The Christmas Revels: A Welsh Celebration of the Winter Solstice


It’s warm and overcast out, and looking to only get warmer as the week goes.  We’re more likely to have a wet Christmas than a white Christmas, but I know the holiday is coming soon.  Today my family and I celebrated the solstice with a matinée of The Christmas Revels.  This is our (mostly) annual tradition going back to 2001.  The Revels this year is set in Wales, a land of beautiful singing traditions, poetry, and mythology.  I’ve never been to Wales but this show gave me a nostalgic longing for the place.

It should be noted that while Shirley Bassey and Tom Jones are famed Welsh singers, their was music was not represented in the show.  There were familiar tunes for the sing-a-longs – “Cwm Rhondda” and “Hydrofol” – which as song leader David Coffin pointed out, “you know these songs just not with these words.”  The familiar Christmas carol “Deck the Hall” was also sung by a choir of children, but in the original Welsh.  The children – who were excellent as always – also performed scenes from Dylan Thomas’ A Child’s Christmas in Wales.

There’s a beautiful scene near the end of Part 1 where Coffin sings “Daffydd y Garregg Wen (David of the White Rock)” accompanied by Haley Hewitt, while Emma Crane Jaster performing as the legendary bard Taliesen.  Jaster is lit from below and moves her arms like a harpist, casting large shadows on the roll-top desk ceiling of Sanders Theatre.  My daughter imitated the gesture, waving her arms by her own imaginary harp.  (And I was right in my memory that Taliesen is also the name of Frank Lloyd Wright’s estate in Wisconsin). Other highlights include a group of rugby supporter singing a rousing victory song, some fine clogging, and a retelling of “Froggy Went A-Courtin'” with the children.

No matter where in the world the Revels is set, there are the Revel’s traditions.  There was a rowdy morris dance and “The Lord of the Dance” where we all spill out into the lobby singing and dancing (I can never get enough of doing that), there’s the haunting Abbots Bromley Horn Dance and there’s the mummer’s play, this year with the Red Dragon playing the role of the hero vanquishing the White Dragon of England for the Welsh.   We sing rounds, we shout “Welcome Yule!,”  we finish on “The Sussex Mummers’ Carol,” I weep.  Tradition.

I was entranced as – for me – the Revels never fail to please.  My kids were more antsy.  Welsh-language songs make no sense, and my son said even the English was hard to follow.  My daughter wanted to see a dragon and had to wait a looooong time for a four-year-old, but I think the dragon’s eventual arrival satisfied.  They soldiered through and I think they enjoyed themselves, although they wanted cookies too.

Performances continue through December 27, so get your tickets and go if you haven’t already.

Related posts:

The 44th Annual Christmas Revels


The Christmas Revels at Sanders Theatre in Cambridge are annual family tradition.  My first Revels experience was in Washington in 1996.  After moving to the Boston area, the Cambridge Revels were an annual event from 2001-2006.  We missed the show in 2007 due to a newborn, and in 2008 due to a blizzard, but have been regular attendees since 2009 (that same year I actually sang in the chorus!).  So, I calculate that I’ve seen 13 different Christmas Revels performances.  Each year is delightful and surprising in its own way.*

This year’s Revels is set in Victorian England, with music halls and the Crystal Palace playing center stage.  The first act shows two teams of buskers competing on the streets of a Northern England town as the Crystal Palace manager Harry Colcord and composer Arthur Sullivan seek an alternate performer after a cancellation.  In the usual Revels’ way, everything comes together as the buskers join forces to create a performance of music, tricks, and a “panto” of Cinderella.  The second act is treated as a command performance at the Crystal Palace (complete with life-size wooden cutouts of the royal family in the mezzanine).

Highlights of the show:

  • comic busking performances by Marge Dunn, Billy Meleady, Mark Jaster, and Sabrina Selma Mandell
  • singing a round of “Row the Boat, Whittington”
  • David Coffin’s solos on “It Was My Father’s Custom” and on the melodic “Christmas Bells at Sea”
  • the sing-a-long and acting out of “When Father Papered the Parlour”
  • the “Panto” of Cinderella, which while not a true Panto (oh no it isn’t!), we did get to shout “Don’t touch Billy’s eggs” several times
  • And of course, the Revels traditions of “Lord of the Dance” (and dancing out into the lobby), “Dona Nobis Pacem,” “The Shortest Day,” and “Sussex Mummers’ Carol.”  Unfortunately, the “Abbots Bromley Horn Dance” was conspicuously absence in this year’s performance.

