Comics Review: Doctor Who: The Eleventh Doctor


Here are reviews of all nine volumes in the Doctor Who: The Eleventh Doctor series to date.

Author:  Al Ewing & Rob Williams
Artists: Simon Fraser, Boo Cook
Colorist: Gary Caldwell, Hi-Fi
Letterer: Richard Starkings and Jimmy Betancourt
Title: Doctor Who: The Eleventh Doctor, Vol. 1: After Life
Publication Info: Titan Comics (2015)
Summary/Review:

The first set of Eleventh Doctor comic adventures introduce a new companion (between the Ponds and Clara), Alice Obiefune.  I immediately love Alice, because she’s:

  1. a library assistance, and her job skills are shown as valuable on adventures with the Doctor.
  2. she’s a character who is depicted as grieving and depressed, and her storyline is handled accurately and sympathetically.
  3. she stands up to the Doctor’s condescending ways and challenges his assumptions.

There adventures include picking up another companion, John Jones, who is a thinly veiled David Bowie from the late 60s before he becomes famous.  Basically he’s there for running Bowie gags while the focus remains on Alice as companion.  They also visit with Robert Johnson in 1930s Louisiana, who happens to already be acquainted with the Doctor.  But the main conflict in various places in space and time is standing up to the evil SERVEYOUinc, and not always meeting their agents in chronological order.

The Eleventh Doctor comics are refreshing and fun, and I hope keep up the good work, because the Tenth Doctor comics kind of became as slog.

Rating: ****


Author:  Al Ewing & Rob Williams
Artists: Simon Fraser, Boo Cook, Warren Pleece
Colorist: Gary Caldwell, Hi-Fi
Letterer: Richard Starkings and Jimmy Betancourt
TitleDoctor Who: The Eleventh Doctor, Vol. 2: Serve You
Publication Info: Titan Comics (2015)
Summary/Review:

This volume starts off with a terrific story of the Doctor figuring out how to escape the destruction of the TARDIS while repeatedly hopping backwards in time.  ARC joins the TARDIS crew for a distinctively odd trip of companions: grieving human, parody of David Bowies, and blob of something that’s not quite defined yet.  Other stories put the TARDIS Team in the middle of an endless war that threatens to capture Earth in collateral damage and the gravest threat yet from SERVEYOUinc, which appears to take over the Doctor. It’s a bit of a step down from the first volume, but still a rollicking good adventure.

Rating: ***


Author:  Al Ewing & Rob Williams
Artists: Simon Fraser, Boo Cook, Warren Pleece
Colorist: Gary Caldwell, Hi-Fi
Letterer: Richard Starkings and Jimmy Betancourt
TitleDoctor Who: The Eleventh Doctor, Vol. 3: Conversion
Publication Info: Titan Comics (2015)
Summary/Review:

Another spectacular visual and storytelling device in the comics sees the four main characters split into different parts of the TARDIS, with distinctive art for each concurrent story.  The Doctor also goes through the humbling experience of having the TARDIS turn against him for his misbehavior.  There are also Cybermen in ancient Rome and a motorbike race on the Berlin Wall in 1976.

This volume ties up the threads in the SERVEYOUinc and Talent Scout stories, as well as the Jones and ARC, uh, arcs.  I look forward to reading more adventures of Alice and the Doctor.

 

Rating: ***


Author:  Si Spurrier & Rob Williams
Artists: Simon Fraser & Warren Pleece
Colorist: Gary Caldwell
Letterer: Richard Starkings and Jimmy Betancourt
TitleDoctor Who: The Eleventh Doctor, Vol. 4: The Then and the Now
Publication Info: Titan Comics (2016)
Summary/Review:

A new story arc has the Eleventh Doctor being tracked down for a genocidal crime he can’t remember quitting. New companions join in the form of Abslom Daak, a rageful man with a vendetta against Daleks, and The Squire, a soldier who previously fought alongside the War Doctor. The plot is a complex muddle of things brought up from the Time War that probably don’t need to be explained, but it does feel like it’s going somewhere.

Rating: ***


Author:  Si Spurrier & Rob Williams
Artists: Simon Fraser, Leanrdo Casco, Warren Pleece
Colorist: Gary Caldwell, Arianna Florean, Nicola Righi, Azzurra Florean, Rodrigo Fernandes
Letterer: Richard Starkings and Jimmy Betancourt
TitleDoctor Who: The Eleventh Doctor, Vol. 5 The One
Publication Info: Titan Comics (2016)
Summary/Review:

The pursuit of the Then and Now continues, with some revelations and a lot of confusion, and effort to be “epic” without really earning it.  River Song and The War Doctor and The Master all join the plot.  And that’s not all.  It’s okay, I guess.

