Album of the Week: Diaspora Problems by Soul Glo

Album:Diaspora Problems
Artist:  Soul Glo
Release Date: March 25, 2022
Label: Epitaph
Favorite Tracks:

  • Gold Chain Punk (whogonbeatmyass?)
  • Coming Correct Is Cheaper
  • Jump!! (Or Get Jumped!!)(by the future)
  • Driponomics (feat. Mother Maryrose)
  • (Five Years And) My Family


Soul Glo, a hardcore band from Philadelphia, have a lot to rage about – racism, politics, phony allies, and their sense of ostracism for being a predominantly Black punk band.  The horn section adds a lot to these “three chords and the truth” guitar anthems.

Rating: ****

Classic Movie Review: The Sixth Sense (1999)

Title: The Sixth Sense
Release Date: August 6, 1999
Director: M. Night Shyamalan
Production Company: Hollywood Pictures | Spyglass Entertainment | The Kennedy/Marshall Company | Barry Mendel Productions

In the summer of 1999, The Sixth Sense seemingly came out of nowhere to be a BIG! HUGE! DEAL! that everyone was talking about.  The biggest thing that people talked about was the movie’s SHOCKING TWIST! Getting the gist of what the film was about – a child who saw the ghosts of dead people – it was pretty easy to put 2 and 2 together and figure out the SHOCKING TWIST on my own.  So, I had no interest in ever seeing the movie.

It turns out, The Sixth Sense is actually a pretty good movie and like The Crying Game before it, overemphasizing the SHOCKING TWIST does a disservice to the movie. Knowing the SHOCKING TWIST, I was impressed that the movie is told from the point of view of Bruce Willis’ character, a child psychologist named Malcolm Crowe.  Crowe takes an interest in a troubled child, Cole Sear (Haley Joel Osment), who reminds him of another patient he feels he failed to help.  If you know the SHOCKING TWIST is coming, the clues are all there and director M. Night Shyamalan even includes a gag with Crowe performing a terrible magic trick which lampshades the idea of misdirection.

What I like about this movie is that it is a story of empathy.  What Crowe helps Cole to realize with his ability to see the ghosts of the troubled dead that he can help them instead of fearing them.  And, along the way, Cole helps Crowe as well, in ways that aren’t readily apparent until the close of the film.  There’s a lot of talking in this film and it works because Haley Joel Osment is up to portraying a child believably participating in those conversations (poor Jake Lloyd must’ve looked like an even worse child actor having The Sixth Sense released in the same year as The Phantom Menace). Shyamalan also does a great job of incorporating Philadelphia as a character in the movie, especially as a historic city with lots and lots of troubled dead people.

The Sixth Sense is thoughtful, full of heart, and overall is well done.  It’s definitely worth seeing at least once, but I wouldn’t put it on my Top 100 of all time list.

Rating: ***1/2

Movie Review: Creed (2015) BONUS #AtoZChallenge

To complement my review of Rocky, I decided to watch and review the movie Creed for the first time.  I’ve been meaning to watch Creed since it first came out and got good reviews, but somehow five years have passed by.  So no time like the presence.

Title: Creed
Release Date: November 25, 2015
Director: Ryan Coogler
Production Company: New Line Cinema | Metro-Goldwyn-Mayer | Chartoff-Winkler Productions

In the movie prologue, we meet Adonis “Donnie” Johnson (Alex Henderson), a preteen in juvenile detention who tends to get into fights.  Mary Anne Creed (Phylicia Rashad), the widow of champion boxer Apollo Creed, visits Donnie, informing that Apollo fathered Donnie in an affair shortly before his death.  Mary Anne adopts Donnie, and we flash forward to 2015 where we see Donnie (Michael B. Jordan) is racking up wins and pesos fighting in clubs in Tijuana.  He quits his office job in Los Angeles and tries to get the trainers at Apollo’s old boxing company, but no one is willing to take him on (shades of Mickey in Rocky).

To Mary Anne’s disappointment, Donnie decides to pursue his professional boxing dreams by moving to Philadelphia.  There he begins training at Mickey’s old gym and starts dating his downstairs neighbor, Bianca (Tessa Thompson), a musician with a progressive hearing disorder.  He approaches Rocky Balboa (Sylvester Stallone), revealing that Apollo was his father, and asking that Rocky become his trainer .  Rocky is reluctant to return to training, but Donnie is persistent and Rocky begins showing Donnie the ropes.

