Best of the Decade: Favorite Books of the 2010s


Every year I make a list of my favorite books I read each year, but in this instance, I am listing my favorite books actually published from 2010 to 2019.  This book was pretty easy to make as it is every book I gave a ****1/2 to ***** star rating that was published in this period.

Is there a book that should be on this list that you don’t see?  Let me know in the comments and I might read it!

 

2019 Year in Review: Favorite Books


Here’s my annual list of my ten favorite books read in the year.  As always, this is merely the best books I read this year and not necessarily books published in 2018  For previous years see 2018, 20172016201520142013201220112010200920082007 and 2006. You may also want to check out My Favorite Books of All Time or see Every Book I’ve Ever Read cataloged in Library Thing.

  • The Power Broker: Robert Moses and the Fall of New York by Robert Caro
  • American Passage: The History of Ellis Island by Vincent Cannato
  • Dylan Goes Electric!: Newport, Seeger, Dylan, and the Night That Split the Sixties by Elijah Wald
  • Fault Lines : A History of the United States Since 1974 by Kevin Kruse
  • The Gay Revolution: The Story of the Struggle by Lillian Faderman
  • Kindred by Octavia Butler
  • One Giant Leap: The Untold Story of How We Flew to the Moon by Charles Fishman
  • Solar Bones by Mike McCormack
  • Someone Who Will Love You in All Your Damaged Glory by Raphael Bob-Waksberg
  • We Gon’ Be Alright: Notes on Race and Resegregation by Jeff Chang

Books Read in 2019

The books are rated on a scale from 1 to 5 stars with links to summary reviews. (A) is for audiobook.

Here’s a thumbnail of what the ratings mean:

  • 5 stars – all-time classic (I’m very stingy with these)
  • 4 stars – a particularly interesting, well-written, or important book
  • 3 stars – a good book from start to finish
  • 2 stars – not a good book on the whole but has some good parts
  • 1 star or less – basically a bad book with no redeeming values

January

February

March

April

May

June

July

August

September

October

November

December

  • The Unbeatable Squirrel Girl. Vol. 11, Call Your Squirrelfriend
  • Ms. Marvel. Vol. 7, Damage Per Second
  • Ms. Marvel. Vol. 8, Mecca
  • Ms. Marvel. Vol. 9, Teenage Wasteland
  • Ms. Marvel Vol. 10: Time and Again
  • Star Wars: The Weapon of a Jedi by Jason Fry (A) – ***1/2
  • The Second Amendment: A Biography by Michael Waldman (A) – ****
  • Star Wars Vol. 1: Skywalker Strikes –
  • Star Wars Vol. 2: Showdown on the Smuggler’s Moon –
  • Star Wars Vol. 3: Rebel Jail –
  • Star Wars Vol. 4: Last Flight of the Harbinger –
  • Star Wars Vol. 5: Yoda’s Secret War –
  • Star Wars Vol. 6: Out Among the Stars –
  • Star Wars Vol. 7: The Ashes of Jedha

 

2019 Year in Review: Favorite Albums


Here are five albums from 2019 that I really loved. Check out my lists of favorite albums from 20142016, 2017 and 2018 as well.

The New Normal by STL GLD

The Boston hip hop act STL GLD is well-regarded as one of the best groups in the area by local media. Boston isn’t a notable location on the hip hop map compared with other cities, but The New Normal should draw attention to our city. Moe Pope, Christopher Talken, and Jonathan Ulman perform songs that speak to the present moment of the Trump era, and all the political and personal turmoil that entails, but also offering a positive alternative vision. And STL GLD is not shy about getting their message out, including holding a listening party for the album’s premier in the unlikely setting of the Museum of Fine Arts. I admit that I don’t know enough about hip hop to write a thorough review, but I know what I like, and The New Normal, lyrically and musically, is worth listening to.