Rating: **


Author:  Si Spurrier & Rob Williams
Artists: I.N.J. Culbard, Simon Fraser
Colorist: Marcio Menys, Gary Caldwell
Letterer: Richard Starkings and Jimmy Betancourt
TitleDoctor Who: The Eleventh Doctor, Vol. 6 The Malignant Truth
Publication Info: Titan Comics (2017)
Summary/Review:

The Doctor’s secret revealed!  Shocking surprises!  Really?  I just wanted this storyline to finally be over.  It does finish up better than a lot of what preceded it, for what it’s worth.  I did enjoy the War Doctor getting to act as the main protagonist, and Alice being awesome.  She’s a great companion and deserves better stories.

Rating: ***


Author: Rob Williams, Alex Paknadel
Artists: I.N.J. Culbard, Leandro Casco, Wellington Diaz, Simon Fraser
Colorist: Triona Farrell, Gary Caldwell
Letterer: Richard Starkings and Jimmy Betancourt
TitleDoctor Who: The Eleventh Doctor, Vol. 7: The Sapling: Growth
Publication Info: Titan Comics (2017)
Summary/Review:

A new storyline, with a new character – The Sapling – who is basically Groot with the ability to steal memories and cause genocide.  There’s a cool sequence where every year on Earth is happening at the same time and the Doctor and company have to take a double decker bus to 1968 where the people have erected a wall around their time. It’s much cooler in illustration!

Rating: ***


Author: James Peaty, George Mann
Artists: I.N.J. Culbard, Andrew Leung, Ivan Rodriguez, Wellington Diaz, Klebs Junior, Leandro Casco
Colorist: Triona Farrell, Stefani Renne, Thiago Riberio
Letterer: Richard Starkings and Jimmy Betancourt
TitleDoctor Who: The Eleventh Doctor, Vol. 8 The Sapling: Roots
Publication Info: Titan Comics (2017)
Summary/Review:

The Sapling is growing, the Doctor and Alice are still missing their memories, and Ood Sigma needs help. They also visit a Memory Ark and a medieval village where the Sapling becomes a renown historical figure.  Good fun.

Rating: ***


Author: Alex Paknadel, Rob Williams
Artists: I.N.J. Culbard, Ivan Rodriguez, JB Bastos, Luiz Campello
Colorist: Triona Farrell, Thiago Ribeiro, Stefani Rennee
Letterer: Richard Starkings and Jimmy Betancourt
TitleDoctor Who: The Eleventh Doctor, Vol. 9 The Sapling: Branches
Publication Info: Titan Comics (2018)
Summary/Review:

The finale of The Sapling saga.  Like all these comic storylines, my patience begins to wear thin with the plots as they go along.  But at least this one is only three volumes along.  There’s also a renegade member of The Silence known as The Scream behind it all, but it’s kind of a meh idea since I think the tv shows did all they could with The Silence.  Still some awesome Alice moments though.

Rating: **1/2

Book Review: Kindred by Octavia E. Butler


Author: Octavia E. Butler
Title: Kindred
Narrator: Kim Staunton
Publication Info: Recorded Books, Inc., 1998 [Originally published in 1979]
Summary/Review:

I’ve only recently become aware of the late science fiction author Octavia E. Butler, whose contributions to the genre have likely been overlooked due to her being an African American woman.  This novel, starting in the bicentennial year of 1976, tells the story of Dana, an African American writer repeatedly torn from her own time in California and sent to antebellum Maryland plantation.  There she has to save the life of a boy, and later a man, named Rufus, the heir of the plantation owner.  Early on, Dana discovers that Rufus is her own ancestor, so her existence depends on his survival.

This book does not shy away from the malignant evils of slavery – beatings, selling off family members, and rape.  But it get’s even more uncomfortable in how on Dana’s increasingly longer visits to the past, she grows to consider the plantation as home, and develop a fondness for Rufus.  Dana’s devotion to protecting Rufus is unsettling considering that Alice, a freed black woman who is reenslaved by Rufus over the course of the novel, is also her ancestor, and Dana never shows the same level of concern for protecting her. It’s something akin to the Stockholm Syndrome, or more accurate the way in which its possible for one to look past the most grievous faults of family members and friends.

Dana is married to a white man named Kevin, and one occasion she brings him back in time with him, stranding him there for several years when she bops back to the future.  Although Kevin is a progressive white man, he is still not capable of understanding the power dynamics that privilege him in the past over Dana.  Nevertheless, Dana’s knowledge of the future and seemingly magical power to appear and disappear over time gives her something of a an advantage over Rufus in their ongoing relationship.

