Book Review: Sinatra! The Song is You : A Singer’s Art by Will Friedwald

Author: Will Friedwald
Title: Sinatra! The Song is You : A Singer’s Art
Publication Info: New York : Da Capo Press, 1997.

Rather than a straightforward biography, which in the case of Francis Albert Sinatra would include a lot of drama and scandal, Sinatra! The Song is You : A Singer’s Art focus on Sinatra as a singer.  Because of the musicological approach, I found the book challenging to read – and indeed have been reading it on and off for 4 months – but nevertheless still enjoyed it.

Friedwald has an encyclopedic knowledge of seemingly every song in Sinatra’s discography, including rare recordings only made for the military in WWII and recordings from Sinatra’s radio programs.  He discusses the creation, innovations, and effects of Sinatra’s music in a largely chronological order. The book is arranged in era’s of Sinatra’s career mainly based on collaborations with others like bandleaders Tommy Dorsey and Axel Stordahl and arrangers Nelson Riddle, Billy May, and Gordon Jenkins.

The book discusses Sinatra’s role in performing the types of songs of that became known as “standards” and the singers role as interpreter (not to mention the challenges Sinatra faced when the music business shifted to a model where songs were “covered” rather than interpreted).  Sinatra lead the shift in prominence of bandleaders to singers during WWII and achieved unprecedented stardom.  But Sinatra’s real strength was reinventing himself consistently so that he could be a hitmaker over six decades.

I found this a unique and informative book. If you’re interested in the work of Sinatra, or in musicology in general, I recommend it.

Favorite Passages:

“Sinatra, on the other hand, positively celebrates his unhappiness. It seems totally typical of Sinatra that he recorded a song called “Winners,” which is dark and somber, highly depressing.  The flip side of this is “Here’s to the Losers,” which is joyful and upbeat … The implication is that winning is something to be taken seriously, something that carries with it grave responsibility; but losing is something you can have fun with.  The real joy in life is in losing.”


Where other singers, at best, work with lyrics and melodies, Sinatra dealt in mental images and pure feelings that he seemed to summon up almost without the intervention of composers, arrangers, and musicians as vital as their contributions were. (In fact, Sinatra was so sure of his relationship with his audience that he gladly acknowledged orchestrators and songwriters in spoken introductions to each number.  How could it take away from what he did to mention the men who put notes and words on paper when it was he who imbued them with all their meaning?)

Recommended books:


Music Discoveries: Rolling Stone’s 500 Greatest Albums of All Time 290-281

Last September, Rolling Stone magazine released their most recent list of the 500 Greatest Albums of All Time, which includes a greater variety of artists and genres than previous lists. Looking through the list, there were many albums I’d never listened to before and a few I’d never even heard of. In fact, counting it up, I found that I’d only listened to 140 of the albums, although I’d heard songs from many more. So I’ve decided my project for 2021 is to listen to 10 albums each week and write up some thoughts about each one.

Previous Posts:

500-491 400-381 300-291
490-481 390-381
480-471 380-371
470-461 370-361
460-451 360-351
450-441 350-341
440-431 340-331
430-421 330-321
420-411 320-311
410-401 310-301

Artist: OutKast
Album: Speakerboxxx/The Love Below
Year: 2003
Label: LaFace
Have I Listened to This Album Before?: No
Am I Familiar With This Artist/Songs from This Album?: Yes
Would I Listen to this Album Again?: No
Favorite Tracks:

  • “Bowtie (feat. Sleepy Brown & Jazze Pha)”
  • “Spread”
  • “Hey Ya!”

Thoughts: One thing I’m learning from this project is that Southern hip hop may be my favorite form of hip hop.  But this album is a little too much of a good thing.  It’s essentially two albums, one driven by Big Boi and the other by André 3000 for a total of 39 tracks!  I suppose like The White Album, paring it down into one album would have been a Sisyphean task, but I felt like I was enduring this album more than enjoying it.

Artist: Björk
Year: 1995
Label: Elektra
Have I Listened to This Album Before?: Yes
Am I Familiar With This Artist/Songs from This Album?: Yes
Would I Listen to this Album Again?: Yes
Favorite Tracks:

  • “Army of Me”
  • “Hyperballad”
  • “It’s Oh So Quiet”
  • “Isobel”
  • “Possibly Maybe”
  • “I Miss You”

Thoughts: I haven’t listened to Björk in a long while and forgot just how amazingly good this album is.  I ranked Post at #83 on my 2009 list of favorite albums which feels low in retrospect.  Of course, I ranked Homogenic higher as did Rolling Stone, so we’ll see about that when we get there.

