Movie Review: Ai Weiwei: Never Sorry (2012) #atozchallenge


This is my entry for “A” in the Blogging A to Z Challenge. Throughout April I will be watching and reviewing a documentary movie from A to Z. Some other “A” documentaries I’ve reviewed are Africa: The SerengetiAmerican Experience: Blackout,  and American Experience: Into the Amazon.

Title: Ai Weiwei: Never Sorry
Release Date: April 16, 2012
Director: Alison Klayman
Production Company: United Expression Media
Summary/Review:

The documentary spends some time with the Chinese artists Ai Weiwei in the years between 2009 and 2011.  While Ai is shown supervising the creation of his sculpture by his assistants and attending the openings of installations in various parts of the world, the crux of this film is his activism.  Events covered include his organizing a team to collect the names and birthdates of school children who died in the collapse of substandard buildings in 2008’s Sichuan Earthquake which eventually total over 5000 names he displays on a wall.  He also is depicted being beaten severely by the police in Chengdu when he went there to testify at a fellow activist’s trial.  The Chinese government shuts down his blog and then demolishes his studios in Shanghai.  But Ai persistently attempts to work through the channels of bureaucracy to find justice, where many others would give up as intended by the system.  His family and fellow artists are interviewed and flashbacks through photographs reflect on his time in the New York City art scene in the 1980s.  Near the conclusion of the film, Ai is arrested and held for 81 days with the final scenes depicting him upon his release.  It’s a powerful film statement and surprising for the material captured on film that the Chinese government wouldn’t want people to see.

What Can One Learn From Watching This Documentary: This film shows a good example of the role the artist can play as an activist. Ai Weiwei challenges the government’s lack of transparency through provocation and creates art to memorialize the  children lost in the collapsed schools who would otherwise be anonymous.
If You Like This You Might Also Want To …: See some of my photos from Megacities Asia exhibit at the Museum of Fine Arts, which includes some works by Ai Weiwei.

Source: I watched this movie on Netflix streaming, and it is also available to Hulu subscribers.

Rating: ****

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Movie Review: Mulan (1998)


Title: Mulan
Release Date: June 19, 1998
Director: Barry Cook and Tony Bancroft
Production Company: Walt Disney Pictures
Summary/Review:

Mulan is Disney’s interpretation of the classic Chinese ballad “Hua Mulan,” where a girl takes her aging father’s place when he’s conscripted to war against the Huns. Mulan is a misfit in her society’s traditional expectations of a woman, but with the help of the dragon Mushu – voiced by Eddie Murphy – she’s able to find her place in the military.The great part is that Mulan is able to use her smarts to figure out clever ways to defeat the Huns in battle and eventually save the Emperor.

The animation style that draws on Chinese watercolor rather than real world appearance is a nice touch.  It does feel that Disney didn’t bring in their Grade A composers for this movie, though, as the musical numbers are a resounding dud. While it’s a simple tale simply told, especially compared to the other Disney movies of the Renaissance era, but it is a decent movie about family, honor, friendship, and the capabilities of women in a patriarchal society.

Rating: ***

Photopost: A Visit to the MFA, part eight


I continued my ongoing quest to visit every gallery in the Museum of Fine Arts by visiting the Art of Asia, Oceania, and Africa wings.  It’s unfortunate that the art of the two most populous continents and some diverse island cultures are all clumped together like that, especially since the MFA boasts having a large collection of Asian arts dating back to the earliest days of the museum.  Nevertheless there was quite a delightful collection of works that had me hopping around geographically as well as through time.  One gallery deliberately mixed contemporary and classical Japanese art in a provocative way.

I also took a 3 masterpieces in 30 minutes tour and got to learn about three family portraits from three different artistic styles – Sargent’s The Daughters of Edward Darley Boit, a folk art portrait from the 1830s, and Steen’s Twelfth-Night Feast.

After these eight visits, I believe I’ve been to every permanent gallery in the museum.  Of course, art on exhibit is changing all the time, so I’ll have to go back and do it again.  Maybe next time I’ll have a theme like art with families or bridges or pets or something like that.

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