This is a powerful and well-constructed novel that feels very contemporary despite being over forty years old.  Much like reading Ursula Leguin, I had to remind myself that Octavia E. Butler actually inspired and informed many of the conventions of later time-travel fiction.

Recommended books:

Rating: ****

Book Review: Doomsday Book by Connie Willis


Author: Connie Willis
Title: Doomsday Book
Narrator: Jenny Sterlin
Publication Info: Recorded Books, Inc., 2000 (Originally published in 1993)
Previously Read by the Same Author:

Summary/Review:

I first read Doomsday Book 16 years ago and it immediately became one of my favorite books and lead me to several other Willis’ novels. This novel begins in Oxford in 2054 where history students use time travel technology to observe the past.  Willis has written several loosely-connected novels and short stories using this same premise.

In this novel, undergraduate Kivrin Engle desires to study the Middle Ages, even though the time travel net has never been used to travel that far back in the past.  The leader of the Medieval Studies department is eager to make a splash by permitting Kivrin to go the the 14th century, and even bypasses some of the standard safety protocols. Kivrin’s advisor and mentor, Mr. Dunworthy, is frustrated by Medieval’s carelessness and deeply worried about what dangers Kivrin may face in the time of cuthroats and Black Death.

The stage is set for Something to Go Wrong, with the twist being that an outbreak of deadly influenza strikes Oxford, with the city placed under quarantine.  The engineer who ran the time travel net for Kivrin’s drop into the past is one of the first to fall ill, thus making it impossible to retrieve Kivrin.  Mr. Dunworthy ends up helping his friend Dr. Mary Ahrens care for the sick, and also watching Mary’s visiting nephew Colin, with whom he forms a paternal relationship.

Meanwhile, in the 14th century, Kivrin has also been stricken with influenza. In a state of delirium, she is brought to the home of a village near Oxford to the home of a minor noble family, and nursed back to health. Some of the best scenes illustrating “the past is a different country” involve Kivrin initially having trouble communicating with her hosts, despite her studies and a translator implanted in her head.  Kivrin also has a recorder imbedded in her hand, cleverly allowing her to look like she’s praying when recording her thoughts, and many passages of the novel are in the form of her journal entries.

Once Kivrin recovers from her illness, she forms a bond with the children of the household, the playful 5-year-old Agnes, and the more serious Rosemund, who at the age of 12 is already promised in marriage to a much older man.  Kivrin essentially becames a caretaker for the children, aiding the overtaxed Lady Eliwys, while being an object of scorn and suscpicion for Eliwys’ mother-in-law Lady Imeyne. It is rare to have a female protagonist in time travel stories, often for the practical reason that for most of history the life of women was severely restricted and dangerous.  But through Kivrin’s point of view, the reader gets an (admitedly fictional) look into the overlooked women’s domestic sphere of the Middle Ages.

Another key character in the medieval storyline is Father Roche.  The poor and uneducated priest is mocked by Lady Imeyne, but nevertheless is devout to God and the community.  Kivrin forms a strong relationship with Father Roche as well, and despite her own lack of faith, recognizes Roche as a good person. Father Roche by turn, sees Kivrin as an angel, and while literally not true, it’s easy to see why her sudden appearance and seemingly magical skills would be interpreted as such from his worldview.

There are a couple of other twists in the plot, that I won’t spoil here, although I will not that the source of the 21st century influenza outbreak is a genius plot device.  By and large, things don’t turn out well for most of the characters in both storylines.  And since Willis is excellent at developing the characters and their relationships, Doomsday Book is a heartbreaking novel.  Nevertheless, it is also uplifting, because it emphasizes love in the relationships (Kivrin and Father Roche, Mr. Dunworthy and Colin, and others) among people who are neither related nor romantically involved, which is surprisingly uncommon in fiction.

Doomsday Book is not a flawless novel and others have pointed out its anachronisms and the many coincidences in the plot that are just too neat and tidy.  I think what’s good about the book outweighs these problems for the most part. One distracting problem with this book is that Willis envisioned a future with the technology for time travel and implanting translators and recorders in the body, but she did not anticipate mobile telephones (even though they already existed at the time this novel was published).  Instead, people in the future Oxford story use video phones, a device that is found in a lot of futuristic fiction of the 20th century (see 2001: A Space Odyssey, Blade Runner, and Until the End of the World for prominent examples).  This would just be a small quirk, but so much of the novel relies on characters needing to find a phone and not being able to reach others by phone that it becomes laughable at times.

Overall, this is a terrific book in the time travel genre and one with a lot of humanity and heart. And a future without mobile phones really doesn’t sound all that bad.