There are five more performances from December 26-28, so if you’re in or near Cambridge, get a ticket and go!

* I also recently discovered that the Revels website has a list detailing the theme of every performance from 1971 to present.  Now I need to discover time travel technology so I can go back in time and see each and every one.

Related posts:

The 43rd Annual Christmas Revels


This afternoon, my wife, son, and good family friend Craig took in the  performance of The Christmas Revels at Sanders Theatre in Cambridge. The annual pageant of music, dance, storytelling, and drama focused this year on the pilgrimage along the Camino de Compostela in the Spanish region of Galicia.  As a Celtic culture, the Galicians have their own version of the bagpipe called the gaita which featured prominently. Any piece featuring gaita and drums was a highlight for me.  The largest drum resonated throughout the house.

The story of this Revels follows Everyman (portrayed by Jay O’Callahan) on his pilgrimage to Santiago de Compostella and onwards to the End of the Earth in Finisterre.  Elements of Don Quixote are woven into the story as Everyman is knighted and joined on his journey by squire Sancho (Billy Meleady, who starred in last year’s show) and the tavern keeper Angélica (the delightful Angélica Aragón).

Usually the theme of a Revels’ performance is an excuse to tie together song and dance numbers, but this story of a pilgrimage actually maintains a pretty continuous narrative built around set pieces along the Camino, in a tavern, at a monastery, at the Cathedral of Santiago de Compostela, and finally at Finisterre.  The sets and lighting are really remarkable in adapting the stage for the different places along the journey.

Highlights of the show include:

  • the talent and hard work of the Revels’ children whose performance more than ever is fully-integrated into the show.
  • the charming line dance when the pilgrims are greeted by the monks to the tune of “Alborada de Ourense.”
  • O’Callahan telling the story of “The Singing Sack.”
  • sing-a-long with choreography to “Fum, Fum, Fum.”
  • puppetry and lights to enact the Galacian version of the posadas ritual.
  • an amazing bit of stagecraft where a giant censer is swung like a pendulum over the performers on the stage (based on the Botafumeiro at the Cathedral of Santiago de Compostela
  • Jaime Jaffe’s solo performance of “Ondas Do Mar De Vigo.”
  • a mummers play featuring a mustachioed dragon who performed the hammiest death throes.

There were some disappointments.  Jay O’Callahan was hard to understand and I’m not sure if he was mumbling or mic’ed improperly.  Sitting in balcony center meant it took a long time to get downstairs to participate in “The Lord of the Dance.”  It ended just as we reached the lobby.  While I would not rank this among my all time favorite Revels’ performances, it was still delightful and I recommend seeing it if you have the chance. There are four more performances before the show closes on December 27th, so get your tickets now!

The Boston Globe has a more-detailed review for your perusal.

Related posts:

The 42nd Annual Christmas Revels


It would not be Christmas without the Christmas Revels at Sanders Theatre in Cambridge.  This year my wife, son and I joined by our friends Abby, Kim, & Sid took in the Winter Solstice performance on the evening of December 21st.  The show was delightful as always with the subject being near and dear to my heart, the music of Irish emigrants as they sail the new world.

The show was a more restrained and simple performance than a typical Revels keeping to the theme of the cast being impoverished immigrants aboard a ship and not having much to celebrate with.  After the opening number, lines and gangways were removed from the sides of the stage and notably no cast members went down the steps into “the ocean” except during a storytelling sequence.  These restraints did nothing to detract from the beauty of the song, dance, and stories performed.

Highlights of the show for me included:

  • Bill Meleady’s colorful telling of The Soul Cages, the exception to the restraint on the performance where the visuals of the story come to life in vivid detail.  I enjoyed the dancing crustaceans especially as well as Steve Barkhimer’s portrayal of the merrow Coomara.
  • “The Wexford Lullaby” gorgeously performed by Mary Casey along with Jamie Jaffe as a duet and later as a quartet.
  • The dramatic “St. Patrick’s Breastplate” swelling as the audience joins the chorus.
  • “The Lord of the Dance” is always a highlight and was cleverly worked into the show as being the English ship crews’ contribution to the shipboard celebration.
  • The show had several sets of traditional Irish music by The Rattling Brogues and step dance by O’Shea-Chaplin Academy of Irish Dance that livened up the proceedings greatly.
  • If there was one minor disappointment is that the show ends with the immigrants seeing The Statue of Liberty in New York Harbor.  The show is set aboard the Cunard steamship RMS Carpathia and since Cunard had a western terminus in Boston (there’s still an office building marked “CUNARD” on State Street) it would have been a nice local connection to have the ship dock here instead of New York.

