Classic Movie Review: Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975)

#AtoZChallenge 2021 April Blogging from A to Z Challenge letter J

Welcome to the Panorama of the Mountains Blogging A to Z Challenge. This year I’m watching and reviewing movies from A-to-Z based on my ongoing Classic Movie Project. Most movies will be featured on one or more of three lists: AFI’s 100 Years…100 Movies (USA), The Sight & Sound Greatest Films of All Time (UK), and Cahiers du Cinéma Greatest Films of All Time (France). In some cases, I will be very creative in assigning a Classic Movie to a letter of the alphabet, and in a few cases the movie I watch will not be Classic Movies at all.

Title: Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles
Release Date: May 14, 1975
Director: Chantal Akerman
Production Company: Paradise Films | Unité Trois

I believe this is the first Belgian film I have ever watched.  The 3 hour, 21 minute film details the life of a woman, Jeanne Dielman (Delphine Seyrig), go through the ordinary routine of her life in minute detail over a period of three days. Jeanne cleans the house, cooks, bathes, goes shopping, babysits, spends time with her teenage son (Jan Decorte), runs errands, and receives men in her bedroom who pay her for sex.  Sometimes she also sits in a chair for a long time as well. She is so very precise about everything she does that when little things start to go wrong it is very jarring. This film is the slowest of burns all leading to … something I won’t say.

The film adopts the style of Yasujirō Ozu (Tokyo Story, Late Spring), where the camera remains stationary throughout and there are only cuts between scenes. With a woman director, Chantal Akerman, and a crew made up mostly of women, the film is a feminist statement on the invisibility of women’s work in movies (and in real life).  The film provokes a lot of questions, such as does it matter if a movie is technically brilliant and innovative if it ends up being extremely boring? Or, it there art in the verisimilitude of life, or should art transcend ordinary life?

Rating: ***1/2