Artist: The Modern Lovers
Album: The Modern Lovers
Year: 1976
Label: Beserkley
Have I Listened to This Album Before?: No
Am I Familiar With This Artist/Songs from This Album?: Yes
Would I Listen to this Album Again?: Yes
Favorite Tracks:

  • “Roadrunner”
  • “Pablo Picasso”
  • “Modern World”
  • “Government Center”

Thoughts: “Roadrunner” is the unofficial anthem of Massachusetts and one of my all-time favorite songs, but I hadn’t given The Modern Lovers as much attention as they deserved up until now. Jonathan Richman and The Modern Lovers might need to be a future Music Discovery project.

Artist: The Byrds
Album: Mr. Tambourine Man
Year: 1965
Label: Columbia
Have I Listened to This Album Before?: No
Am I Familiar With This Artist/Songs from This Album?: Yes
Would I Listen to this Album Again?: Yes
Favorite Tracks:

  • “Mr. Tambourine Man”
  • “I’ll Feel A Whole Lot Better”
  • “The Bells of Rhymney”
  • “I Knew I’d Want You”

Thoughts:  The Byrds covered songs by Bob Dylan and Pete Seeger but I feel that they were at their best with their original songwriting, such as Gene Clark’s “I’ll Feel a Whole Lot Better.” The Byrds were hailed as the mid-60s American response to the British Invasion, but songs like this are timeless.

Artist: Red Hot Chili Peppers
Year: 1999
Label: Warner Bros.
Have I Listened to This Album Before?: No
Am I Familiar With This Artist/Songs from This Album?: Yes
Would I Listen to this Album Again?:
Favorite Tracks:

  • “Scar Tissue”

Thoughts: Red Hot Chili Peppers have always been a band for me that sound good on first listen but my appreciation for them deteriorates on repeat listening.  Unfortunately, Red Hot Chili Peppers are a band that has been overexposed and repeat listenings are impossible to miss.  I’m surprised to see a 1999 album here instead of one of the band’s earlier works since they’d kind of become a parody of themselves by this point. At any rate, this album was just fine to listen to for this project, but knowing what I know, I wouldn’t want to listen to it again.

Artist: Big Star
AlbumThird/Sister Lovers
Year: 1978
Label: PVC
Have I Listened to This Album Before?: No
Am I Familiar With This Artist/Songs from This Album?: Yes
Would I Listen to this Album Again?: No
Favorite Tracks:

  • “Kizza Me”
  • “Thank You Friends”
  • “Jesus Christ”

Thoughts: Big Star, the ultimate critics’ band, has their entire discography of three albums on this list.  On the previous two albums, I didn’t see what the big deal was, but I’m starting to see the appeal on this album.  Ironically, there isn’t agreement on whether this is even should be a Big Star album as it was mainly a project of band members Alex Chilton and Jody Stephens.  The album has been released under two different names with 7 different track listings.  I’m pretty sure I didn’t listen to the same version ranked by Rolling Stone since “Kanga Roo” was not the last track, but I suppose I got the gist.

Artist: Merle Haggard
Album: Down Every Road 1962-1994
Label: Capitol
Have I Listened to This Album Before?: No
Am I Familiar With This Artist/Songs from This Album?: No
Would I Listen to this Album Again?: No
Favorite Tracks:

  • “Sing Me Back Home”
  • “Mama Tried”
  • “Old Man From The Mountain”

Thoughts: I’ve grumbled before about this list including compilations, but this takes the cake. Down Every Road 1962-1994 is a boxed set with 100 songs on it and almost five hours of material.  How can this even compare with other albums on this list that are discrete collections of an artist’s work from one particular time in their career?  I’ve made the executive decision to instead listen to the 26-track Hag: The Best of Merle Haggard (2006).

Artist: Donna Summer
AlbumBad Girls
Year: 1975
Label: Casablanca
Have I Listened to This Album Before?: No
Am I Familiar With This Artist/Songs from This Album?: Yes
Would I Listen to this Album Again?:
Favorite Tracks:

  • “Hot Stuff”
  • “Bad Girls”
  • “Dim All the Lights”

Thoughts: Boston’s own Donna Summer was already the Queen of Music when she took on the music world with this album she could dominate any musical style.  I learned a lot about Donna Summer and gained a lot of respect for her work and influence from listening to the Slate Hit Parade podcast. You can really hear the influence on dance music and electronic music to this day (“Our Love” could’ve been covered by Erasure with little changes). On the downside, the ballads also anticipate cheezy R&B hits of the 1980s, and a number of the songs are overlong and repetitive.