A traditional element of the Revels – “The Abbots Bromley Horn Dance” – was not included in the program but as this was the Winter Solstice, the audience was treated to a special rendition of Abbots Bromley after the curtain call.  I’d actually guessed that Abbots Bromley was the surprise we’d been promised before the show, but it was still a thrill when the first haunting notes of the recorder came out and the audience reacted with joy.

This was another great Revels and I believe all the shows were sold out.  If you missed this year’s Revels, make sure to get your tickets early for next year’s show which I promise will be just as great.

[youtube http://youtu.be/_tfCs4A1BPQ]

Related posts:

Christmas Revels: The Reviews Are In


As reported earlier, I’m participating as a member of the Roaring Gap Chorus in this year’s Christmas Revels at Sanders Theater in Cambridge, MA.  The show has been great thus far and tickets are still available for the final six performances.  Come out and see us and don’t just take my word for it, read these lovely reviews from:

Blogs:

Jamestown 2007 – America’s 400th Anniversary


As detailed in this post about Jamestown, the buried truth, I’ve been greatly anticipating the 400th anniversary of the first permanent English settlement in the Western hemisphere. May 13, 1607 is the date of the founding of Jamestown by the Virginia Company (although some sources state May 14, since that is the day the colonists went ashore and started building. I’ll go with the 13th since that is also my sister’s birthday). I first visited Jamestown as a geeky 11-year old in 1985 and even at that time I calculated that I could be alive for the 400th anniversary, albeit impossibly old. Turns out I’m not as old as I imagined, but I’m still geeky and love commemorations of historic events. Since I lived in James City County, VA (the modern continuance of Jamestown) for 7 years, and worked in a living history museum in Virginia, this was an event I could not miss.

My photos from Jamestown 2007 – America’s 400th Anniversary

The key event is patriotically called America’s 400th Anniversary cleverly overlooking the priority of St. Augustine while advancing Jamestown’s claim over those upstarts in Plymouth, MA. Jamestown does have the advantage that it plays a role in beginning one of the colonies that would eventually form the original United States whereas Florida is in territory acquired later, so Jamestown is central to the story of the American experience from its very beginning. This point was emphasized by stressing the “birth of democracy” (basically the election of the Virginia Company’s chairmen of the board in 1619) and the “birth of slavery” since captured Africans first arrived in America for forced labor at Jamestown, also in 1619. Another interesting point is that Jamestown is the first place in the world where people of Europe, Africa, and indigenous Americans lived and worked together, albeit far from an ideal community.

The anniversary weekend took place 11-13 May and my mother and I attended on Sunday, the final day. Due to a visit by President Bush, access to the site was restricted from 9:30 am to 12:30 pm and people who were already there were pretty much in a lockdown situation. So we decided to arrive in the afternoon, after the President departed, and security was less stringent. The logistics for the event were excellent, especially the use of satellite parking in numerous lots in the area with school buses shuttling visitors to Jamestown. The scenic Colonial Parkway basically became a convoy of yellow buses as well as a staging area for emergency vehicles. The bus was full of happy, chatting people and was a good way to start the day. Oddly, many people who still live in the area went out of town (including my mother’s co-workers) but they were counterbalanced by the soldier we met on the bus who used his leave from Iraq to come Jamestown.

We arrived first at Jamestown Settlement, which looks very different from when my mom worked there and when I volunteered with the museum registrar to help count rocks. Not only is the museum expanded and redesigned but they’ve even realigned a road around the parking lot! We visited the living history exhibits at Jamestown Settlement which for maybe the first time ever were densely populated with costumed historic interpreters. One of the first employees I met was my friend and former housemate Lara although we did not get to speak for long. We wandered through the recreated James Forte, down to the ships, and back to the Powhatan village.

