TV Review: A Series of Unfortunate Events (2019)


TitleA Series of Unfortunate Events
Release Dates: 2019
Season: 3
Number of Episodes: 7
Summary/Review:

The third season of Netflix’s A Series of Unfortunate Events adapts the final four books in the series.  With the final book, The End, told in in one episode, it also the shortest of the three series at only 7 episodes.  This season takes some strange tonal shifts from the earlier season, but that is also true to the books which became darker, sadder, and well … stranger than the earlier books.  The Baudelaires find themselves trapped in an increasingly Kafka-esque world, and the quest for the sugar bowl seems to take precedence over their desire to just escape Olaf and get on with their lives.  And then The End reveals that an entirely different story is being told about the loss of childhood innocence, mortality, and the impossibility of trying to escape to a quiet, safe place.

It’s been a dozen or more years since I read the books and I found myself constantly uncertain if the show was changing things from the books or if just forgot major details.  I believe the direct involvement of Lemony Snicket in the Baudelaire’s story and the flashback to the opera are major enhancements of the books.  And Kit revealing what the sugar bowl contains, rather than leaving it a mystery, is a somewhat unsatisfactory twist for something that was essentially a MacGuffin.  But it’s most likely that the show is largely faithful to the books and I just plum forgot the details so I got to be surprised by them all over again.  Either way, it’s time to reread the book.

As always, the acting is top notch, the gags are funny, and the set designs and costumes are eye-catching!  This is a show that should be watched and enjoyed.

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TV Review: A Series of Unfortunate Events (2018)


TitleA Series of Unfortunate Events
Release Dates: 2018
Season: 2
Number of Episodes: 10
Summary/Review:

The second year of this Netflix series adapts books five through nine.  As such, it suffers some of the problems as the books in the repetitiveness of the plots and the extreme frustration with the adult characters’ persistent obliviousness and casual cruelty.  Neil Patrick Harris’ hammy performance as Count Olaf has its moments but too often veers into just plain annoying (especially in The Vile Village when he’s disguised as Detective Dupin).

But this series is saved by the women.  In The Austere Academy, Kitana Turnbull as Carmelita Spats is absolutely hilarious as the evil, secretly cake-sniffing brat. Then in The Ersatz Elevator, Esme Squalor makes her debut as the most-stylish villain, wonderfully portrayed by Lucy Punch who basically steals the screen from Harris for the rest of the series (no small feet).  One of the biggest changes from the book is greatly expanding and changing the role of Olivia Caliban, played by Sara Rue, into a librarian at Prufrock Academy who becomes a VFD agent and delightful – if short-lived – ally of the Baudelaires.

Another great addition to the cast for this season is Nathan Fillion as Jacques Snicket which allows for a long-awaited reunion with Harris of rivals from Doctor Horrible’s Sing-Along Blog.  Isadora and Duncan Quagmire make their debut, although there part is smaller than I remember in the books (perhaps I’m conflating with later books in the series?). But the Baudelaires are what really makes this show succeed: Malina Weissman as Violet Baudelaire, Louis Hynes as Klaus Baudelaire, and the greatest toddler actor ever, Presley Smith as Sunny Baudelaire.  This season shows them grow as characters, becoming more confident in their abilities, and willingness to stand up against those cruel, clueless adults.

The show remains a visual treat and is full of more memorable gags than I can document here. This show was made to be GIF-ed on Tumblr.

 

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