Recommended books:

Rating: ****1/2

Book Review: Christmas on a Rational Planet by Lawrence Miles


Author: Lawrence Miles
Title: Christmas on a Rational Planet
Publication Info: London : Doctor Who Books, 1996.
Summary/Review:

This is the first Doctor Who novel by Lawrence Miles, who would later go on to be one of the leading writers of the Eighth Doctor Adventures, introduce the Faction Paradox, and co-wrote the history of Doctor Who series About Time.  But in this first novel, Roz is trapped in a town in New York in 1799, Chris is trapped in the TARDIS with someone trying to kill him, and secret socities are worshipping Satan and the like.  The book is interesting at parts, but also just weird in ways that makes it hard to follow.

Rating: **1/2

Book Review: Just War by Lance Parkin


Author: Lance Parkin
TitleJust War
Publication Info: London : Doctor Who Books, c1996.
Summary/Review:

The Seventh Doctor makes frequent visits to World War II: The Curse of Fenric on tv, Colditz on audio, Timewyrm: Exodus and this book in the Virgin New Adventures. We begin this book with one of this Doctor’s great manipulative plans.  Roz and Chris are working with British intelligence in London, Benny is undercover with the Resistance in Guernsey, and the Doctor is seeking a particularly genius Nazi scientist.  Things go horribly wrong, of course, and as happens all to often in the New Adventures, it leads to a companion getting tortured. The book features a strong narrative though, one of the most easily readable New Adventures, with great character moments for Benny, Roz, and Chris.  It’s also close to being a pure historical, with The Butterfly Effect and the Doctor’s hubris being the main antagonists outside of the Nazis.

Rating: ***1/2

Book Review: The Also People by Ben Aaronovitch


Author: Ben Aaronovitch
TitleThe Also People
Publication Info: London : Doctor Who Books, 1995.
Summary/Review:

The Doctor takes Benny, Roz, and Chris on vacation to the Worldsphere, a world populated by the technologically advanced, utopians society of The People.  In addition to the advanced People – who can change their shape and gender – the Worldsphere is populated with sentient artificial lifeforms, including God (who got its name as a joke from watching over the Worldsphere), ships, drones, and even tables, bathtubs, and parachutes.

Because The People are so technologically advanced they have a nonaggression treaty with the Time Lords that prevents them from developing time travel.  The Doctor and God are friendly but also don’t trust one another and dance around a lot of tensions.  And despite saying the visit to the Worldsphere is a holiday, the Doctor also has ulterior motives involving an old frenemy, and a difficult decision for Benny.  When a drone is murdered, the Doctor also volunteers to investigate the crime, and Roz is key in using her skills in the procedural story.

The Also People is inspired by a science-fiction series called the Culture by Iain M. Banks.  I’m not at all familiar with Banks’ work, but it does appear to be another example of Doctor Who crashing into another genre and making another story.

Rating: ****

Book Review: Original Sin by Andy Lane


Author: Andy Lane
TitleOriginal Sin
Publication Info: London : Doctor Who Books, 1995.
Summary/Review:

There’s a lot going on in this sprawling Doctor Who New Adventures novel.

    • First, it introduces a pair of new companions, Roz & Cwej, a pair of Adjucators (basically, cops) from Earth in the far future.  Roz is the grizzled veteran whose partner/mentor died and Cwej is the cheerful, ambitious rookie. In addition to these buddy cop story tropes, they find themselves uncovering a conspiracy!
    • The setting is the Earth in the far future when cities like London have been build up as spaceports with the wealthy living in gleaming towers, while the rest live in the dark, decaying Undertown (a concept that was later used in the tv story Gridlock).
    • The Earth is part of a dystopian society ruled by a Divine Empress who controls the galaxy (or at least the solar system, not sure).
    • Also featuring in this story are the Hith, a species of large, slug-like creatures who.  Berenice’s befriends a Hith whose death actually prompts her and the Doctor to visit future and get involved in this story.
    • There’s an imprisoned serial killer who the Doctor calls upon for advice, very much modeled on Hannibal Lecter.
    • Finally, the big reveal is that the Big Bad behind this all is Tobias Vaughn from the 1960s tv story The Invasion, who has managed to live thousands of years as a cyborg.

It’s a very busy story with a lot of weirdness, such as Cwej spending part of the narrative resembling a teddy bear, for fashion.  It also has the New Adventures’ trait of introducing lots of characters in new places and expecting the reader to remember them. That is, when the author actually mentions the names and is not doing that trick of keeping their identity secret.  It’s rather annoying and makes this book more of a struggle to read than necessary, but otherwise it’s entertaining.