Next we took the bus to the actual site of the original settlement at Historic Jamestowne, property which is administered jointly by the National Park Service and the Association for the Preservation of Virginia Antiquities (APVA). Things have changed there quite a bit since my last visit as well, especially since the APVA hired Dr. William Kelso to conduct an archaeological excavation which uncovered the remains of the original James Fort used from 1607-24, and many other fascinating discoveries. We arrived just in time to hear Bill Kelso speak which may have been the highlight of the day for me. I don’t think Kelso ever finished his presentation because he got a bit choked up the the magnitude of the day, but he received a well-deserved standing ovation. After strolling through the fort site and taking a lunch break by the river, we waited in line for the brand new Archearium a museum containing the relics, um, I mean artifacts from Kelso’s Jamestown Rediscovery excavations. The wait was long to get into the small museum, made longer because we chose to visit the gallery with the skeletons. While in line we saw that the elderly woman behind us had a pewter broche from the Jamestown tercentenary in 1907 which was pretty cool. What was not cool is that the younger woman pushing the elderly woman’s wheelchair kept pushing it into my heels, and didn’t seem all to sorry about the pushiness either.

While wonderful to visit all the museum sites on THE DAY, they definitely will be worth a more comprehensive return visit in the future. Footsore and facing closing time at the museums, we headed over to the Anniversary Park to relax with entertainment. Anniversary Park was once the Jamestown Beach Campsites and I’m said to see it’s gone (unless they campground owners just rented the land out for the weekend). We stayed at that campground on our first visit to Virginia in 1985 and it has sentimental memories. Anniversary Park consisted of a giant stage and a grassy area for the audience as well as some exhibition tents that we never had time to see.

There were a lot of people in Anniversary Park when we arrived including the 1,607-voice choir and 400-piece orchestra performing. For some reason I expected all those musicians to be really loud but in the “back rows” the music sounded faint even when amplified.

Following the concert, emcee Dr. Rex Ellis told us we had a “special treat,” a performance entitled “Journey of Destiny.” Subtitled: “Hokey-hontas.” Told through a bizarre mix of interpretive dance, historical pageants, and dramatic readings of primary documents, “Journey of Destiny” recreated Jamestown history in an incredibly cheezy manner.

Once that was over, the Governor of Virginia and family dropped some things in the time capsule. Rex Ellis told us that the time capsule had a CD-player, DVD-player, and batteries for future generations to use to watch and listen to the items within. I suspect those things will be rusted and inoperative. But I’m a librarian, and librarians and archivists hate time capsules.

For a finale, fireworks lit up the chilly night sky accompanied by the 400-piece orchestra. That may be the first time I’ve ever seen fireworks with live music which is pretty cool even if the musical selection was odd for the event (The 1812 Overture? The Star Wars main title theme?) It was all good fun though, and a nice finale. Despite being in a crowd of up to 30,000 people we were able to get to our shuttle bus and back to home fairly swiftly.

Lots more about Jamestown’s Birthday at the Library of Congress blog.

News reports:

 

Other blogs:

I searched Technorati to find posts by other people who attended the Jamestown 2007 events but didn’t have much luck. Most posts were simply reporting on the event or criticizing them (or reporting on Bush’s visit and criticizing him). If you attended America’s 400th Anniversary please post your thoughts in the comments and/or link to your blog. Thanks!

Also in my searches I found this map of the College of William & Mary as Middle-Earth, which has nothing to do with Jamestown but it’s damned funny.

Notes from the Walk for Hunger


Another successful this Sunday. 43,000 people participated raising a record 3.3-million dollars for 400 emergency food programs in Massachusetts! Of course, with poverty on the rise every one of those $3.3-million and more will be needed. It’s not too late to donate, so drop by my personal walk page and make a secure online donation. Thus far my incredibly generous sponsors have contributed $2600 to Project Bread!

My Walk for Hunger Photo Gallery (all the pictures are of people I don’t know, so if your see yourself, let me know).

This year’s walk was different from previous years. Since Susan is out of town, I walked alone for the first time (if you call being among 43,000 people alone). Susan’s absence probably contributed to my sleeping through my alarm for a whole hour before I finally woke up. Starting an hour later than usual, I noticed the walk route was a lot more crowded. On the plus side there were more performers out serenading the walkers at that time than in my previous experience. Since I’ve had a bum ankle for a while, I also decided to take it slow so while I’m usually finished in the early afternoon, this time I pretty much took the entire day to walk. It’s actually a good idea, because in years’ past my legs felt near-crippled after the walk (especially the day after the walk), but this year I felt no more than an ordinary soreness.

I arrived at Boston Common around 8 am and checked in at the Heart & Sole tent. The volunteers are always wonderfully cheerful and they had Dunkin Donuts and coffee to get me started. The city is doing some restoration work on the Common so all the tents were in different locations this year and it was a bit disorienting. I passed under the start line at 8:15 and I was on my way. The weather was good for walking if a bit on the chilly side, especially when the clouds covered the sun. When the sun was out it warmed up considerably but I never took my jacket off the entire walk, which is unusual for a radiator of heat like myself.