It’s Real by Ex Hex

This is the second album (following 2014’s Rips) from the Washington, DC based trio of Mary Timony on guitar, bassist Betsy Wright and drummer Laura Harris.  It’s got a mix of 80s punk and hardrock with touches of power pop and 60s girl groups thrown in.  There’s nothing quite original here, but it is a well-crafted collection of raging guitar solos and sweet harmonies.

The Best of Luck Club by Alex Lahey

Do you like 1980s power pop, but want to hear it from a young, contemporary artist? Australia’s Alex Lahey fits the bill on this album that just totally rocks.  She even rips out a sax solo on “Don’t Be So Hard on Yourself.” A year ago this week, I reviewed an album by Lahey’s fellow Australian Courtney Barnett, which I completely loved, and I feel just as strongly for The Best of Luck Club.  Lahey is maybe a bit less edgy musically than Barnett, but her lyrics are empowering and uplifting.  And even on the ballads the pair of ballads that close out the album – “Black RMs” and “I Want to Live With You” – Lahey express the contended domesticity of a loving relationship while still being a rock & roller.

Cut & Stitch by Petrol Girls

I have a soft spot for punk rock that features women’s voices shouting over shredding guitars.  The Petrol Girls website bears the tagline “Raging Feminist Post Hardcore from the UK and Austria” which about sums it up.  And while the shouted lyrics may not always be easy to understand, I appreciate that they’re saying important things, the emotion behind them is clear.

Cuz I Love You by Lizzo

Lizzo is one of those artists that excels in making music that fits into multiple genres – pop, hip hop, soul, funk, & R&B – so much so that her music is kind of it’s own Lizzo genre.  I was going to compare the music on Cuz I Love You to the work of Prince, and that was before I learned that Lizzo is from Minneapolis (in fact she appeared on the Prince and 3rdeyegirl album Plectrumelectrum).  The other obvious comparison is Janelle Monáe, and again there’s a direct connection as the pair performed together at Coachella last week and Lizzo interviewed Monáe for them. magazine.  What sets Lizzo apart is her joyful exuberance.  A large, black woman gets discriminated at from every angle, but Lizzo has embraced self-love, and much of the theme of this album is sharing the message of empowerment.  And she sounds she’s having so much fun while doing it.

2019 Year in Review: Favorite Podcasts


Happy Christmas! If you have some time off today or in the coming week, you might want to fill that time by listening to some podcasts!  To help you, here’s a list of my favorite podcasts episodes from 2019 ( you can also check the previous year’s list from 2018).

Before we get to the episodes, there are some podcast series I want to recognize as being the ones that I always want to listen to every episode, as inaugural inductees in my

Podcast Hall of Fame

  1. 99% Invisible
  2. Hit Parade
  3. The Memory Palace
  4. The Mortified Podcast
  5. Risk!
  6. The Thirty20Eight
  7. Throughline
  8. Twenty Thousand Hertz
  9. Wait Wait … Don’t Tell Me

Short Series of Note

White Lies

A serialized documentary about the murder of Reverend James Reeb in Selma, Alabama in 1965 and how no one was ever brought to justice for the crime.

1619 Project  

This podcast debuted in August to commemorate the 400th anniversary of the arrival of the first enslaved Africans in what would become the United States.  The 1619 Project, created by the New York Times and hosted by Nikole Hannah-Jones, explores how

Dolly Parton’s America

This is a new podcast about possibly America’s most beloved living person, Dolly Parton, explores many aspect of her music and public persona.

You Must Remember This :: Disney’s Most Controversial Film

A history of Disney’s banned movie, Song of the South, from its origins, influences on culture, popular re-releases, and persistent presence to this day.

The Report

This 15-part podcast breaks down the Mueller Report for those of us who don’t have time to read the report and/or need an assist with the legalese.

Favorite Podcast Episodes

On the Media :: Africatown

Survivors of The Clotilde, the last ship to carry Africans kidnapped into slavery in the United States, created a community outside Mobile, Alabama after the Civil War (covered in the recently published Zora Neale Hurston book Barracoon). The community has been devastated by environmental racism but survivors still hope to preserve its history.