Rating: ***

Virgin New Adventures

TV Review: Doctor Who (2018)


TitleDoctor Who
Release Dates: 2018
Series: 11
Number of Episodes: 10
Summary/Review:

This is going to be tough because I love this show so much, yet I’m going to have to state some unpleasant truths.  This was not a very good series of Doctor Who. The baseline of competency was met again and again, and no episode was truly awful, but this series never seemed to aspire to anything beyond sheer competency.  There are a lot of people involved in creating a television series, but I believe that a lot of the blame for the failures of Series 11 can go to the showrunner Chris Chibnall, who scripted 5 of the 10 episodes, and co-wrote another.  I had concerns about Chibnall going into the series based on his previous work for Doctor Who and Torchwood, but had also admired his work on Broadchurch, at least the first season.

Compared with the previous showrunners, Russell T. Davies and Steven Moffat, who each contributed numerous innovations to Doctor Who storytelling, Chibnall did not seem interested in taking many risks in that area.  I should note though, that there was some risk-taking in this series.  For one, this is the first time a woman – Jodie Whittaker – was cast in the role of the Doctor, and while that shouldn’t be risky in 2018, it was nevertheless, controversial.  The consequence though is that Chibnall and company appeared not to want to make any further waves and wrote the Doctor as a very passive character, to the point of criminal indifference, which is not something you want to see paired with your female representation.  The optimist in me thinks that now that the writers have seen how Whittaker performs the Doctor, and with one season under their belt, that they will be willing to take more risks with her character next series.  At the very least I hope they cease writing dialogue where Whittaker is forced to just describe what is in front of her much of the time.  These writers need to heed the advice to show not tell.

Another big risk is that Chibnall chose to cast three different companions, creating the largest Tardis Team since the Fifth Doctor also traveled with three companions in the 1980s.  It was also the first time that 4 major characters were introduced in the same episode since the premiere of the series in 1963.  The consequence of this risk is that there was very little time to develop four new characters and tell new stories at the same time.  Yaz was particularly effected by the crowded Tardis in that the audience never seemed to learn much about her despite her having the potential to be the most interesting character as a foil to the Doctor.  She’s also the most competent character, so her quietly getting things done didn’t leave much time for interesting character beats.  Ryan and Grahams were served better as they had the theme of there growing familial relationship as they mourn Grace to carry them through the series.

Chibnall took risks in how the series is presented.  Since the return of Doctor Who in 2005, a series has had 12-to-13 episodes, 45 minutes in length, plus a Christmas Special.  Chibnall cut the total number of episodes to 10, but extended the length of individual episodes to 50 minutes.  The problems of character development may have been better addressed with 2 or 3 more stories.  While previous series usually had some two-part episodes, and at least a semi-serialized nature where the series built on a story arc or theme, Chibnall chose to have all the episodes of series 11 be stand-alone stories, with the exception of an episode 1 villain ineffectively returning in episode 10.  The structure of a Doctor Who episode was modeled on the procedural drama genre of television for the first time.  I can’t criticize that choice because Doctor Who should be able to function in any genre, even if it didn’t work for other reasons.

The series was a commercial success with better ratings than Doctor Who has had in some time.  The argument can be made that more straightforward, stand alone episodes attract a larger number of viewers who can pop in to watch an episode without having to know a lot of the details behind the story.  I’m pleased that Doctor Who is succeeding, even if it’s not the type of Doctor Who I enjoy.  But I would also contend that television viewers – including children – are more sophisticated viewers than they were a generation or two ago and can handle more complex stories and serialization.  Not the least because a large percentage of people who end up viewing this show will do so by bingewatching on streaming services rather than watching each episode as it airs.

Despite my heavy criticism of the show, there was a lot I enjoyed about it.  Whittaker was excellent in portraying the Doctor as funny, compassionate, and a strong leader.  She deserves better material to work with.  I also love all the new companions, they are great characters and each bring something to the team. The production values were excellent for the most part including cinematograpy, sets, costuming, and music.  It was a pleasurable program to look at the vast majority of the time.  While the politics of the show seem to be moving rightward overall, it’s also important to recognize the representation in this series.  Women and people of color are appearing in the show, as well as writing and directing, more than ever before, and telling stories previously ignored in the previous 36 seasons.

Here are my thoughts on an episode by episode basis with links to full reviews.  The number in parentheses is a rating on a scale of 10.