At Kenmore Square, I looked behind me to check out a passing fire truck and there was Brian of Baptized Pagan fame. We walked together for a bit and he told me he had to be in Worcester by 4:30 pm. As noted above, I was taking it slow so I let Brian go ahead and didn’t see him again for the rest of the walk. Further along Beacon Street, a blond, burly guy in a volunteer shirt called out “Hey Liam!” I had no idea who it was, but it turned out to be another Brian with whom I went to high school! I also went to college with Brian’s older brother Rob, and I don’t think I’ve seen Brian in 10 years since Rob’s wedding. He looked so different, but apparently I don’t since he recognized me right away. I met his wife a bit further down the street.

If one demographic dominates the Walk for Hunger, it appears to be teenage girls, although I don’t have statistics to back this up. A lot of the Walk for Hunger promotional material features photos of teenage girls which begs the question: do the ads feature teenage girls because they participate in the walk in great numbers or are teenage girls drawn to the walk in great numbers because of ads targeting them. Anyhow, it was sweet to see girls walking with their arms linked together, something that has retro-Victorian feel. I don’t remember girls walking arm-in-arm when I was in high school. I think they would have been mocked if they had so things are better these days.

I like the Walk for Hunger because it’s such a community event. Volunteers cheer through megaphones, passing cars bleep their horns merrily, kids set up lemonade stands on the route, and everyone is supportive and having fun. Each walker wears a sticker with their number of walks on them, and I’m always impressed by the people who’ve walked 20-30 times. In fact, I saw a lot of people under 20 years old who wore stickers saying this is my 15th walk! It also makes me a little sad. I like to think that I’ll participate in the walk for as long as I can, but on the other hand, the world would be much better if we could finally eliminate the reasons why we walk.

My ankle felt sore from the start, but oddly felt better the more I walked. I took lots of long breaks, especially along the Charles which was just glorious on this day. The strategy seemed to work as I felt pretty good on the home stretch. At around 4 pm I reached the finish line on Boston Common. It was a bit anti-climactic as I didn’t see a place to get my card marked for the final checkpoint, but I did get ice cream, so all was well. I walked over to the Parkman Bandstand and lay in the sun while a reggae band played. I think I may have nodded off a bit. After that I took the T back home, feeling refreshed and happy.

Overheard on the Walk for Hunger

  • Child, as we approac the Mass Av underpass: “When we get in that tunnel, I’m going to scream my lungs out!” (surprisingly she actually did not).
  • At mile 19.5:
    • Woman #1: “This is why they only have the walk once a year.”
    • Woman #2: “How’s that?”
    • Woman #1: “Because you forget how annoying it gets at this point.”
    • Woman #2: “Yeah, just like labor.”

Five Pictures I Wish I’d Taken on the Walk for Hunger

  • Even though it’s prohibited, a lot of people bring their dogs on the walk which I think is a bit hard on the poor pooches’ paws. But one woman had a small dog in a sling across her chest. The dog wore a custom made Walk for Hunger hat and t-shirt.
  • One picture of each of the Brians I met.
  • More pictures of the great volunteers, especially the great people who staff the checkpoints.
  • A sultry chanteuse crooning jazz in front off a restaurant, although another walker captured this pic.

News and Blogs Coverage

  • Boston Globe – “You’re not supposed to be hungry in America,” Crofton said.
  • Boston Globe – “The Walk for Hunger supports a cause that is near and dear to me,” she said. “I can’t bear the thought of children going to bed hungry. Food should be a given.
  • Boston Herald – “It feeds thousands and thousands and thousands of people,” said Ellen Parker, executive director of Project Bread. “It’s an opportunity for everyone in Massachusetts to come out . . . and revive our connections to one another.”
  • Boston Herald – “Kids want to give back,” Rebecca said. “You don’t hear about that a lot. You don’t read about it too much in the paper, but it’s true. They want to make a difference. People need our support and our energy. Besides, it’s fun to do something for other people you may not even know.”
  • Soft Happiness – I can’t read this blog but it has some great photos.
  • Donna’s colorful world – A ton of photo’s from the walk.
  • Cody and Meredith – more folks on the walk.
  • Freshly Brewed – “It would be faster to tell you what doesn’t hurt, like…my eyelashes. Yes, I can safely say that my eyelashes feel smashing.”
  • azulunar – “Since I had already reached the 8th point, which was also about 15 miles, I was like……why not? It’s just 5 more miles. Why stop now? When the goal was close.”
  • johnsmind – “Why are people so cheap when it comes to helping others???”
  • Quite Quite Fantastic! – “I hope my friends didn’t mind a little spam from me, as it was for a good cause.”
  • Allogenes – “The Walk is bigger than the Walkers. It has a life all its own. We may walk the Walk, but at the same time the Walk is carrying us.”
  • don’t eat alone – “The seemingly endless train of people was as diverse as their fashion senses. We saw girls walking arm in arm, sharing the headphones on a single iPod, groups from both urban and suburban schools and churches, parents pushing strollers, families marking a tradition together, and some folks just walking by themselves for the cause.”
  • imagined-community – “Today was lovely; I even got sunburned. Spent the afternoon cheering on the walkers for Project Bread’s 39th Walk for Hunger.”
  • # Open # Happy @_^ Micky *_~ Spaces – Another nice photo album on a page written in a language I cannot read.