Another boxer at Mickey’s old gym,an undefeated light heavyweight fighter named Leo “The Lion” Sporino (Gabriel Rosado) agrees to a bout with Donnie. In a surprising upset (in-movie, not too surprising to movie viewers), Donnie knocks out Sporino. In revenge, Sporino’s team leaks to the news that Donnie is Apollo’s child.

The world light heavyweight champion, “Pretty” Ricky Conlan (Anthony Bellew) of Liverpool, is looking for one more bout before he begins a prison sentence on gun possession charges.  His manager agrees to allow Donnie to challenge Conlan for the light heavyweight title if he is willing to change his name to Creed, knowing that the attention that would bring to the bout will make for a huge payday.  At the same time, Rocky is diagnosed with cancer.

And so the stage is set, Donnie must prepare to fight for the title while Rocky fights for his life.  Where will their journey lead them?  The plot points in Creed are pretty similar to those of Rocky and it’s full of cliches and full-on corniness. Nevertheless it works because of Jordan and Stallone’s performances.  Their relationship develops naturally and believably and there’s just an undeniable sweetness to it. The movie also feels more authentic in depicting African-American experience than any Rocky movie, no doubt due to the direction and writing of Ryan Coogler.

Rating: ****

Movie Review: Rocky (1976) #atozchallenge

I’m participating in the Blogging from A to Z Challenge by watching and reviewing some of my favorite movies of all time that I haven’t watched in a long time. This post contains SPOILERS!

Title: Rocky
Release Date: John G. Avildsen
Director: John G. Avildsen
Production Company: Chartoff-Winkler Productions

Just before Thanksgiving, down-on-his-luck boxer Rocky Balboa (Sylvester Stallone) wins a local boxing match in Philadelphia.  Nevertheless, the manager of his boxing gym, Mickey (Burgess Meredith), has all of Rocky’s gear removed from his locker at the gym.  To make ends meet, Rocky works as an enforcer for a local loan shark, although he tends to be too soft on those late on their debts.  Mickey disapproves of Rocky’s life choices and wasted potential and suggests he should retire.

At this time, Rocky pursues a romance with a shy pet store clerk, Adrian (Talia Shire).  Rocky’s frenemy Paulie (Burt Young) is Adrian’s brother and invites Rocky to Thanksgiving dinner although he is shockingly dismissive of his sister.  World Heavyweight Champion Apollo Creed (Carl Weathers) plans to kick off the bicentennial year with a title fight in Philadelphia, but his challenger has to back out with an injury and no other ranked boxers are able to accept the challenge.  Creed decides to make the fight a novelty by selecting a local Philadelphia boxer to get the opportunity to participate in a title fight. Creed selects Rocky because his nickname “The Italian Stallion” ties in with the Italian explorer Christopher Columbus.

Internally reluctant, Rocky decides to take up the challenge. Mickey offers to be Rocky’s manager, and after an argument over their past disagreements, Rocky takes Mickey up on the offer.  The news media are intrigued by Rocky’s unique training methods, which include punching sides of beef at Paulie’s meatpacking business and running up the steps to the Philadelphia Museum of Art. Knowing he cannot beat Creed, Rocky hopes to be the first boxer to “go the distance” by fighting all 15 rounds with getting knocked out.  Defying the odds, Rocky does just that in the brutal title bout that concludes the film.  Both Rocky and Apollo immediately state that they don’t want a rematch, so there won’t be any sequels or anything like that.

When Did I First See This Movie?:

A lot like Jaws, I saw the sequels (particularly Rocky III) before I saw the original.  And much like the Jaws sequels, the Rocky sequels tend to miss the point of what made the original great.  Instead of being movies about sharks and boxing, Jaws and Rocky are rich human stories about deeply-flawed people who nevertheless step up to a challenge.

My dad always liked the Rocky movies so they make me think of him and how I drove him nuts when we visited Philadelphia and I ran up every set of steps we came across.  My father died when I was 17 and the night after his funeral I didn’t know what to do so I flipped on the tv just as Rocky was starting.  That seemed like to much of a cosmic coincidence so I left it on and watched it all the way through for the first time in my life.  I was really impressed by how much deeper a story it was than the sequels I’d watched when I was younger.

What Did I Remember?:

The basic plotline was in my head but not the details.

What Did I Forget?:

I’d forgotten that Rocky and Mickey were actually in an antagonistic relationship when the story began and that they argued before Rocky agreed to let Mickey be his manager.  I’d also completely forgotten that Apollo enters the arena dressed as George Washington while throwing coins to the spectators.  In retrospect, it’s kind of ironic that a Black man in the 1970s is depicted as the super patriotic character (consider that the real life World Heavyweight Boxing Champion at the time this movie is set was Muhammad Ali, who was highly critical of the US government and Americanism).