The Truth :: Meet Cute

A romantic comedy where one the members of the couple dies before the first date.  There’s a lot of clever twists in this story.

Decoder Ring :: Baby Shark

Everything you need to know, and then some, about this year’s viral sensation, “Baby Shark” (doo, doo, doo, doo, doo).

Code Switch :: When Disaster Strikes

Inequality rears its ugly head in America in many ways.  Code Switch explores how disaster aid is biased in favor of white, prosperous homeowners and against poorer, people of color who rent

Twenty Thousand Hertz :: The Booj

In a world where every movie trailer sounds exactly like every other movie trailer, how does one make their trailer stand out?  The story of The Booj and other elements common to the blockbuster movie trailer formula.  Confession:  I love the sound of The Booj, but can live without the cheezy song covers.

Hit Parade :: The Everybody Say YEAH! Edition

Hit Parade traces Stevie Wonder’s career from his first #1 single – ““Fingertips, Part 2” in 1963 – and his emergence as a song writer, producer, multi-instrumentalist, and recording artist into his imperial period of the 1970s.  Chris Molanphy’s description of “Little” Stevie Wonder improvising on the live performance recording of “Fingerpits” as a 12-year old doing everything he can to stay up later past bedtime, is absolutely perfect.

99% Invisible :: Play Mountain

Isamu Noguchi was a sculptor and designer with an interesting life story.  He designed an abstract playground structure for New York City but was rejected by Robert Moses, who became a lifelong enemy (and this makes me love Noguchi more).  During World War II, he volunteered for internment in order to design a humane camp for the Japanese-American internees, and then found himself both unable to influence the design and unable to leave.  Today, his legacy lives on in unique, abstract playgrounds.

Hit Parade :: The Invisible Miracle Sledgehammer Edition

If you turned on the radio in the mid-1980s, you were likely to hear music by members of Genesis (Phil Collins, Peter Gabriel, and Mike and the Mechanics) while the band Genesis continued to make hits.  Chris Molanphy explains this unusual situation in pop music history.

Code Switch :: The Original ‘Welfare Queen’

The story of a con artist, child abductor, and possible murderer whose crimes were used to justify to slash welfare safety nets by the Reagan and Clinton administrations.

Decoder Ring :: Chuck E. Cheese Pizza War

My grandmother took my sister and I to a Chuck E. Cheese in the 80s when we were much too old for Chuck E. Cheese.  From this podcast I learned that the audioanimatronic shows were intended for adults and that they no longer exist at Chuck E. Cheese today.  And that’s just the beginning of a lot of strange stories.

Have You Heard? :: White Homebuyers, Black Neighborhoods and the Future of Urban Schools

Hit Parade :: The History of Show Tunes and the Pop Charts

A broad history of Broadway tunes and cast albums making it to the top of the charts, whether as original cast recordings, covers, or even samples.  I learned a lot, such as the fact that Natalie Wood did not sing her own songs in West Side Story, and that Jesus Christ Superstar and Evita were concept albums before they were staged as shows.

StoryCorps :: A Danger to My Country

Stories of the “Lavender Scare” in the 1950s federal government, and the gay man who had to enforce it.

Throughline :: Milliken v. Bradley

The effort to end school segregation by way of busing lead to this Supreme Court case decision that still affects our schools and communities to this day

Hub History :: Mayor Curley’s Plan to Ban the Klan 

Back in the 1920s, white supremacists hoped to expand their operations into Boston, but faced fierce opposition from Boston mayor James Michael Curley.  If only Boston’s mayor in 2019 was not a coward who appeases white supremacists.

The War on Cars :: Dying For Change

Bicycling activists stage more aggressive protests against politicians and the police as the deaths of cyclists increase in number.

This American Life :: We Come From Small Places

The immigrant experience explored through stories from the Labor Day Carnival and the West Indian American Day Parade in Brooklyn.

the legacy of slavery, segregation, and inequality have shaped American history.

