Classic Movie Review: Trouble in Paradise (1932) #AtoZChallenge

#AtoZChallenge 2021 April Blogging from A to Z Challenge letter U

Welcome to the Panorama of the Mountains Blogging A to Z Challenge. This year I’m watching and reviewing movies from A-to-Z based on my ongoing Classic Movie Project. Most movies will be featured on one or more of three lists: AFI’s 100 Years…100 Movies (USA), The Sight & Sound Greatest Films of All Time (UK), and Cahiers du Cinéma Greatest Films of All Time (France). In some cases, I will be very creative in assigning a Classic Movie to a letter of the alphabet, and in a few cases the movie I watch will not be Classic Movies at all.

I couldn’t find a “U” movie to watch from these lists, so I’m going to just review another “T” movie and “U” will have to live with that.

Title: Trouble in Paradise
Release Date: October 21, 1932
Director: Ernst Lubitsch
Production Company: Paramount Pictures

The film begins with a romantic dinner in Venice between Gaston Monescu (Herbert Marshall) and Lily (Miriam Hopkins). They gradually learn that they are both posing as aristocracy: he’s a master thief and she’s a pickpocket and a con artist.  They decide to team up and find their next mark in Madame Mariette Colet (Kay Francis), a recent widow who owns a famous perfume company.  Gaston is able to get himself hired as Mariette’s secretary (and get a position for Lily as well) and work his way into her confidence to set up robbing her safe.  There’s one problem though – Gaston and Mariette fall in love.

Thus you have the perfect escapist fare for The Great Depression – the meaningless problems of the rich, a love triangle, and nonstop droll humor.  The three leads are terrific and have a great supporting cast.  I wouldn’t say this movie is laugh out loud funny, but these characters are so smart and effortless in their banter, I can’t help but enjoy it.  I’d never heard of Kay Francis before, but I learned she was the top-paid Hollywood actress of the early 1930s, and I can see why.  You can also tell this is a pre-Code film because they’re never explicitly sexual, they don’t hide its sexiness either.

Rating: ****