What Makes This Movie Great?:

As noted above, this is a well-written, well-acted human drama (Stallone, Meredith, and Weathers stand out in the cast).  It’s less a sports movie and more a movie about how an ordinary person deals with a once-in-a-lifetime opportunity.  And while the “Training Montage” has become a tired cliche in movies, Rocky did it first and best and you’d have to have a rock-hard heart to not find it a little inspiring.

What Doesn’t Hold Up?:

This movie depicts working class white people in the 1970s who don’t exactly have the most progressive views.  That being said, I don’t think that the movie ever endorses any racist or sexist behavior so much as give a realistic depiction of how people behave.  The one part of the movie I’ve always found creepy and weird is Paulie’s obsession with Adrian’s virginity.

Is It a Classic?:


Rating: ****

Five more all-time favorite movies starting with R:

  1. Raiders of the Lost Ark  (1981)
  2. Real Genius (1985)
  3. The Right Stuff (1983)
  4. Rogue One: A Star Wars Story (2016)
  5. Roman Holiday (1953)

What is your favorite movie starting with R? What would you guess is my movie for S (Hint: The final line is “Nobody’s Perfect.”)? Let me know in the comments.


Documentary Movie Review: Let the Fire Burn (2013) #atozchallenge

This is my entry for “L” in the Blogging A to Z Challenge. Throughout April I will be watching and reviewing a documentary movie from A to Z. Some other “L” documentaries I’ve reviewed are The Last Waltz, Leonard Cohen: I’m Your Man, Life Itself, and loudQUIETloud: a film about the Pixies.

Title: Let the Fire Burn
Release Date: October 2, 2013
Director: Jason Osder
Production Company: George Washington University

On May 13, 1985, Philadelphia became known as “the city that bombed itself,” and incident that remains shocking and mindboggling 35 years later.  The Philadelphia Police dropped an incendiary device on the rooftop of an organization called MOVE, and then made the controversial decision to “let the fire burn” (although fire apparatus were on site) that lead to the deaths of five children, six adults, and the destruction of 65 row houses in the West Philadelphia.  The bombing resulted from a multi-year confrontation among police and neighbors with an organization called MOVE, a Black liberation group that espoused a back-to-the-earth philosophy and were highly confrontational with the police and neighbors (which included a loud speaker on the exterior of the house where they broadcast profanity-laced tirades).

The movie is structured around two films made in the wake of the bombing.  One is a deposition by 13-year-old Michael Moses Ward (aka Birdie Africa), the only child to escape the destruction of the MOVE house.  The other is the Philadelphia Special Investigation Commission hearings held in November 1985 chaired by chaired by William H. Brown, III.  With these retrospective accounts providing the framing, the film cuts in archival film and photographs as well as news coverage.

The film documents the emergence of MOVE in the 1970s, their initial conflicts with the police, and a 1978 shootout when Mayor Frank Rizzo tried to have the police evict MOVE from their first headquarters.  The shootout resulted in the death of one police officer and the conviction of nine MOVE members for his murder.  When the organization moved into their new location on Osage Avenue, they fortified the building with wooden boards across all the openings and constructed a wooden tower on the roof.  The rooftop “bunker” was a major concern for the police who saw it as a place where MOVE members could potentially fire at the police.  The destruction of that bunker proved to be the impetus that lead to the many unconscionable decisions by the police.

The movie has a verite style that kind of guides one through the events as they happen with no outside narrator providing context.  The movie feels all too relevant today when Black Americans continue to bear the brunt of police violence.  No doubt, MOVE was a cultish and obnoxious organization, but we’ve seen many instances of police dealing with well-armed white conservative and Christian groups without resorting to brutal violence, much less burning down the homes of dozens of innocent neighbors.  We see one police officer commended for attempting to rescue children from the burning building, and then learn that the words “n****r lover” were scrawled on his locker.  This movie serves as an important document of the intersection of liberty, policing, and racism in America.

Rating: ****

Book Review: the relationship by Ashley D. Stevens

Author: Ashley D. Stevens
Title: the relationship
Publication Info: Services LLC, 2019

This is a novella, or perhaps even a short story, written by someone I follow on Twitter.  It tells the story of a relationship between a librarian and a dancer in Philadelphia in three non-chronological parts: their eighth date, the day the dancer asks out the librarian for the first time, and 3 years into the relationship when big decisions are made.  It’s very sweet and highlights a lot of small details in a relationship. In its minimal prose it reveals a lot about the characters and the changes in their relationship over time.