The War on Cars :: The Problem with Public Meetings

Are public meetings the most democratic and effective way of finding common ground on the use of shared urban spaces?  Probably not.  This episode breaks down the problems of public meetings through the lens of a town hall forum in Brooklyn.

 

The War on Cars :: The Automotive Police State

Cars are often equated with freedom, but in this podcast we learn the mass production of cars lead to a massive increase in policing and the erosion of 4th Amendment rights. This is a must-listen.

Best of the Left :: Why We Cannot Have Nice Things (How Racism Hurts Everyone, Including White People)

This collection of stories from progressive news outlets takes “a look at some of the ways that conservative policies, willed into existence almost exclusively by white people, measurably hurt people and shorten life expectancies, including those who most fervently support the self-destructive policies.”

This American Life :: The Out Crowd

Important journalism for anyone who wants to know the extent of the crimes against humanity being carried out in our names at the border.

Hit Parade :: Rolling in God’s Royal Uptown Road Edition

Chris Molanphy expertly and entertainingly breaks down the trends in hit songs that charted in the 2010s.  The episode made me oddly nostalgic for the decade that hasn’t even ended yet.  Although, after having it broken down, I think I liked the hit music from the first half of the decade better than the second half.

Final tally of 2019 Podcast of the Week appearances

2019 Year in Review: Favorite Songs


The year comes to an end and with it some great music.  Here are a dozen songs I’ll remember from 2019.

What are YOUR favorite songs of 2019 (or any other year for that matter)?  Let me know in the comments.

Jaimie Branch :: prayer for amerikka pt. 1 & 2

I only recently learned of this tune from the Said the Gramophone Best Songs of 2019 list. Jaimie Branch is a jazz saxophonist and composer based in Baltimore who as some things to say about the state of our country.

Billie Eilish :: bury a friend

This was the first song I heard by Billie Eilish, about a month or so before she was suddenly a BIG DEAL, and it’s still my favorite. Billie Eilish’s music is weird, a little bit creepy, yet you can still dance to it.  I never in a million years expected her to have chart success so good on her for redefining pop music.  And she’s just turned 18.

Ex Hex :: Cosmic Cave

Mary Timony’s latest band returns for a second album of pure, unadorned post-punk rock.

Gato Preto featuring the LusAfro Allstars :: Mendinga Carnival

Afrofuturist music arising from the collaboration of a German producer and a pan-African band of artists.

Alex Lahey :: Don’t Be So Hard on Yourself

Like Ex-Hex, the 26-year-old Australian Lahey brings straightforward pop-punk excellence (and an 80s sax solo!) to this song about resisting the pressure to do it all.

Lil Nas X :: Old Town Road

40+ years ago, rap music emerged as an urban style of music before spreading to the suburbs and exurbs, and into cultures around the world. Lil Nas X has at last brought rap into a thoroughly rural area on this track that – no matter what the Billboard Country Chart says – is thoroughly country.

Lizzo :: Juice

Lizzo, her music, and the fact that she rose to widespread fame in 2019, all give me hope in these dark time.s

Priests :: The Seduction of Kansas

A theme of this year is artists who draw on punk influences to do new things. The Priests musical interpretation of Thomas Frank’s What’s The Matter With Kansas? fits the bill.

Rapsody feat. D’Angelo and GZA :: Ibtihaj

This is another track introduced to me by the Said the Gramophone list. Rapsody, aka Marlanna Evans, is a rapper from North Carolina. The title of this track pays tribute to Ibtihaj Muhammad, a fencer who became the first Muslim American woman to wear a hijab while competing for the United States in 2016 Summer Olympics. It also has an amazing groove.

Sampa the Great :: Final Form

Sampa Tembo is a Zambian-born rapper now based in Australia finds another great groove to back this track of finding empowerment in Black identity.