So that’s it for this year. Hope to take the whole family out on the walk next year! And you can join me too!

Another Weekend in New York


For Christmas, my mother generously gave Susan and I tickets to see Madama Butterfly performed by the New York City Opera at the New York State Theater in Lincoln Center. My friend Mike M., an Atlanta Braves fan, and I have a tradition of catching a Mets-Braves game at Shea Stadium each spring. Fortuitously, the Mets-Braves series and the opera fell on the same weekend and a plan was hatched!

My photos from the weekend.

We drove down early Saturday morning in Mike’s Truckasaurus. From past experience and the many warning of Mets announcers about the lack of parking at Shea, I was worried we’d be stuck in traffic and have to park in a remote region of Long Island. Despite many bathroom breaks for Mike, we arrived about an hour before game time and got parking close to the stadium, so all that worry was for naught.

We sat in the Upper Deck boxes behind home plate. There was a great family of season ticket holders in front of us. Both the man and woman kept score and compared notes during the game. They were die-hard scorekeepers as the man kept a baseball-shaped pencil sharper on hand for mid-game sharpening. The man didn’t like the Wave at all and I have to agree with him. Twenty years ago fans at Shea did the Wave during a Met rally as a coordinated effort to cheer on the action on the field. Nowadays, the Wave seems to happen when the fans are bored, and it’s a pretty tired activity at that.

It was a big day at Shea. First it was Luggage Tag Day (almost as exciting as Mets Ice Cube Tray Day) as all fans received a classy leather tag upon entering. Next it was Earth Day and volunteers from the EPA made a token appearance to collect recyclable cans and bottles (they didn’t stick around too long after the game though). The best part is that it was Dog Day in the Park and Mets fans walked their pooches around the warning track prior to the game. A lot of cute dogs in Mets bandanas out there. This brought much delight to Susan.

The highlight of the day was the on field action between the Mets and Braves. Young Ollie Perez pitched beautifully, including 20 straight strikes at one point. I got to rib Mike a lot about all the 0-2 counts on the Braves batters. I also got to see the most exciting player in baseball, Jose Reyes, doing what he does best: getting on base and then stealing bases.

The Mets broke the game open with a series of home runs over the 5th & 6th innings. I didn’t see any of these because I was attempting to get money by waiting in line at the slowest ATM in the world, and then waiting again to buy ice cream. I didn’t mind too much because I think I was getting too much sun on a warm April day. Spending so much time packed like a sardine within Shea’s interior makes me appreciate the need for constructing a new stadium with extra wide concourses.

For more on the Mets v. Braves, see my latest baseball post Meet the Mets.

After the game, we spent some time under the elevated tracks with a drink and a snack. I was impressed with how quickly and efficiently most of the other fans were moved away from the park. By the time we were ready to go there was no wait for Mike to drive out of the parking lot nor for us to board the 7 train. We zipped downtown to Times Square and then transfered uptown to our hotel in the Upper West Side. The Hotel Riverside Studios promotes their plaid bedspreads and matching drapes, but something about the corridor makes it look like the kind of place where artists go to shoot heroin. We came up with a slogan for the hotel “You’ll come for our plaid bedspreads, you’ll stay for our shady corridors!” The neighborhood was lovely with lots of colorful, stone-front row houses.