Rating: ***

Movie Review: Quest: A Portrait of an American Family (2017) #atozchallenge

This is my entry for “Q” in the Blogging A to Z Challenge. Throughout April I will be watching and reviewing a documentary movie from A to Z.  This is the first “Q” documentary I’ve reviewed.

TitleQuest: A Portrait of an American Family
Release Date: 2017
Director: Jonathan Olshefski
Production Company: First Run Features

Quest is an intimate, vertite-style documentary focusing on several years in the life of the Rainey family of North Philadelphia, Pennsylvania.  The movie covers the years 2008 to 2016, although most of the film’s action is from 2012 to 2016.

Christopher Rainey, aka Quest, is a music producer and engineer, who supplements his income with side jobs like delivering newspaper circulars. Quest’s flair at tossing newspapers onto stoops in the early morning darkness is one of the great cinematic images of the film.  Christine’a Rainey, aka Ma Quest, works long hours in a shelter for domestic violence survivors and is generally regarded as a mother figure in her community, whether she wants to be or not. Christine’a’s interviews provide some of the film’s greatest moments of introspection.  Their daughter Patricia, or PJ, is a teenager with a talent for basketball who is seen seeking out her identity.  Christine’a’s oldest son Will, is 21-years-old and simultaneously being treated for a brain tumor and becoming a father for the first time.  We see the absolutely adorable Isaiah grow from baby to toddler, and generally steal the scene when his father or grandmother are trying to give an interview.  One other figure figure in the film is Price, a talented rapper who Quest records, but also has substance abuse problems that test Quest’s patience.

The film shows many everyday moments in the family’s lives such as Quest walking PJ to the bus stop or repairing a leaky roof.  It’s clear that the Raineys are an important family in their community. Quest holds open freestyle sessions in his basement studio every Friday night where neighborhood rappers gather.  They also organize neighborhood events ranging from street parties to anti-violence demonstrations. Remarkably, the Raineys are open to even have the most traumatic event in their family life documented (HUGE SPOILERS IN THE NEXT PARAGRAPH).  On a greater scale, the film represents a slice of life for African Americans during the Obama presidency, as the movie is bookended by the 2008 and 2016 elections.

Obama is heard speaking in part of the film as he talks about the Newtown Massacre and the greater scourge of gun violence in the United States. “These neighborhoods are our neighborhoods. These children are our children,” he says.  This is immediately followed by the shocking incident of PJ being hit in the head by a stray bullet from a gun fight in the neighborhood. Blessedly, PJ recovers from the bullet wound although she permanently loses an eye.  The scenes of PJ attempting to put in her prosthetic eye and coming to terms with feeling safe in her own neighborhood.

What Can One Learn From Watching This Documentary:

Quest captures the beauty and love of family and community in North Philly, tempered with the constant threat of violence. The police officer who responded to PJ’s gunshot is warmly thanked, but nonetheless the police are also seen holding Quest for questioning since he meets the description of a black man who commited a crime.  Quest laughs at the meaningless of the description of a black man in a white t-shirt and jeans since it can describe just about every man in the neighborhood.  Late in the film Quest and Christine’a watch Donald Trump describe African-Americans as living in hell, and Christine’a angrily responding “You have no idea how we live!” It’s easy to recognize Trump as being willfully ignorant of the lives of African-Americans, but I believe a lot of well-meaning white Americans also have no idea how they live.  Quest is an entry point to beginning to learn.

If You Like This You Might Also Want To …:

Earlier in this A-to-Z, I watched High School, which was set in Philadelphia 50 years before Quest and is in interesting comparison of the same city at a different time.

Source: Kanopy

Rating: *****

019 Blogging A to Z Challenge – Documentary Films, Part II

A: Amy
B: Being Elmo
C: Central Park Five
D: Dear Mr. Watterson
E: The Endless Summer
F: F for Fake
G: Grey Gardens
H: High School
I: Ida B. Wells: A Passion for Justice
J: Jiro Dreams of Sushi
K: Kon-Tiki
L: The Last Waltz
M: Man With a Movie Camera
N: Nanook of the North
O: Obit.
P: Pelotero

If you want to read more, check out my previous Blogging A to Z Challenges:

And dig deep into Panorama of the Mountains, by checking out my:

And, if you like Doctor Who, I have a whole ‘nother blog where I review Doctor Who stories across media: Epic Mandates.