This month we have a robust collection of new songs. Our mixtape begins and ends with some stirring protest songs, but there are some feel good songs in-between.
Here are 20 of my favorite songs of 2017. For previous year-end lists of previous years check out my lists for 2016, 2015, 2014, 2013, 2012, 2011, 2010 and 2009.
“Venus Fly” by Grimes (feat. Janelle Monae) – technically this song is from 2015, but the video of this most important collaboration came out this year bringing due attention to the song.
I hear too much infighting about the best way to conduct the resistance, so it’s good to hear this podcast the multiple fronts on which progressives are fighting for our country and our future.
I’ve always enjoyed visiting the Temple of Dendur at the Metropolitan Museum of Art. Turns out that the temple is not as old as I thought nor has it been in the Met for as long as I’d imagined either. The stories of why it was built and how it ended up in New York are equally fascinating.
Viewers of nature documentaries expect that everything in the film comes directly from nature, but having microphones in the right place to capture sounds is so difficult and dangerous that most animal sounds are produced by foley artists.
The story of a Louisiana town where many of the residents are descendants of 272 slaves sold to fund Georgetown University.
Albums of the Month
Artist: Charly Bliss Album: Guppy Release Date: April 21, 2017 Favorite Tracks: “Glitter,” “Black Hole,” and “Ruby”
Thoughts: The Brooklyn power pop quartet bring back a mid-90s sound reminiscent of Letters to Cleo and Velocity Girl. Eva Hendricks sings a bit nasally over fuzzed-out guitars and drums with lyrics that aren’t anywhere as sweet as they’re sung. It’s a great throwback but having lived through it all the first time around, I’d prefer something new. Rating: ***
Artist: Future Islands Album: The Far Field Release Date: April 7, 2017 Favorite Tracks: “Beauty of the Road,” “Cave,” and “Shadows”
Thoughts: I was not familiar with the Baltimore-based synthpop outfit, but the reviews of the album were good so I thought I’d give it a shot. The sound is very 80s, reminiscent of Orchestral Maneuvers in the Dark, but Samuel Herring’s vocals overlaying the synths are more growly than romantic. Once again, I’m feeling that I’ve heard this all before. The highlight is the duet with Debbie Harry on “Shadows.” Rating: **1/2
Artist: Alexandra Savior Album: Belladonna of Sadness Release Date: April 7, 2017 Thoughts: This debut from the Portland, OR singer-songwriter features moody crooning over 60’s style jazz-pop. It’s a little bit reminiscent of Fiona Apple, not to mention umpteen singers from the swinging sixties. There’s too much polish on this album and the raw talent Savior has is unable to shine through. Rating: **
Artist: The New Pornographers Album: Whiteout Conditions Release Date: April 7, 2017 Favorite Tracks: “High Ticket Attractions”
Thoughts: I’m a long-time fan of The New Pornographers and I’m disappointed by their latest release. There’s nothing new about it as the reliance on synthesizers seems to just water down their traditional sound rather then expand into new territories. The emotion and variety of previous albums. Perhaps the absence of Dan Bejar contributes to the lack of balance and feeling of incompleteness. Rating: **
Artist: Gorillaz Album: Humans Release Date: April 28, 2017 Favorite Tracks: “Ascension” (feat. Vince Staples),”Momentz” (feat. De La Soul), “Let Me Out” (feat. Mavis Staples and Pusha T), and “We Got the Power” (feat. Jenny Beth)
Thoughts: The band of animated characters is joined by an army of guest artists on this hip-hop, indie pop, electronic dance party album. It’s all over the place and delightfully strange but there’s a little something for everyone. Rating: ***1/2
That’s April! If there’s something I should listen to in May, let me know in the comments.