Sir Babygirl :: Haunted House

Kelsie Hogue, who performs under the name Sir Babygirl and has ties to the Boston music scene, performs intense indie pop where they belt out lyrics with trilling vibrato. This song, as I interpret it, explores the inner emotions an introvert may feel about having to go to a party when they really don’t want to.

Sharon Van Etten :: Comeback Kid

Comeback Kid introduced Van Etten’s new harder rock sound with 80s synthpop styling.  Thematically it’s about trying to assert your own identity when the people you love still see you as a kid.

 

 

Favorite Songs by Year, 1973-2018

1973 1974 1975 1976
1977 1978 1979 1980
1981 1982 1983 1984
1985 1986 1987 1988
1989 1990 1991 1992
1993 1994 1995 1996
1997 1998 1999 2000
2001 2002 2003 2004
2005 2006 2007 2008
2009 2010 2011 2012
2013 2014 2015 2016
2017 2018

Favorite Roller Coasters of All Time


I’ve been thinking about roller coasters lately, so I decided to make a list of my all-time favorite roller coasters.  I’ll say this right off the bat that there are numerous famed roller coasters that make the “best of all-time” lists that I’ve never had the opportunity to ride, but nevertheless I think I’ve been on some good ones.  I’ve loved riding roller coasters since I was a kid when I thought that I would join the American Coaster Enthusiasts (ACE) when I grew up, which I’ve never actually done.

I love the thrill of going up a big hill and then taking that big drop straight down, which of course leads to great speed (or at least the feeling of high velocity).  I love twists and turns and surprises along the way, as well as novel experiences that are unique to a particular coaster.  I particularly love a nice long ride with a lot of track and a combination of a number of features.  Loops and inversions are okay, but they don’t excite me as much as other features, and looping roller coasters tend to be shorter with few other thrills along the way.  For this reason I tend to favor old-fashioned wooden roller coasters, although you will see plenty of steel roller coasters in my list.  I also enjoy a roller coaster more with a bit of Disney-style theming and/or natural scenery, and feel a bit disappointed by roller coasters that run through a weed-filled lot surrounded by a chain-link fence.

NOTE: I used the names of the roller coasters and theme parks that were in use at the time I rode the roller coaster, and they may be different now.

1. Big Bad WolfBusch Gardens: The Old Country/Williamsburg

Busch Gardens in Williamsburg, VA is the theme park I’ve spent the most time at, as my family vacationed in Williamsburg several times in the 1980s and then moved there in the 1990s.  For a few years I even had a season pass.  My favorite ride at Busch Gardens – and possibly of all-time – was the Big Bad Wolf, one of the earliest suspended coasters. The designers of this ride took advantage of its suspension by including lots of curves so that the cars would swing out and feel like they were going to crash into the buildings of a Bavarian village.  Towards the end of the ride, the train would be carried up a lift hill which we called “Oh Hell Hill,” because it hugged a hillside and only when you got to the top would you see an enormous drop down a ravine towards a river.  It was fun to sit near first-time riders and watch them at the top of the hill as their eyes bugged out and they screamed “Oh, shiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiittttttt!!!” (Oh Hell Hill was an inacurate, but polite nickname).  My mother, who generally hated roller coasters, absolutely loved The Big Bad Wolf.  Sadly, the ride closed in 2009, but I will always remember the joy of “Traveling at the Speed of Fright!”

2. Big Thunder Mountain RailroadWalt Disney World Magic Kingdom

This is not a fast nor particularly thrilling roller coaster, but oh is it fun!  It’s entirely possible that I rode the Disneyland version of this ride when I was six and went there with my father, but it was a visit to the Magic Kingdom two years later with my mother that remains one of the warmest memories of my childhood.  It was one of those evenings when the lines had dwindled to next to nothing so we were able to get off the ride and immediately ride again several times in a row.  This is the only other roller coaster my mother ever liked and I’ve seen it described elsewhere as The Roller Coaster for People Who Hate Roller Coasters.  It’s a simple thing really with lots of small drops, twists and turns, and theming of a mountainside and a mining town that make it a joy to ride again and again.  Two years I took my children to the Magic Kingdom for the first time, and they loved Big Thunder Mountain Railroad as well, and so we rode it again and again in the rain (and let me tell you that you get much wetter riding Big Thunder Mountain in the rain than Splash Mountain in the rain).  No matter what other big thrill rides I discover, I will always return to Big Thunder Mountain Railroad for the pure joy of it.

