Album: so sad so sexy
Artist: Lykke Li
Release Date: June 8, 2018
- two nights
- jaguars in the air
- so sad so sexy
The album title sums it up perfectly as Swedish singer-songwriter sings heartbreaking tunes of romantic entanglings that ultimately end in failure. Stylistically, Li has shifted from indie rock and dream pop to contemporary R&B and electronic dance music. It’s not a shift that I think works for her, as the music doesn’t sound bad, but it loses Li’s unique style for something that sounds like a lot of other music out there today. I’m thinking that this album will be recognized more as the transition to whatever Li does next than for itself.
Album: The Future and the Past
Artist: Natalie Prass
Release Date: June 1, 2018
- Hot for the Mountain
This is the second album from Richmond, VA singer-songwriter Prass. I was drawn to this album by the anthemic “Sisters” which will certainly make my end of year favorite songs list. But the rest of the album is meh, a collection of downtempo tracks in a smooth R&B style. That is not to deny it is a technically proficient recording with lyrics focused on protest and solidarity in the age of Trump, but it’s just not a style that resonates with me.
Album: Tracyanne & Danny
Artist: Tracyanne & Danny
Release Date: May 25, 2018
- It Can’t Be Love Unless It Hurts
This duo features Tracyanne Campbell, formerly of the Scottish band Camera Obscura whose album Let’s Get Out of This Country was on my list of favorite albums of all time. Her partner is Danny Coughlan, an English singer-songwriter from England, of whom I have no prior knowledge. The sound of the album reminds me of 60s pop, not necessarily what the nostalgia industry categorizes as “60s music,” but the type of pop that was popular with older listeners in the period. Nevertheless, there’s a a lot of variety from folk to lounge music to jazzy to the lushly orchestrated. The album on the whole is beautiful but melancholy, as to be expected since it is Campbell’s first album since the death of friend and bandmate Carey Lander in 2015.
Related Post: Concert Review: Camera Obscura
Artist: Neko Case
Release Date: June 1, 2018
- Halls of Sarah
- Curse Of The I-5 Corridor
- Sleep All Summer
- Pitch or Honey
Looking through my archive I’m surprised that I’ve never reviewed a Neko Case album before as she is one of the great voices of our times, whether on her own or with the New Pornographers and side projects like case/lang/veirs. Turns out this is Case’s first solo album in five years, and I haven’t been reviewing albums that long. Hell-On offers what you expect from Neko Case – strong singing, heartfelt and poetic lyrics, and dynamic music that surprises and pleases. This album also has a lot of guest artists including Beth Ditto, k.d. lang, AC Newman, Kelly Hogan, Doug Gillard, Laura Veirs, Joey Burns, Mark Lanegan, and Eric Bachmann (the last two each share vocals with Case on a pair of stunning duets). This isn’t Case’s best album (it’s a few notches below Fox Confessor Brings the Flood and Middle Cyclone) but a merely good Neko Case album is still a wonder to behold.
Album: Tell Me How You Really Feel
Artist: Courtney Barnett
Release Date: May 18, 2018
- “Need a Little Time”
- “Nameless, Faceless”
- “I’m Not Your Mother, I’m Not Your Bitch”
- “Crippling Self-Doubt and a General Lack of Confidence”
Australian singer-songwriter Barnett’s second album contains crunching guitars and strong punk melodies over which Barnett’s world-weary voice sings quotidian lyrics of frustration and self-doubt, anger and tenderness, confrontation and ambivalence. The 90s indie rock sound is aided by the guest appearance of Kim and Kelley Deal on “Crippling Self-Doubt and a General Lack of Confidence.” But this is not retro music, it’s fully-engaged in the cultural issues of our times, just not in an anthemic, speaking for everyone manner. If I’d gotten around to making a best albums of 2015 list, Barnett’s debut Sometimes I Sit and Think, and Sometimes I Just Sit would’ve been a shoe-in, and Tell Me How You Really Feel builds and improves on that. I’m grateful to be alive at a time when I can hear an artist like Courtney Barnett coming into her own.
Have you ever wanted find all of my music posts in one place? I’ve created a new music page which you can find in the menu at the top of this blogs homepage. The music has three sub-pages.
Reviews of recently released albums.
Lists of my favorite songs and albums.
My attempts to learn more about a band or artist by listening to all or most of their back catalog.
Album: Roza Cruz
Artist: La Mecánica Popular
Release Date: April 13, 2018
It’s hard to describe the music on La Mecánica Popular’s album Roza Cruz. I think it sounds like psychedelic Latin jazz, NPR describes it as “Radical Afro-Latin Futurism,” and the band’s own website says they are a “Brooklyn-based Afro-Latin group” and that “their sound is steeped in 1970s’-era Salsa Dura, yet incorporates a heavy dose of modern gadgets – a unique blend of processed Peruvian-style guitar licks & experimental sounds, synths, and textures.” However one describes it, the five instrumental tracks on this album are a treat for the ears.
Album: Last Man Standing
Artist: Willie Nelson
Release Date: April 27, 2018
- “Last Man Standing”
- “Don’t Tell Noah”
- “Something You Get Through”
- “Heaven Is Closed”
- “I’ll Try to Do Better Next Time”
At 85 years old, Willie Nelson is cognizant that many of the people he loved and worked with have died and that he doesn’t have much time left. Nelson’s new album explores that sense of mortality with tenderness and a sense of humor. Musically, Nelson sounds as good as ever, and the display of musical styles is a retrospective on his musical career as much as the lyrics. May we all age as gracefully as Willie Nelson.
Artist: Frankie Cosmos
Release Date: March 30, 2018
Frankie Cosmos – the stage name of Greta Kline (a perfectly fine popstar name but I suppose she’s trying to distance herself from her famous parents, Kevin Kline and Phoebe Cates) – sings in a sweet voice over power pop arrangements, sounding kind of like Kimya Dawson crossed with 90s bands like Velocity Girl and Belly. The songs are short and the 18 tracks combined total just over 30 minutes so the album feels over before it really gets started. The music is pleasant but it doesn’t leave a lasting impression on me. Maybe I’ve just gotten too old to relate?
Album: Dirty Computer
Artist: Janelle Monáe
Release Date: April 28, 2018
Favorite Tracks: It would be easier to list my least favorite tracks, but really there are no duds on this album.
It’s hard to believe that this is only Janelle Monáe’s third studio album as she has made such a huge contribution to musical pop culture in the past decade. Monáe’s film work put this album on the back burner, but it was worth the wait. This is the first album where Monáe steps out from behind her Cindi Mayweather character, and thus it is the personal music she’s released. Similarly, stepping out of the metaphors of the Metropolis narrative, Monáe directly addresses political topics of the day while celebrating women, Blackness, sexuality, gender identity and being American (““It’s gonna be my America before it’s all over”).
Monáe picks up the mantle from David Bowie and Prince as the icon of redefining norms for gender identity and sexuality. In fact, Prince worked with Monáe on defining the sound of the music early on and it shows. Make no mistake though, this is Monáe’s album and guest artists from Grimes to Brian Wilson to Zoe Kravitz to Stevie Wonder move fluidly to her beat. This is the first great album of 2018, and the song “Americans” should be the song of the summer.
If you want to read more of my dumb thoughts on Monáe’s earlier body of work, check out my Music Discoveries post. For a more thoughtful career evaluation, read this article by Charles Pulliam-Moore.