Title: The Music Room (Jalsaghar) Release Date: 10 October 1958 Director: Satyajit Ray Production Company: Aurora Film Corporation Summary/Review:
Set in the 1920s, a landlord in Bengal, Biswambhar Roy (Chhabi Biswas), neglects his responsibilities and squanders his family fortune in order to host concerts and dance recitals in the music room of his decaying palace. His need to gain prestige by hosting expensive entertainments only intensifies when a nouveau riche man, Mahim Ganguly (Gangapada Bose), moves into a neighboring estate. The film shows Roys descent into monomania and willingness to sacrifice everything, including his wife and son. The film is punctuated by three recitals in the music room which are fantastic displays of music and dance.
I continued my ongoing quest to visit every gallery in the Museum of Fine Arts by visiting the Art of Asia, Oceania, and Africa wings. It’s unfortunate that the art of the two most populous continents and some diverse island cultures are all clumped together like that, especially since the MFA boasts having a large collection of Asian arts dating back to the earliest days of the museum. Nevertheless there was quite a delightful collection of works that had me hopping around geographically as well as through time. One gallery deliberately mixed contemporary and classical Japanese art in a provocative way.
After these eight visits, I believe I’ve been to every permanent gallery in the museum. Of course, art on exhibit is changing all the time, so I’ll have to go back and do it again. Maybe next time I’ll have a theme like art with families or bridges or pets or something like that.
Lahiri’s novel, like many of her works, deals with Indian expatriates assimilating to life in the United States and coming to terms with their past in India. The Lowland tells the story of two brothers Subhash and Udayan. While Subash leaves for America to study in Rhode Island, Udayan is drawn to the Maoist Naxalite movement. The Lowland is also about a woman named Gauri who is connected to both brothers.
A big spoiler here, but after Udayan is killed by the police, Subhash marries the pregnant Gauri and takes her to Rhode Island to help her escape living with her oppressive in-laws. The marriage built on expediency cannot sustain and the desires of Subhash and Gauri to pursue their own goals and carry on in their lives with the memory of Udayan drive the conflict of the narrative. It is in many ways a quiet story with a lot of the passions tempered under placid exteriors and one that offers a sympathetic but not nonjudgmental look at each of the characters.
Lahiri’s collection of short stories demonstrates that she is one fine writer. The stories – mainly set in the Cambridge/Boston area or in India – cover some common themes such as the meetings of peoples of different cultures, strained relationships, and children with a growing understanding of the adult world. The last theme is best demonstrated in “When Mr. Pirzada Came To Dine” told through a child’s perspective of her parents’ Pakistani dinner guest and how that leads to her coming to terms with sociopolitical realities. The first story “A Temporary Matter” ends on an act of cruelty that is a real kick in the gut. Indeed, many of these stories demonstrate the downside of human nature and so the reader shouldn’t read this for a pick-me-up. Yet there is unexpected joy as well as in the last story “The Third and Final Continent” about an Indian immigrant and the elderly woman who rents him a room which has a surprisingly upbeat ending.
Author: Arundhati Roy Title: The God of Small Things Publication Info: Harper Perennial, 1998 ISBN: 0060977493
This challenging novel tells the story of a multi-generational family in southernmost India whose lives are changed in one day by a tragic incident. While the main story is set in 1969, Roy moves back and forth throughout the time focusing mainly on the young twins Estha and Rahel and the adults they become as a result of the novel. Roy touches on post-colonialism, conflicts between Christianity and native beliefs, communism versus the status quo, and the caste system. While the story is heartbreaking and sometimes brutal, Roy has a way with words and composes some very beautiful sentences.