3. Coney Island Cyclone – Astroland Park/Luna Park

I felt like I spent a long part of my childhood craving to ride the famed Cyclone, but I didn’t get the opportunity to do so until I was in my 20s.  It was worth the wait, and absolutely classic wooden roller coaster with steep drops and sharp turns.  It’s all crammed into a city block so it’s hard to tell where you’re going to go next, and it’s also a long ride although it’s hard to figure where how they fit in all that track.  I rode the Cyclone last summer, and perhaps due to my growing age and size, the bumps and jolts felt significantly more violent than I recall from twent years ago.  But the Cyclone itself is approaching 100 years old in 2027, so I won’t let age be an excuse for keeping from riding it again in the future.

4. Dragon CoasterPlayland Park

The Dragon Coaster is a classic wooden roller coaster from the 1920s that is similar to the Cyclone, albeit shorter in length and height, and not achieving the same top speeds.  Nevertheless, it is not short on thrills, and as an added bonus there’s a spectacular view of the Long Island Sound from the top, and a portion of the ride passes through the darkened interior of the Dragon itself.  I also like that other Playland attractions are built within the footings of the roller coaster supports. You may know the Dragon Coaster from it’s appearance in  Mariah Carey’s video for “Fantasy” and the movies Big and Fatal Attraction. I, however, remember it as the first “big kid” roller coaster I ever rode on.

5. Expedition Everest – Legend of the Forbidden MountainWalt Disney World Animal Kingdom

While bigger and faster than Big Thunder Mountain Railroad, this is another ride that’s reliant on theming and tricks to provide the thrills, rather than high speeds or drops.  Expedition Everest carries its riders up a steep hill through a temple in the Himalayas and then winds its way through a cave in the mountains until coming to a stop.  We can’t forward anymore because the Yeti has torn up the track!  So the train rolls BACKWARDS through a darkened tunnel and it feels like you’re falling forever.  After another stop where we see the shadow of the Yeti tearing up more tracks we roll forward again through more twists and turns and then through a cave for our final encounter with the Yeti as it reaches out to grab at the train.  People make jokes that the Yeti audioanimatronic doesn’t actually work the way its supposed to, but I still find it impressive.  It’s a long ride with a lot going on along the way and thus an absolute delight.

6. Loch Ness MonsterBusch Gardens: The Old Country/Williamsburg

When the Loch Ness Monster opened in 1978 it was the first roller coaster with interlocking loops, and today it is the only one left.  Many looping roller coasters of that era would’ve said that two loops was quite enough thrill and leave it at that, but the Loch Ness Monster doesn’t rely on one trick and offers a lenghty ride of 3,240 feet with a 114 foot drop and speeds up to 60 mph.  If that’s not enough the scenery is gorgeous as the track criss-crosses a river and passes through beautiful forested areas as well as ducking into a cave.  Even the queue was charmingly-themed to look as if you’d gone to Scotland to join an expedition to find Nessie.  Busch Gardens has gained a lot more newer, faster roller coasters since I’ve left Williamsburg, but if I ever return I won’t pass up another ride on the Loch Ness Monster for old time’s sake.

7. Magnum XL-200Cedar Point

20 years ago I visited my friend and fellow amusement park enthusiast in Ohio and she took me to Cedar Point, the “Roller Coaster Capital of the World.”  Among the many rollers coasters we rode was Magnum XL-200, the world’s first hypercoaster (meaning more than 200 feet high) with 5,106 feet of track, a 195-foot drop, and speeds up to 72 mph, with the added bonus of scenic views of Lake Erie.  In short, it’s everything I love in a roller coaster!  In the intervening decades, I’m sure Magnum XL-200 has been usurped in all of its superlatives, but I expect it’s still a great thrill to ride.