Artist: Frank Sinatra
Album: In the Wee Small Hours
Year: 1955
Label: Capitol
Have I Listened to This Album Before?: No
Am I Familiar With This Artist/Songs from This Album?: Yes
Would I Listen to this Album Again?: Yes
Favorite Tracks:

  • “In the Wee Small Hours of the Morning”
  • “I See Your Face Before Me”
  • “This Love of Mine”

Thoughts: The LP record was introduced in 1948, and 7 years later Frank Sinatra and Capitol Records innovated how the LP could be used to package a collection of popular music.  In the Wee Small Hours is even called the first concept album since all the songs deal with themes of failed romance, loneliness, and late nights.  Sinatra’s voice sounds great and Nelson Riddle’s arrangements are lushly orchestrated.  The downside is that since every song is slow-tempo and remorseful that there isn’t much variety in the album.

Artist: Harry Nilsson
Album: Nilsson Schmilsson
Year: 1971
Label: RCA
Have I Listened to This Album Before?: No
Am I Familiar With This Artist/Songs from This Album?: Yes
Would I Listen to this Album Again?: No
Favorite Tracks:

  • “Gotta Get Up”
  • “Jump Into the Fire”

Thoughts: Harry Nilsson is a name I know, primarily from his “Everybody’s Talking” being played repeatedly in Midnight Cowboy.  My first thought listening to this album is that he should have written for Broadway musicals (he didn’t) or have a jukebox musical created of his work (none exists to my knowledge).  His music has been used in lots of movies and tv shows and my feeling that he is similar to Randy Newman is justified by the fact that I found Nilsson actually recorded an entire album of Newman tunes.  Twice on this album, I exclaimed “That’s who sings this song!” for “Without You” and “Coconut.”  Unfortunately, I don’t like either of those songs but the rest of the album is pretty good especially the opening track “Gotta Get Up.”