After a nap which I couldn’t shake off right away, we headed out for dinner. An excellent soul band played on the crowded platform at 72 St. Station. The lead vocalist had one of those powerful, throat-shredding voices and the guitarist and drummer offered lovely harmonies. They made the rather crumby Commodores’ song “Easy” sound really, really good. I was a bit thrown by the subway not making local stops, grumpified more as I groggily made along the packed sidewalks near Times Square, and positively mortified when I knocked over a candle and broke a glass as we were seated at the restaurant. I was soothed by the delicious Indian food and the friendly staff at the former Nirvana 54.

We strolled down 5th Avenue to the Empire State Building which Susan wanted to visit on recommendation from our nephew Cassidy. The wait was long though, so we took a pass. It was a nice walk and maybe we’ll return and go up when Cassidy is with us. Back at the hotel Susan searched unsuccessfully for a Tom Hanks movie, her New York tradition. Then we went to sleep.

On Sunday we ate breakfast at a cafe on the corner of 71 St. and Broadway. We strolled down to Lincoln Center, but it was far too early, so we made our way over Central Park to get out of the sun. New Yorkers celebrated the warm weather by taking all their cute babies and dogs to the park. We watched for a long time as a young lad played baseball with his dad, always running the wrong way when he hit the ball. Topping off our park experience, we ate Ferrara’s pastries by the USS Maine monument.

We walked around the Lincoln Center complex which really is an amazing complex. This is what Modernism looks like at it’s very best. I especially like the railings in the New York State Theater which look like Jackson Pollock paintings formed into class. Upon entering the Fourth Ring to find our seats, Susan said “Wow!” which I think sums it up. The couple sitting in front of us seemed more inured to the opera house experience. During intermissions he read a book and she did the Times crossword.

For more on the performance read my post Opera Review: Madama Butterfly.

After the opera we strolled up Amsterdam Avenue to Fred’s Restaurant. This place is pretty much a dog-themed bar based on the story of a female lab named Fred who wasn’t able to work as a guide dog for the blind, but was lovingly adopted by the restaurant owners. The walls are lined with autographed photos of dogs from around the world. Susan loved it. Fred’s appears to be a good place to take your children as the other tables were teaming with adorable young’uns. Come to think of it, I think our entire weekend was dominated by dogs and children. Anyhow, the food and staff at Fred’s are great too.

After that we took a long, hot bus ride home and arrived groggy and grumpy. And that was our weekend.


Speaking of New York City, this online gallery of photos of New York from 1964-1969 contains many great images of the city and its inhabitants by Irwin Klein. While this is a little bit before my time, it’s still nostalgic as the city and the people in the photos remind of New York when I was a child.

Opera Review: Madama Butterfly


Thanks to the generosity of my mother, Susan and I saw a matinée performance of the New York City Opera’s production of Madama Butterfly on Sunday.

Madama Butterfly tells the story of B.F. Pinkerton (Christopher Jackson) of the US Navy who on a whim purchases a 999-year lease on a home overlooking the harbor in Nagasaki, and works out a similar agreement with a marriage broker Goro (Matthew Surapine) for the young Cio-Cio-San (Shu-Ying Li), known as Butterfly. He does this because he knows he can break the contract at any time and he even as he prepares to marry Butterfly he toasts his future “real wife” from America. As loathsome and culturally insensitive as he is, Cio-Cio- San can’t help but fall in love with Pinkerton, and in a weird way the American Dream as she rebukes her family and Japanese culture. The second act is dedicated to Cio-Cio-San patiently awaiting Pinkerton’s return despite everyone she knows telling her that it is false hope. In the final act, Pinkerton does return — with his American wife. In the final insult, their only purpose is to take Cio-Cio-San’s sun Sorrow with them to America. Cio-Cio-San allows them to take her son, but takes her own life as well just before the curtain falls.

Critically, there are things that are hard to buy in this story. What makes Cio-Cio-San fall in love with Pinkerton? There seems to be no excuse for her foolishness even if she had few other options available to her due to her culture and gender. Yet, in a sense that is true to life. People are blinded by love, blinded by hope, and blinded by dreams. That is the real tragedy to me because love, hope, and dreams are three of the most positive qualities of humanity, and yet they can destroy us.

Leaving the theater we overheard a woman say “They should have killed him instead of her.” I wonder what the audience of Puccini’s time thought about Pinkerton’s moral choices. Puccini and his librettists certainly seem to want to make us understand Pinkerton’s remorse in the third act. Of course Pinkerton acts on that remorse by going off and moping on his own instead of, you know, actually speaking with the woman he impregenated and abandoned. Do pre-feminist audiences think this was good enough, even progressive for an American man? The mind boggles.

