Welcome to the Panorama of the Mountains Blogging A to Z Challenge. This year I’m watching and reviewing movies from A-to-Z based on my ongoing Classic Movie Project. Most movies will be featured on one or more of three lists: AFI’s 100 Years…100 Movies (USA), The Sight & Sound Greatest Films of All Time (UK), and Cahiers du Cinéma Greatest Films of All Time (France). In some cases, I will be very creative in assigning a Classic Movie to a letter of the alphabet, and in a few cases the movie I watch will not be Classic Movies at all.
Title: The Bridge on the River Kwai
Release Date: October 2, 1957
Director: David Lean
Production Company: Horizon Pictures
The Bridge on the River Kwai may be one of the first classic movies I watched and enjoyed as a child. It was either this or The African Queen. Oddly enough, both movie have in common people traveling down a river to blow something up and leeches. I watched Kwai numerous times in my youth and into my young adulthood, but I was returning to it after many decades.
The movie, for the most part, part holds up very well. It has many iconic moments. The English POWs marching into camp whistling the “Colonel Bogey March” (which I only just learned that during WWII was given parody lyrics and was sung as “Hitler Has Only Got One Ball“), English Colonel Nicholson (Alec Guinness) standing off against the Japanese camp director Colonel Saito (Sessue Hayakawa), Nicholson staggering out of the punishment box, and the whole final sequence which I found extremely satisfying after all the build up. William Holden (who keeps appearing in these classic movies) plays the token American who escapes the camp only to return as part of team of commandos, and he represents the audience as the person who recognizes the absurdity of the situation.
When I watched this when I was younger, I took at face value, so watching it this time I really noticed how the movie is deeply satirical, with dark and absurdist humor, and an anti-war movie. The final word of the film is “Madness!” and the entire film is an examination of madness, or perhaps more accurately, monomaniacal behavior, as exhibited by Nicholson, Saito, and commando leader Major Warden (Jack Hawkins). What makes this movie work is that in some ways, each of these three “mad” characters does have a good point. Saito is correct when is says that there are no rules in war. Nicholson is right that giving the POWs a sense of purpose by building the bridge leads to better morale and health, and Warden is right that they need to destroy the bridge. The moral quandary is how far they are willing to go to pursue these goals. The real “madness” is the war itself, which pushes them to the edge.