8. Outer Limits: Flight of Fear – Paramount Kings Dominion

For a period of time in the 1990s, Paramount decided to compete with Disney and Universal and make their own movie-themed park.  At Kings Dominion in Virginia that basically meant slapping names of hit movies on existing rides, but the Flight of Fear was one of the first new rides introduced under Paramount’s ownership.  At the time it was themed to the Outer Limits, but mostly I think that was because they couldn’t get the rights to the much more trendy X-Files.  The queue wound around a UFO inside an Area 51 hangar as videos showed a team of investigators dealing with creepy alien things happening around them.  To get on the ride, you’d walk up a ramp into the flying saucer itself. This was one of the first roller coasters launched by linear induction motors, and it was stunning to feel the deathly silence of the crowd of people waiting in line as they saw the coaster accelerate from 0 to 54 mph in 4 seconds.  The ride is entirely indoors in the dark, like a devious Space Mountain, and it feels like you’re spinning around a ball of yarn, with even up and down difficult to distinguish.  This is another ride I’m sure has been surpassed, but it was a unique thrilling experience back in the 90s.

9. Ultra TwisterSix Flags Great Adventure

I remember the ad below vividly and the desire to check out this intense new kind of roller coaster on a high school field trip to Great Adventure.  Ultra Twister was unique in many ways.  First, you rode straight up the lift hill, basically laying on one’s back.  What goes up must go down, so once at the top you went straight down face forward.  The ride was designed with tracks supporting it on the sides of the car so it could spin in a spiral while still moving forward.  Then the car was dropped down to a lower track and went through some spirals in reverse.  I only got to ride it a couple of times, as on later visits is was down for maitenance and then it was moved to Astroworld in Texas (which no longer exists).  While I remember enjoying the ride, it does have several faults as it was a challenge to maintain all it’s moving parts and it was a very short roller coaster with low capacity. But I am a bit disappointed that this pipeline-style roller coaster was never adapted into newer, longer, and more thrilling roller coasters, because it was definitely a unique experience. Apparently, I would have to go to Asia to find one of these in operation today.

10. WildcatHershey Park

The Wildcat is a big, wooden roller coaster in the Pennsylvania countryside which features  3,183 feet of track, an 85 foot drop, and speeds up to 50 mph, plus lots of twists, turns, ups, downs, and other surprises along the way.  The thing that’s unexpected about the Wildcat is that it opened in 1996.  When I rode it a year later, it felt a lot like the roller coaster equivalent of the Oriole Park at Camden Yards retro-ballpark revival.  The Wildcat combines the great features of classic wooden roller coasters with more modern design features.  And in the past twenty years a lot more modern wooden roller coasters have opened and I must seek them out and ride them, because it is my destiny.

So those are my top ten favorite roller coasters. Have you taken a spin on any of these classic coasters? What favorite roller coasters would you add to the list.

Doing some research for this post also prompted me to put together a wish list of 15 roller coasters in the United States that I would like to ride. Would you recommend any of these to a coaster enthusiast? And is there anything missing from this list?

Let me know in the comments or on Twitter at @othemts.

  1. Apollo’s Chariot – Busch Gardens Williamsburg
  2. The Beast – Kings Island
  3. Boulder Dash – Lake Compounce
  4. El Toro – Six Flags Great Adventure
  5. Goliath – Six Flags Great America
  6. Incredible Hulk Coaster – Universal’s Islands of Adventure
  7. Kingda Ka – Six Flags Great Adventure
  8. Kumba – Busch Gardens Tampa
  9. Lightning Rod – Dollywood
  10. Maverick – Cedar Point
  11. Phoenix – Knoebels Amusement Resort
  12. Revenge of the Mummy – Universal Studios Florida
  13. Superman: The Ride – Six Flags New England
  14. Thunderbolt – Kennywood

 

2018 Year in Review: Favorite Books


Here’s my annual list of my ten favorite books read in the year.  As always, this is merely the best books I read this year and not necessarily books published in 2018  For previous years see 20172016201520142013201220112010200920082007 and 2006. You may also want to check out My Favorite Books of All Time or see Every Book I’ve Ever Read cataloged in Library Thing.