Musically, Madama Buttefly is full of beautiful, heart-wrenching melodies. Shu-Ying Li especially carries the show with her lyrical voice. The second act in particular has some of her best arias and a lovely intermezzo by the orchestra. Christopher Jackson is kind of stiff, but his stage time is actually overshadowed by supporting characters Suzuki (Keri Alkema) and Sharpless (Marco Nisticò). The characters provide the conscience and realism to counterbalance the leads, and their voices provide beautiful singing, albeit Alkema spends much of the performance laying on the floor weeping. I love how operas are cast by voice not by physical appearance so that the American Alkema plays a Japanese house servant and the Italian Nisticò plays an American Consul, adding the multicultural soup. Henry Titcomb as Sorrow doesn’t sing but provides a touching and charming performance as a typical little boy.

The staging and costumes are also great. I’ve seen so many productions lately that update the costumes to another place and time that it was nice to see them sticking to 1900-era Japanese and American fashions. I particularly liked that all the women in the wedding scene wore small American flags in their hair. In a great dramatic moment at the climax of the opera that may not be noticed by those without opera glasses, Cio-Cio-San removes the Star-Spangled Banner from Sorrow’s hand and replaces it with the Rising Sun. The stage is set simply but used effectively. A set of steps at the back of the stage represent the hill upon which Pinkerton’s house while sliding doors represent the walls. In Act II, Cio-Cio-San, Suzuki, and Sorrow spread a silk cloth and flower petals across the steps. The safety commissar in me cringes at the thought of the boy slipping down the steps, but visually the effect was beautiful.

For those keeping score, this was my fourth opera.  I’m not the most cultured guy but I do enjoy the experience.

First Night Williamsburg 2007


Susan & I spent the holiday week visiting family in North Carolina and Virginia. We rang in the New Year with my mother by attending First Night Williamsburg 2007. We spent almost the entire night in the University Center at the College of William & Mary and heard a lot of great music (and a couple of duds).

  • Celtibillies — As the name implies they play Celtic and Appalachian styles of music. There are a lot of bands that do this so they could probably do without the silly name, but they play it well. I love those jigs and reels.
  • St. Veronica’s Youth Steel Orchestra — A bunch of exuberant youngsters from Baltimore played everything on the steel drums from Earth, Wind & Fire to a medley of Christmas songs. I especially like the bass drums which sound like strings.
  • C. Shells — We popped in for the end of this participatory children’s performance. I especially liked the song about a kitten on Christmas morning. The women in this duo remind me of Carole and Paula from The Magic Garden. My mother and wife have no idea who I’m talking about.
  • Ron Fetner — This guy is from Virginia but sounds like he’s from the Boston folk scene.
  • Bagels and Fraylox Klezmer Band — We really enjoyed this klezmer band which featured a guest mandolin player on a couple of songs.
  • Friends of Appalachian Music (F.O.A.M.) — In my college days I was a regular a F.O.A.M. contra dances in Norge so this was a nostalgic moment. Susan and I stood in for a couple of easy square dances which was enough to work up a lather.
  • Poisoned Dwarf — This contemporary Celtic band was really good. The room was so crowded that Susan & I listened from the corridor. Too bad Poisoned Dwarf wasn’t asked to play the Grand Finale.
  • Schnicklefritz and the Oompahs — I forced my beloved wife and mother to leave the University Center to hear some German music. Perhaps this band wasn’t talented, perhaps they were over-amplified, or perhaps you need beer to enjoy oompah music, but we bear to stay longer than one song.
  • Grand Finale featuring Coyote Run — I went to the very first First Night Williamsburg to ring in 1994 and for the Grand Finale someone dropped a pineapple off the balcony of the Wren Building at the College of William & Mary. In later years they had music and fireworks in the Sunken Gardens. Now the finale is in Zable Stadium. Since we abandoned Schnicklefritz we got to Zable early and sat in the stands. The band Coyote Run played and they were kilt-wearing, hooting & hollering and basically Scottish cliches who didn’t play very good music. Apparently all the good bands were in the University Center. Then it started to rain so we huddled under the stands to keep dry. At midnight, the fireworks began and for the first few minutes they were pretty pathetic. Then they started firing the good fireworks. It may say something about my age, but after 20 minutes I was checking my watch and ready to go home. After 10 more minutes of booms and flashes the New Year fireworks show was complete and we went home to bed.