Running List of Albums I’d Listen to Again

  • 500. Arcade Fire, Funeral
  • 498. Suicide, Suicide
  • 497. Various Artists, The Indestructible Beat of Soweto
  • 494. The Ronettes, Presenting the Fabulous Ronettes
  • 489. A Christmas Gift for You from Phil Spector from Phil Spector and Various Artists, Back to Mono (1958-1969)
  • 487. Black Flag, Damaged
  • 485. Richard and Linda Thompson, I Want to See the Bright Lights Tonight
  • 483. Muddy Waters, The Anthology
  • 482. The Pharcyde, Bizarre Ride II the Pharcyde
  • 481. Belle and Sebastian, If You’re Feeling Sinister
  • 478. The Kinks, Something Else by the Kinks
  • 477. Howlin’ Wolf, Moanin’ in the Moonlight
  • 469.Manu Chao, Clandestino
  • 465. King Sunny Adé, The Best of the Classic Years
  • 464. The Isley Brothers, 3 + 3
  • 462. The Flying Burrito Brothers, The Gilded Palace of Sin
  • 459. Kid Cudi, Man on the Moon: The End of the Day
  • 457. Sinéad O’Connor, I Do Not Want What I Haven’t Got
  • 456. Al Green, Greatest Hits
  • 455. Bo Diddley, Bo Diddley/Go Bo Diddley
  • 453. Nine Inch Nails, Pretty Hate Machine
  • 452. Diana Ross and the Supremes, Anthology
  • 451. Roberta Flack, First Take
  • 448. Otis Redding, Dictionary of Soul
  • 446. Alice Coltrane, Journey in Satchidanada
  • 444. Fiona Apple, Extraordinary Machine
  • 443. David Bowie, Scary Monsters
  • 440. Loretta Lynn, Coal Miner’s Daughter
  • 439. James Brown, Sex Machine
  • 438. Blur, Parklife
  • 437. Primal Scream, Screamadelica
  • 435. Pet Shop Boys, Actually
  • 433. LCD Soundsystem, Sound of Silver
  • 431. Los Lobos, How Will the Wolf Survive?
  • 430. Elvis Costello, My Aim Is True
  • 429. The Four Tops, Reach Out
  • 428. Hüsker Dü, New Day Rising
  • 427. Al Green, Call Me
  • 426. Lucinda Williams, Lucinda Williams
  • 425. Paul Simon, Paul Simon
  • 424. Beck, Odelay
  • 423. Yo La Tengo, I Can Hear the Heart Beating As One
  • 422. Marvin Gaye, Let’s Get It On
  • 421. M.I.A., Arular
  • 417. Ornette Coleman, The Shape of Jazz to Come
  • 416. The Roots, Things Fall Apart
  • 415. The Meters, Looka Py Py
  • 414. Chic, Risqué
  • 413. Creedence Clearwater Revival, Cosmo’s Factory
  • 412. Smokey Robinson and the Miracles, Going to a Go Go
  • 409. Grateful Dead, Workingman’s Dead
  • 408. Motörhead, Ace of Spades
  • 406. Magnetic Fields, 69 Love Songs
  • 405. Various, Nuggets: Original Artyfacts from the First Psychedelic Era
  • 403. Ghostface Killah, Supreme Clientele
  • 402. Fela Kuti and Africa 70, Expensive Shit
  • 401. Blondie, Blondie
  • 400. The Go-Go’s, Beauty and the Beat
  • 398. The Raincoats, The Raincoats
  • 397. Billie Eilish, When We All Fall Asleep, Where Do We Go?
  • 395. D’Angelo and the Vanguard, Black Messiah
  • 392. Ike and Tina Turner, Proud Mary: The Best of Ike and Tina Turner
  • 390. Pixies, Surfer Rosa
  • 388. Aretha Franklin, Young, Gifted and Black
  • 387. Radiohead, In Rainbows
  • 386. J Dilla, Donuts
  • 385. Ramones, Rocket to Russia
  • 384. The Kinks, The Kinks Are the Village Green Preservation Society
  • 380. Charles Mingus, Mingus Ah Um
  • 378. Run-DMC, Run-D.M.C.
  • 377. Yeah Yeah Yeahs, Fever to Tell
  • 375. Green Day, Dookie
  • 374. Robert Johnson, King of the Delta Blues Singers
  • 373. Isaac Hayes, Hot Buttered Soul
  • 371. The Temptations, Anthology
  • 369. Mobb Deep, The Infamous
  • 368. George Harrison, All Things Must Pass
  • 365. Madvillain, Madvillainy
  • 364. Talking Heads, More Songs About Buildings and Food
  • 363. Parliament, The Mothership Connection
  • 360. Funkadelic, One Nation Under a Groove
  • 358. Sonic Youth, Goo
  • 357. Tom Waits, Rain Dogs
  • 356. Dr. John, Gris-Gris
  • 354. X-Ray Spex, Germfree Adolescents
  • 351. Roxy Music, For Your Pleasure
  • 350. Stevie Wonder, Music of My Mind
  • 349. MC5, Kick Out the Jams
  • 348. Gillian Welch, Time (The Revelator)
  • 347. GZA, Liquid Swords
  • 346. Arctic Monkeys, AM
  • 345. Bruce Springsteen, The Wild, the Innocent & the E Street Shuffle
  • 344. Toots and the Maytals, Funky Kingston
  • 343. Sly and the Family Stone, Greatest Hits
  • 342. The Beatles, Let It Be
  • 341. The Smashing Pumpkins, Siamese Dream
  • 338. Brian Eno, Another Green World
  • 337.  Bob Dylan, John Wesley Harding
  • 335. Bob Dylan and the Band, The Basement Tapes
  • 334. Santana, Abraxas
  • 333. Bill Withers, Still Bill
  • 332. Elvis Presley, Elvis Presley
  • 330. The Rolling Stones, Aftermath
  • 329. DJ Shadow, Endtroducing…
  • 328. Vampire Weekend, Modern Vampires of the City
  • 326. Prince, Dirty Mind
  • 323.The Clash, Sandinista!
  • 320. X, Los Angeles
  • 319. The Stone Roses, The Stone Roses
  • 317. Billie Holiday, Lady in Satin
  • 316. The Who, The Who Sell Out
  • 310. Wire, Pink Flag
  • 309. Joy Division, Closer
  • 308. Brian Eno, Here Come the Warm Jets
  • 307. Sam Cooke, Portrait of a Legend
  • 306. Al Green, I’m Still In Love With You
  • 304. Bill Withers, Just As I Am
  • 301. New York Dolls, New York Dolls
  • 299. B.B. King, Live at the Regal
  • 297. Peter Gabriel, So
  • 294. Weezer, Weezer
  • 293. The Breeders, Last Splash
  • 292. Van Halen, Van Halen
  • 289.  Björk, Post
  • 288. The Modern Lovers, The Modern Lovers
  • 287. The Byrds, Mr. Tambourine Man
  • 283. Donna Summer, Bad Girls
  • 282. Frank Sinatra, In the Wee Small Hours


