This week, quick thoughts on three new albums I listened to today.
Artist: Fever Ray
Release Date: 2017 October 27
Favorite Tracks: “Wanna Sip” and “IDK About You”
Thoughts: Fever Ray is the solo project of Swedish electronic musician Karin Dreijer, also of the duo The Knife. The album has some sick beats and synths, but Dreijer’s voice is unpleasant and the frequent profanity seems to be juvenile attempt to be shocking.
Album: Wild and Reckless
Artist: Blitzen Trapper
Release Date: 2017 November 3
Favorite Tracks: “Joanna” and “Stolen Hearts”
Thoughts: A twangier, pure country outing from Blitzen Trapper grew out of a “rock opera” staged in their native Portland, OR that tells a sci-fi love story of two kids on the run.
Album: Queens of the Breakers
Artist: The Barr Brothers
Release Date: 2017 October 13
Favorite Tracks: “You Would Have to Lose Your Mind” and “It Came To Me”
Thoughts: The Montreal-based Americana jam band with a harp received good reviews for their innovative sound, but the album sounds kind of like generic folk-pop to me. Not my thing.
This week’s song of the week, “Big Bad Good,” features the alluring harmonies of the Scandanavian folk duo My Bubba.
This week’s song “Don’t Wait,” is by Rhode Island-born Stockholm-raised sing Mapei (and who can resist a Rhode Island/Sweden connection). I learned of the song through NPR’s All Song’s Considered. Mapei describes her music as “21st-century gospel or doo-wop.”
This is just a weird track by an “experimental fusion music group” from Sweden called Goat. I just can’t shake “Goatman” out of my head.
Around The World For a Good Book selection for: Sweden
Author: Henning Mankell
Title: Faceless Killers
Publication Info: New York : New Press, c1997.
An elderly couple are brutally murdered in their farmhouse near a provincial Swedish town. It’s detective Kurt Wallender’s job to solve this crime, but shocking as the murders are, they are secondary (maybe tertiary) to this novel. The woman’s dying word “foreigner” stirs up the local community against refugees who are pouring into nearby camps. Violence against the refugees and ultimately another murder make Sweden’s refugee policy (circa 1990) central to this novel as well as providing more crimes for Wallender to solve.
This novel is also a psychological portrait of Wallender. He’s aging, conservative, his wife has left him, he eats poorly, he drinks too much and he’s somewhat lecherous. The only thing he’s good at is being a detective and even there he fails to heed the advice of one of his colleagues in the police department. In short he’s every cliche of a police detective, and yet he comes across as a full-fleshed, complex, and sympathetic character. He’s reminiscent of a less-whimsical Inspector Morse.
I’m not sure if it’s Mankell or his translator but the writing is very spare and artless. It is evocative of the cold, open landscape of rural Sweden. This book is interesting in that through my American eyes I’ve always seen Sweden is very progressive so the controversy and racism regarding refugees was something I was completely unaware of.
I learned of this book from The Hieroglyphic Streets which contains links to other reviews.
Recommended books: Colin Dexter’s Inspector Morse novels.