Movie Review: Clueless (1995)


Title: Clueless
Release Date: July 19, 1995
Director: Amy Heckerling
Production Company: Paramount Pictures
Summary/Review:

Clueless was released just after I graduated from college so I wasn’t in the target audience for a high school comedy.  Nevertheless, I watched and enjoyed the movie.  Revisiting the movie 25 years later the inescapable 90s-ness of the movie dates it considerably.  But a lot of the humor and charm of the movie persists.

Loosely based on Jane Austen’s Emma, Clueless focuses on Cher (Alicia Silverstone), a wealthy and stylish girl from Beverly Hills. Over the course of the movie, Cher learns to put aside self-interest and work to help others. Silverstone’s performance and the script by director Amy Heckerling (who also created Fast Times at Ridgemont High) help make Cher a likable character despite her initial snobbery and carelessness.

Part of Cher’s good deed doing involves adopting the new student Tai (Brittany Murphy) and making her over to be one of the most popular girls in the school.  Murphy’s sweet naivete steals a lot of scenes, although I’ll never figure out what kind of accent she’s supposed to have.  Cher is also transformed by a relationship with her ex-stepbrother Josh (Paul Rudd), a socially conscious college student who has maintained a close relationship with Cher’s lawyer father. I obviously didn’t know who Rudd was in 1995 and was amazed to see him in this movie, not least because he still looks as youthful as he did 25 years ago.

The movie is sweet and silly, part parody of the lives of clueless rich teenagers, but never acerbic about it. It was definitely worth a 25th reunion rewatch.

Rating: ****

Movie Review: Ferris Bueller’s Day Off (1986)


Title: Ferris Bueller’s Day Off
Release Date: June 11, 1986
Director: John Hughes
Production Company: Paramount Pictures
Summary/Review:

My 12 y.o. wanted to watch this movie which was a surprise since he rarely wants to watch movies at all, much less teen classics from the 80s.  Some things you notice when you’re watching a movie for the first time in decades with your children: 1. there’s a lot more profanity than I remembered, and 2. Ferris is really a jerk and deserves to suffer SOME consequences for his misbehavior.  Maybe not so much for skipping school, but  for how he mistreats his friends and family.  At least Cameron calls him out on it.

The story, should you not be aware of it or have forgotten, is that Ferris Bueller (Matthew Broderick) pretends to be sick in order to skip school for the 9th time in his senior year in high school (we need 8 prequels to learn what he did on those days!). He picks up his chronically-depressed and hypochondriac friend Cameron (Alan Ruck), who is also absent from school. Ferris basically steals Cameron’s father’s antique sportscar (Cameron has some good suggestions of renting a car or hiring a limo, something these kids had the means to do).  They pick up Ferris’ girlfriend, Sloane (Mia Sara), from school on the excuse that her grandmother died.

The trio drive to Chicago for the geekiest day of truancy ever.  Impossibly, they are able to to visit Sears Tower and the Chicago Mercantile Exchange, dine at a fancy restaurant, attend a Cubs game, visit the Art Institute of Chicago, and then see the Von Steuben Parade, which Ferris famously crashes to lead a sing-a-long and dance of joyous Chicagoans (and since I visited Chicago in 2018, I recognized exactly where those parade scenes were shot).  Meanwhile, the school principal Ed Rooney (played by real-life sex offender Jeffrey Jones), creepily tries to track down Ferris, going so far as to break into the Bueller’s home.  Simultaneously, Ferris’ younger sister, Jeanie (Jennifer Grey), angered at her parents’ favoritism toward Ferris, also tries to bust him for faking illness.

The movie works because of the generally wholesome activities the lead trio engage in on their trip to Chicago, a steady series of gags, and all-around great performances from the cast and great chemistry among the leads.  But as I noted above, Ferris is not a hero, but more of an agent of chaos.  The real protagonists of this movie, or at least the ones who change the most, are Cameron and Jeanie.  Cameron finally reaches a breaking point where he’s able to stand up for himself to Ferris, which leads him to gain the confidence to stand up to his neglectful father.  And by the way, watching is this as a parent makes me wonder just how monstrous this father is.  Meanwhile, Jeanie is able to exorcise her jealousy and righteous rage at Ferris and attempt to just take control of her own destiny.  This, of course, means that everything works out just perfectly for Ferris, the little twerp.

Almost 35 years after its release, Ferris Bueller’s Day Off is still very funny and doesn’t feel dated.  Sure, there are boxy cars and big hair, but it doesn’t scream “EIGHTIES!” as much as John Hughes’ other movies. I do wonder what this movie would be like if Ferris had a cell phone, though, considering his ability to use technology to his advantage. More importantly, it doesn’t have the inappropriate moments that make one cringe at the sexual misconduct and racism that you find in 16 Candles and The Breakfast Club.  I also appreciate the directorial style, such as viewing Cameron debating himself about joining Ferris through his car window, or how Ferris running home at the end is directed like a Chuck Jones/Tex Avery cartoon, complete with zany sound effects and music cues.

If you liked it when you’re young, watch it with your (older) kids.  They may just enjoy it as well.

Rating: ****

Movie Review: 10 Things I Hate About You (1999)


Title: 10 Things I Hate About You
Release Date: March 31, 1999
Director: Gil Junger
Production Company: Touchstone Pictures
Summary/Review:

This 1999 teen movie reinvents William Shakespeare’s The Taming of the Shrew as a romantic comedy set at Padua High School in Seattle.  Obstetrician and single dad Walter Stratford has strict rules against his daughters dating in high school but modifies them so that his younger, sociable daughter, Bianca (Larisa Oleynik) cannot date until his older, rebellious daughter, Kat (Julia Stiles) goes on a date first.  He does this knowing that Kat wants no part of high school social conventions.

A new student at the school, Cameron (Joseph Gordon-Levitt), is smitten by Bianca and works out a plan with his nerdy new friend, Michael (David Krumholtz), to find someone willing to date Kat.  Realizing that they need money to bribe a potential suitor, they call in the obnoxious BMOC, Joey (Andrew Keegan), who also has interest in Bianca. They decide the fearless meathead with a notorious bad boy reputation, Patrick (Heath Ledger), is the best man for the job.

I realize that it’s taken me two paragraphs just to describe the complex, and somewhat silly, machinations behind this movie’s plot.  But once the pieces are set into motion, the movie really soars with some hilarious moments and quotable dialogue.  Curiously, the movie starts with Cameron, Michael, & Bianca as the A plot and Kat and Patrick as the B plot, but part way through the movie these switch places, to the movie’s benefit. Probably the best part of the movie is how it allows the main characters to emerge as more complex than their originally established stereotypes (well, except Joey, who remains a vain bully).

This movie is screamingly Nineties, and yet, for the most part, doesn’t have the cringe factor of revisiting many things from that decade. The dad, Walter Stratford, and his creepy, controlling attitude toward his daughters is deeply uncomfortable, but at least that is called out in the movie.  Prominent appearances by the bands Letters to Cleo and Save Ferris add some 90s charm, and the soundtrack holds up well, although apparently 90s kids partied to more music from the 70s than I remembered.

Rating: ****