In alphabetical order:

Books Read in 2018

The books are rated on a scale from 1 to 5 stars with links to summary reviews. (A) is for audiobook.

Here’s a thumbnail of what the ratings mean:

  • 5 stars – all-time classic (I’m very stingy with these)
  • 4 stars – a particularly interesting, well-written, or important book
  • 3 stars – a good book from start to finish
  • 2 stars – not a good book on the whole but has some good parts
  • 1 star or less – basically a bad book with no redeeming values

January

February

March

April

May

June

July

August

September

October 1918

November

December

2017 Year in Review: Favorite Books


Here’s my annual list of my ten favorite books read in the year.  As always, this is merely the best books I read this year and not necessarily books published in 2016.  For previous years see 2016201520142013201220112010200920082007 and 2006. You may also want to check out My Favorite Books of All Time or see Every Book I’ve Ever Read cataloged in Library Thing.

In alphabetical order:

And, here is every book I read this year with rankings.  (A) is for audiobook.

The books are rated on a scale from 1 to 5 stars with links to summary reviews.

Here’s a thumbnail of what the ratings mean:

  • 5 stars – all-time classic (I’m very stingy with these)
  • 4 stars – a particularly interesting, well-written, or important book
  • 3 stars – a good book from start to finish
  • 2 stars – not a good book on the whole but has some good parts
  • 1 star or less – basically a bad book with no redeeming values

January

February

March

April

May

June

July

August

September

October

November

December

2017 Year in Review: Favorite Albums


This has been a challenging year in music as there have been few things that have jumped out at me as being all-time classics, much less favorites for 2017.  To add to the struggle a lot of artists that I’ve counted on to produce great music put out new albums this year including Beck, Björk, Blitzen Trapper, Flaming Lips, Gorrillaz, The New Pornographers, Shamir, St. Vincent, and The xx.  What should’ve been a bumper crop of music was dissapointing, and while I would not say that any of these artists’ albums were bad, I believe that could have done better.  I don’t know, maybe I’m missing the great music of 2017, and if that is the case please direct to me to those great tunes ASAP.

Nevertheless, her are six albums from 2017 that I loved, with links to the original reviews.  Check them out!

ArtistRun the Jewels 
AlbumRun the Jewels 3  

ArtistAustra
Album:  Future Politics

ArtistPeter Mulvey
AlbumAre You Listening 

Artists:  Fleet Foxes
Album: Crack-Up 

ArtistAlgiers
AlbumThe Underside of Power 

ArtistDowntown Boys
AlbumCost of Living 

Previously:

2016 Year In Review: Favorite Books


Here’s my annual list of my ten favorite books read in the year.  As always, this is merely the best books I read this year and not necessarily books published in 2016.  For previous years see 201520142013201220112010200920082007 and 2006. You may also want to check out My Favorite Books of All Time or see Every Book I’ve Ever Read cataloged in Library Thing.

In alphabetical order:

 

And, here is every book I read this year with rankings.  (A) is for audiobook.

The books are rated on a scale from 1 to 5 stars with links to summary reviews.

Here’s a thumbnail of what the ratings mean:

  • 5 stars – all-time classic (I’m very stingy with these)
  • 4 stars – a particularly interesting, well-written, or important book
  • 3 stars – a good book from start to finish
  • 2 stars – not a good book on the whole but has some good parts
  • 1 star or less – basically a bad book with no redeeming values

 

January

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April

May

June

July

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September

October

November

December