  1. The Woman Who Fell to Earth (7) – A good introduction, that swiftly brings together our new Tardis Team with good character beats for each, and keeping Jodie Whittaker on her toes as she resolves both the problem and her new identity.  Sure, the villain is rubbish, but monsters are only secondary to this story and we’re never going to see Tim Shaw again, right?  The biggest downer is that Grace, one of the most compelling characters and a natural for the companion role, dies just as we’re getting to know her.
  2. The Ghost Monument (5) – The first episode introduced all of our new characters, while the purpose of this episode is to reunite the Doctor with her Tardis.  Along the way, the new companions get their “wow, we’re on another planet” moments.  The plot seems only incidental and is discarded once the Tardis is found, setting a pattern of Chibnall-authored stories that are unresolved.
  3. Rosa (7) – The first historical of Series 11 is set in 1950s Alabama and does a great job of capturing the period and the pervasive nature of Jim Crow racism.  The message of the show, that social change occurs only when great individuals like Rosa Parks take small actions (and that they will suffer to achieve incremental changes) seems out of touch with what audiences need from Doctor Who in 2018, though.
  4. Arachnids in the UK  (6) -The return to Sheffield episode does a good job of introducing us to Yaz’s family and setting up an adventure involving giant spiders, and even make us sympathetic to the monsters.  The story once again ends with a feeling of loose ends untied.  And while Doctor Who certainly can’t depict the overthrow of Donald Trump, they could at least offer consequences to a Trump surrogate.
  5. The Tsuranga Conundrum (7) – I seem to be alone in liking this space adventure, and certainly think it’s the best Chibnall-authored script of the season.  For one, it actually tells a complete story with beginning, middle, and end.  And the other, all the characters – regular and guest – play a part in the story and have significant character moments.  It’s also funny.  I guess people just don’t like cute monsters.
  6. Demons of the Punjab (8) – This Yaz-centered story travels back in time to visit her grandmother in 1947 during the partition of India and Pakistan.  The personal story of one family set against tragic historical events is definitely the best story of the season.
  7. Kerblam! (5) – Honestly, this story is not as bad as it’s rating.  It’s well constructed and entertaining, and I suppose a good example of Right Wing Science Fiction.  But it loses points because the Doctor being not only indifferent to, but tacitly supporting, the suffering and exploitation of labor is counter to everything I know about the Doctor.
  8. The Witchfinders (8) – Another entertaining historical with Alan Cumming guest starring in a wonderfully hammy performance as King James I.  The Tardis Team have come into their own and work together to solve the problem.  And Whittaker’s Doctor, for once, isn’t hopelessly passive, taking action even when it may be changing history.
  9. It Takes You Away (6) – A strange, entertaining story with a few twists, and a talking frog.  I didn’t think the story was the best, but I did enjoy the bonkers quality of it, and the sign that Chibnall-era Doctor Who was recognizing the previous 10 series of Doctor Who and finding new ways to build on it.
  10. The Battle of Ranskoor Av Kolos (4) – A total bummer of a finale that seems only to function as a sampler of the worst aspects of Series 11.  The rest of the series looks worse in retrospect because one could no longer believe it was building to something meaningful.

If you have time and desire to read more about Series 11, check out this excellent post from the Movie Blog.

Okay, now we move on to the New Year’s Day Special!  I have high hopes.


Series 11 episodes ranked:

  • Demons of the Punjab (8)
  • The Witchfinders  (8)
  • The Tsuranga Conundrum (7)
  • The Woman Who Fell to Earth (7)
  • Rosa (7)
  • It Takes You Away (6)
  • Arachnids in the UK  (6)
  • The Ghost Monument (5)
  • Kerblam! (5)
  • The Battle of Ranskoor Av Kolos (4)

Related Posts:

Book Review: Birthright by Nigel Robinson


Author: Nigel Robinson
TitleBirthright
Publication Info: London Bridge (1993)
Summary/Review:

The TARDIS crashes and Bernice Summerfield finds herself alone in the East of London in 1909, albeit the Doctor has somehow found a way to supply her with a bank account to draw upon, and the support of the Waterfield family for a place to live.  Soon she’s investigating a series of grisly murders attributed to Springheel Jack, but are actually committed by … aliens!  Meanwhile, Ace is on a desert planet in the far future aiding the surviving humans against the insect-like Charrl.  And the Doctor is off having adventures in another book that I won’t be reading.

This is the first example of a “Doctor-light” story that became common in the future Virgin Adventures and in the new television series.  It also continues the trend of characterizing the Doctor as a manipulative mastermind, the Ace as surly and violent, and Benny as clever but self-doubting.  Even the surreal dream-like sequence of the conclusion is a New Adventures’ trait.  Nevertheless, it’s a much more simply-written, straightforward narrative than some of the other, more complex books.  And barring a few examples of sexist language, it’s a pretty enjoyable adventure to read too.

