Title: Sorry We Missed You
Release Date: 23 October 2019
Director: Ken Loach
Production Company: Sixteen Films | BBC Films | BE TV | BFI Film Fund | Canal+ | Ciné+ | France 2 Cinéma | France Télévisions | Les Films du Fleuve | VOO | Why Not Productions | Wild Bunch
Summary/Review:
Sorry We Missed You documents one working class family’s struggles with the modern economy in Newcastle, England. Ricky takes an opportunity to become a self-employed delivery driver although in reality he’s under the strict supervision of Maloney (Ross Brewster) and suffers steep penalties for not hitting benchmarks. He has to sell the family car in order to buy a delivery van, forcing his wife Abby (Debbie Honeywood) to take the bus for her work as a home care nurse. Abby is a deeply compassionate person wanting to spend time with her elderly patients but having too tight a schedule for anything but the bear necessities. The family’s children react to their parents long absences and stressful jobs in different ways. Teenage Seb (Rhys Stone) retreats from the family, skips school, and posts graffiti with his friends. Preteen Liza Jane (Katie Proctor) suffers anxiety and takes on more responsibility than she should at her age.
Things spiral out of control for the family as setbacks affect their work performance. Their story is a grim reality for many under the uncaring guise of capitalism. This movie pairs well with Nomadland, although unlike that film, Sorry We Missed You does not offer any idea of freedom or escape in any of this, which is probably more honest.
Rating: ****
I saw this awhile back and thought it was educational for anyone considering working at the dozens of delivery services that sprouted up during the pandemic. I think it would be a lot easier to do the “Nomadland” thing in the US than in EU as we have a lot more space and there are many laws on the books in the EU to deter Roma/Travelers/Gypsies. BTW I finally saw Nomadland last night and thought it was very well-done.
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Though, even in the US, far more people are living a life like “Sorry We Missed You” than “Nomadland.”
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