made on powerful wind machines and Gish flailing around like she’s on the bridge of the U.S.S. Enterprise.  The best sequence is toward the end when in a fever dream Letty deals with the worst wind storm yet and the threat of sexual assault.  But it’s too little, too late in a movie that’s largely Hollywood hokum.

An interesting side note, much later in life, director Victor Sjöström starred in Wild Strawberries.

Rating: **