Rating: ***

Comics Review: Doctor Who: The Tenth Doctor


Author:  Nick Abadzis
Artists: Elena Casagrande
Colorist: Arianna Florean
Letterer: Richard Starkings and  Jimmy Betancourt
Title: Doctor Who: The Tenth Doctor, Vol. 1: Revolutions of Terror 
Publication Info: Titan Books, 2015.
Summary/Review:

The Tenth Doctor comics explores adventures that take place after he tragically mindwipes Donna (I’m still not over that), and reluctantly begins traveling with a new companion, Gabby Gonzalez. And what a wonderful companion she is!  Gabby is a young Mexican-American woman living in Brooklyn and working in her family’s restaurant and laundromat, but dreaming of becoming an artist and going on adventures.  She’s utterly charming and clever, and well characterized for a character original to the comics.

This volume contains two adventures.  The Doctor and Gabby meet when the Pranavores, a psychic lifeform that exists in a symbiotic relationship with intelligent lifeforms and feeds off their positive energy, come under attack.  Their assailants are the Cerabavores, scientifically modified Pranavores who hunt the Pranavores by causing the humans they’re associated with to have horrific visions.  Gabby’s quick wits and cheerful spirit help the Doctor defeat the Cerabavores and he invites her on a one-time trip on the TARDIS.

Because Gabby is an artist, he takes her to see an art gallery on a magnificently strange planet and meet an artist named Zhe who uses her mind to create block transfer sculptures.  Of course, Zhe is in trouble, trapped in stasis while two malevolent apprentices she created attack the Doctor and Gabby.  The story is illustrated with fun house visuals accompanied by Gabby’s sketchbook where she tells the story through sketches and notes to her friend.  It’s a wonderful visual story best suited to the comic book art form.

This is a great start to the Tenth Doctor comics series and of course, Gabby is invited back for further travels so there’s more to look forward to in upcoming comics.

Rating: ****


Author:  Robbie Morrison
Artists: Daniel Indro & Eleonora Carlini
Colorist: Slamet Murjiono & Hi-Fi
Letterer: Richard Starkings and Jimmy Betancourt
Title: Doctor Who: The Tenth Doctor, Vol. 2, The Weeping Angels of Mons
Publication Info: Titan Books, 2015.
Summary/Review:

Gabby & The Doctor land in No Man’s Land in the midst of The Great War in 1916.  There they discover that Scottish infantrymen and their German opponents are both facing a much greater danger – The Weeping Angels!  The battlefield scenes of mud, smoke, and darkness are a perfect fit for the angels and the comic quickly sketches an interesting cast of guest characters.  Gabby continues to be wonderful and is growing into one of my favorite companions rather quickly.  The story builds on the Weeping Angels mythos created in “Blink” but not as well explored in their later tv stories.

<HUGE SPOILER>The brilliant – if obvious in retrospect – twist is that one of the soldiers is sent back in time to a nearby French village, where he marries and settles down as a farmer, waiting to catch up to the First World War and bail out his friends.</HUGE SPOILER>

The only downside to this comic is that the Doctor seems to a sanctimonious ass for much of this comic, which I guess is true to the characterization of the Tenth Doctor, but I still don’t have to enjoy it.  The volume also includes a one-issue story called “Echo” set in contemporary Brooklyn which is highly derivative of the Pranavores plot except these are creature who amplify sound instead of feelings.  The resolution is also derivative of “Daleks in Manhattan/Evolution of the Daleks” so it makes me wonder if the creators of this issue were just in a rush to get something out.

Rating: ****


Author:  Robbie Morrison
Artists: Elena Casagrande, Eleonora Carlini, Rachael Stott, and Leonardo Romero
Colorist:  Hi-Fi and Arianna Florean
Letterer: Richard Starkings and  Jimmy Betancourt
Title: Doctor Who: The Tenth Doctor, Vol. 3: The Fountains of Forever
Publication Info: Titan Books, 2015
Summary/Review:

After a silly, short story about the TARDIS laundry and a golem of sonic screwdriver activated dirt, the Doctor and Gabby return to New York.  Gabby’s friend Cindy is seething with jealousy and the two quarrel, an unfortunately stereotyped depiction of relationships among young women.  The plot moves into a story about ancient artifacts, a cult, and an aged movie star that eventually reveals itself to be a sequel to Pyramid of Mars.  Honestly, I got bored with it and ultimately lost the plot.  This is a disappointing volume after the first two collections were so very good.

