Album of the Week: KALAK by Sarathy Korwar


Album: KALAK
Artist: Sarathy Korwar
Release Date: 11/11/2022
Label: The Leaf Label
Favorite Tracks:

  • Utopia is a Colonial Project
  • Back in the Day, Things Were Not Always Simpler
  • Kal Means Yesterday and Tomorrow
  • Remember Begum Rokheya
  • That Clocks Don’t Tell But Make Time

Thoughts:

Sarathy Korwar is a US-born, Indian-raised, London-based musical artists who fuses jazz and Indian classical music with electronic sounds to create unique sound.  Electronic artist Photay produced the album and adds to its atmospheric sound.  While most of the tracks are instrumental, with some spoken-word sections, the music revolves around themes of time, memory, and identity in a post-colonial context. The music is challenging yet meditative.

Rating: ****

Song of the Week: “When the Lights Go” by Totally Enormous Extinct Dinosaurs


Totally Enormous Extinct Dinosaurs – “When the Lights Go”

London-born, U.S.-based Orlando Tobias Edward Higginbottom records under the name Totally Enormous Extinct Dinosaurs, because why not?  Here is the title track from his latest album.

Song of the Week 2022

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Movie Review: Seven Up!(1964)


Today I turn 49 years old.  Since that is an age divisible by seven, I’ve decided to revisit The Up Series, the great documentary series from the UK that checks in with a group of people every seven years starting back with this TV special in 1964.

I first discovered this series back in 2005 when I checked out the box set from the library.  Susan and I binged all the movies in less than a week and then went and saw the most recent release at the time, 49 Up, at the movie theater.  I’ve kept with additional installments over the years but this is a good opportunity to revisit the earlier films.

Title: Seven Up!
Release Date: 5 May 1964
Director: Paul Almond
Production Company: Granada Television
Summary/Review:

Director Paul Almond created this one off TV special for the Granada Television series World In Action to focus on a group of seven-year-old children, the generation who would provide “the shop steward and the executive of the year 2000 .” Twenty children were brought together for a visit to the London Zoo, a special party, and time to play in an adventure playground (none of these things would past muster with today’s helicopter parents). The children represent various parts of England including London’s East End, the post Kensington borough, the Liverpool suburbs, a farm in Yorkshire, and a charity orphanage.

The experiment is flawed from the beginning as the 14 participants chosen to be documented in the ensuing films, only 4 of them are girls.  Michelle, a girl from the East End who is featured prominently in the first installment but for some reason never returned in the subsequent films.  There also is only one non-white participant, Symon, who has an immigrant Black father and a white English mother.

That aside, it is an interesting gathering of children.  The interviewers ask a series of questions about issues such as interest in the opposite sex, money and class, racism, and violence.  The answers are as adorable as you might expect and surprisingly insightful.  The upper class boys Andrew, Charles, and John, naming the prep schools, public schools, and universities that they plan to attend (right on down to specific Oxbridge colleges) is alarming.  But then again, working class Tony is always spot on about what he’s going to accomplish in the future too.

Highlights of the movie remain:

  • Tony falling flat on his face
  • Andrew licking his knee while being interviewed
  • Nick refusing to answer questions about girls
  • Bright-eyed Neil talking about how he dies when playing make believe
  • Paul not wanting to get married because his wife might make him eat greens
  • Also, I noticed this time that at the party the kids are actually drinking from bottles of 7-UP.  Great product placement!

Michael Apted worked as a researcher on this film, and by 1970 was wondering how these kids were doing as teenagers.  But we’ll get to that tomorrow!

Rating: *****