A Song and a Story: “New York, New York” #AtoZChallenge

Frank Sinatra returns to A Song and a Story with his take on this standard of civic boosterism:

New York, New York

Officially this song is entitled “Theme from New York, New York,” but no one really calls it that, and I’ve got another song and a story for the letter T.  If you asked me as a kid, I’d would’ve told you that “Theme from New York, New York” was an ancient song, written shortly after Francis Scott Key composed “The Star Spangled Banner,” and possibly of greater significance to my parents’ and grandparents’ generation.  It was only later in life that I learned that song originated in Liza Minelli’s 1977 movie, and the ubiquitous Frank Sinatra version was released in April 1980, when I was already six years old!

I’ve never lived in New York, but my parents grew up there, my sister was born there, and I lived within 30 miles of the City until I went to college.  I’ve visited New York City at least once every year of my life and it’s an important place for me.  My childhood coincided with a time in the 70s and 80s that was not a good period for New York with an increase of violent crime, homelessness, and deteriorating buildings and infrastructure.  And yet at every public event, sporting event, or party I went to in New York as a child, I heard this cheerful song extolling the virtues of New York.  I think people gravitated toward the song whose lyrics gave them hope in bad times.

Among my childhood memories was going to the great parties my parents’ friends who lived in the City would throw to celebrate their children’s’ baptisms, first communions, and confirmations.  At one of these parties around 1982, the hosts set up a jukebox behind their house in the Rockaways.  You didn’t need to put in a coin, just pick a song and wait for it to play.  I was part of a group of boys who repeatedly selected the theme from “Chariots of Fire” by Vangelis and ran in slow-motion down the driveway, until one of the dads put the kibosh on that.  But no one objected to selecting “New York, New York” on the jukebox, and it played with greater frequency as the party went on. By the end of the night, I remember standing on top of a milk crate conducting a chorus of drunken adults as they crooned along with Frank Sinatra to “New York, New York.”

Today people associate Sinatra’s “New York, New York” with being the Yankees’ victory song, but dammit, it means so much more to me!

2019 Blogging A to Z Challenge – A Song and a Story

A: Always on My Mind
B: Baby Come Back and Baker Street
C: Cheek to Cheek
D: Don’t Worry, Be Happy and Doctor Jones
E: Everyday Sunshine
F: Fly Me to the Moon
G: Ghost Town
H: Hobo Humpin’ Slobo Babe
I: If I Were John Carpenter
J: Jungle Strut and Justified & Ancient
K: Kiss
L: Loaded
M: Marble Halls and My Moon, My Man

If you want to read more, check out my previous Blogging A to Z Challenges:

And dig deep into Panorama of the Mountains, by checking out my:

And, if you like Doctor Who, I have a whole ‘nother blog where I review Doctor Who stories across media: Epic Mandates.

A Song and a Story: “Fly Me to the Moon” #AtoZChallenge


Today’s song is a standard from Frank Sinatra, who I think we’ll see again in this A to Z:

Fly Me to the Moon

Shortly after our marriage, Susan gave me a gift certificate for professional voice lessons.  I’d always liked singing, but had never done any performing until I joined a chorus for a Christmas concert at church the year before.  My instructor Ingrid told me to get together a list of songs I wanted to sing, and among the soul and folk songs I thought would work well with my baritone, I had to include a standard from the Frank Sinatra songbook.  We worked on this one a lot and I got pretty good, if I say so myself.

In 2009, I decided to audition for the Christmas Revels chorus.  I had to prepare two songs for the audition, and having never auditioned before, I had no idea what to sing.  I settled on “The Whistling Gypsy” since it was a song I knew by heart, and then “Fly Me to the Moon” since Ingrid and I had worked it so much. When my time to sing came, I belted out “Fly Me to the Moon” complete with a key change.  I didn’t realize that they wanted just a verse and a chorus and sang the whole song.  Ooops!  Somehow I still made it in the cast.  The next year the audition instructions specified NOT to use pop songs.  I’ve always wondered if I played a part in that happening.

2019 Blogging A to Z Challenge – A Song and a Story

A: Always on My Mind
B: Baby Come Back and Baker Street
C: Cheek to Cheek
D: Don’t Worry, Be Happy and Doctor Jones
E: Everyday Sunshine

If you want to read more, check out my previous Blogging A to Z Challenges:

And dig deep into Panorama of the Mountains, by checking out my:

And, if you like Doctor Who, I have a whole ‘nother blog where I review Doctor Who stories across media: Epic Mandates.

Musical Guilty Pleasures

Last Wednesday I was due to post my Album of the Month reviews for August, and this Wednesday is supposed to be a Musical Discoveries post, but I have listened to nothing so I have nothing ready to post.  So, I’m moving Album of the Month to next Wednesday, August 24th and a Music Discovery for Sharon Jones & The Dap-Kings on August 31st.  Today, I’ll go with a list of songs I’ve compiled under the heading Guilty Pleasures.

I hesitate to use the term guilty pleasures, because almost certainly all of these songs have people who love them unabashedly, and the older I get the more I feel that if any music brings a person joy it should not be mocked.  Nevertheless, these are cheezy pop songs that don’t fit in with my usual tastes and that music snobs who are less forgiving than me would look down on.

So let’s check out my Musical Guilty Pleasures in reverse alphabetical order by song title:

“We Like to Party” – Vengaboys

The Dutch have made many contributions to global culture, but are not so strong in the pop music area.  Still I find this song irresistibly catchy.

“Strangers in the Night” – Frank Sinatra

I’ve always had trouble with lyrics – understanding them, and memorizing them.  But in college I made myself memorize this song.  I thought it might be something that people would find impressive/amusing.  It didn’t work.

“Star Wars Theme” – Meco

Not only did I love this disco version of the Star Wars theme, but I actually once had an entire album of Meco interpretation of film soundtrack songs.

“The One That You Love” – Air Supply

When I was a kid I decided to make my own weekly Top 10 list of songs and this was the first number one song on the list even though it was two years after the song was released.

“Never Gonna Give You Up” – Rick Astley

The song that launched ten million Rick Rolls, but you gotta admit that he has a good voice and it’s a catchy tune.

“Mouth” – Merril Bainbridge

When people talk about the great music of the ’90s, this song doesn’t come up, but it brings back memories.

“Milkshake” – Kelis

You should see me dance to this song.

“Let it Go” – Demi Lovato

Popular with girls aged 12 and under, I can’t help but want to join in the sing-a-long.

“Jump Around” – House of Pain

Nothing makes me feel more white than my enjoyment of this song.

“I Think We’re Alone Now” – Tiffany

I kept my love of this song a big secret when I was 13.

“Hold On” – Wilson Phillips

Who can resist singing along to “Hold On?”  No one, that’s who.

“Don’t Worry Be Happy” – Bobby McFerrin

I have an affection for this song because I was on vacation on Martha’s Vineyard and McFerrin was playing a show there so the local radio kept playin this song and it was this quirky, happy song that no one else knew until a month later when it was suddenly being overplayed everywhere.

“Doctor Jones” – Aqua

Another song I associate with travel, this time to Ireland and the UK where this was a big hit and played so often that people were absent-mindedly singing it under their breath.

“Another Night” – Real McCoy

When my wife and I were friends in college, long before we started dating, this was “our song” for some reason that has been lost to memory.

“America” – Neil Diamond

Patriotic songs are cheezy, Neil Diamond is cheezy, so this is a large extra cheeze, but dang if I don’t feel inspired.


So what are your musical guilty pleasures?  Make your confession in the comments below!


Favorite Songs of 1979

The project continues with my favorite songs of 1979.  Read the first post for the detail on this project.

I think this may be the most unlikely collection of songs I’ve brought together yet.  My eclecticism is showing, but all of these are special to me in some way.

Bela Lugosi’s Dead – Bauhaus

Hammond Song – The Roches

Heart of Glass – Blondie

Logical Song – Supertramp

Lost in the Supermarket – The Clash

A Message to You, Rudy – The Specials

Oliver’s Army – Elvis Costello & The Attractions

Redemption Song  – Bob Marley

Theme From New York, New York – Frank Sinatra

We Are Family – Sister Sledge

And my song of shame for 1979 is You Don’t Bring Me Flowers – Neil Diamond & Barbra Streisand 

(I went through a Neil Diamond phase as a child.  I was a strange youth.)