Rating: **


Author:  Nick Abadzis
Artists: Eleonora Carlini, Elena Casagrande & Leonardo Romero
Colorist:  Claudia SG Iannicello and Arianna Florean
Letterer: Richard Starkings and Jimmy Betancourt
Title: Doctor Who: The Tenth Doctor, Vol. 4: The Endless Song
Publication Info: Titan Books, 2016
Summary/Review:

The Tenth Doctor and Gabby’s adventures continue, beginning with another conceptual being, the Shan’tee, who are perceived by humans as music, making for a clever albeit somewhat cliched adventure.  Gabby’s notebook returns as Cindy, left behind on Earth, reads it to herself and notices that stories are changing.  Unfortunately, the story devolves into something more boring involving Ebonite, but is redeemed by the appearance of Jack Harkness!  The final story involving early humans and Neandethals is kind of, eh?

Rating: ***


Author:  Nick Abadzis
Artists: Eleonora Carlini, Elena Casagrande & Iolanda Zanfardino
Colorist:  Arianna Florean, Rod Fernandes, & Hi-Fi with Azzurra Florean
Letterer: Richard Starkings and Jimmy Betancourt
Title: Doctor Who: The Tenth Doctor, Vol. 5: Arena of Fear
Publication Info: Titan Books, 2016
Summary/Review:

This volume starts with epic weirdness as the Doctor and Gabby are forced into an epic fight against Captain Jack, Cleo and Cindy.  Everyone’s memories are twisted and the story from the Pleistocene era is incorporated, so it’s just so very strange.  Later they travel to the UK and end up in a spooky story involving a witch in a well. I feel that the characterization of Cindy is improving and that the stories are feeling less contrived, but I do wish there was less emphasis on continuing story arcs.  I just don’t care about Anubis

Rating: ***1/2


Author:  Nick Abadzis
Artists: Giorgia Sposito
Colorist:  Arianna Florean, Azzurra Florean, Mattia de Lulis and Adele Matera
Letterer: Richard Starkings and Jimmy Betancourt
Title: Doctor Who: The Tenth Doctor, Vol. 6: Sins of the Father
Publication Info: Titan Books, 2017
Summary/Review:

This volume begins with the Doctor and Gabby enjoying some down time in 1920s New Orleans and Cindy even finding romance (and while it’ll be played as a tragic romance trope, it’s still nice to see new things done with her character).  Music infects this jazz age story and the Nocturnes are back to infect the music, perhaps the best return of an original monster in these comics. And then Anubis and Sutekh return.  Yawn!

Rating: ***


Author:  Nick Abadzis, James Peaty
Artists: Giorgia Sposito, Warren Pleece
Colorist:  Arianna Florean, Azzurra Florean, Mattia de Lulis, Hi-Fi, Adele Matera
Letterer: Richard Starkings and Jimmy Betancourt; Nick Abadzis & Arianna Florean
Title: Doctor Who: The Tenth Doctor, Vol. 7: War of Gods
Publication Info: Titan Books, 2017
Summary/Review:

This volume pairs the ongoing (and hopefully conclusion) of the yawner of the Sutekh story.  The Revolving Doors story sees Gabby going to London for the first time and dwelling on the Tenth Doctor’s man pain.  These comics have fallen a long way in my estimation since they began.

Rating: *1/2


Author:   Nick Abadzis
Artists: Giorgia Sposito
Colorist:  Arianna Florean
Letterer: Richard Starkings and Jimmy Betancourt
Title: Doctor Who: The Tenth Doctor – Facing Fate, Volume 1 – Breakfast at Tyranny’s
Publication Info: Titan Comics (2017)
Summary/Review:

Hooray for new storylines!  Anubis continues in the story but now as an amnesiac going by the name Noobis, and more interesting for doing so (especially when depicted as an actual dog).  The first story sees the TARDIS team stuck in a virtual reality in a New York City department store, that is basically The Matrix with tentacles.  Things get better when they travel to ancient China – with portions of the comic in the style of traditional Chinese art – and liberate a castle full of hundreds of Cindys!

Rating: ***


Author:   Nick Abadzis
Artists: Giorgia Sposito
Colorist:  Arianna Florean
Letterer: Richard Starkings and Jimmy Betancourt
Title: Doctor Who: The Tenth Doctor – Facing Fate, Volume 2 – Vortex Butterflies
Publication Info: Titan Comics (2018)
Summary/Review:

The Doctor leaves Gabby and Cindy in a house he keeps in London (but not the English house he has in the Virgin New Adventures, alas) where Sarah Jane comes to their aid when Gabby falls ill.  The Doctor meanwhile seeks out what is troubling the TARDIS, and discovers that the Vortex Butterfly is a manifestation of Gabby’s Block Transfer powers.  It’s a nice way to develop an ongoing story going back to the origins of the comics, but it also is resolved a bit too easily.

Rating: **1/2


Author:  Nick Abadzis
Artists:  Giorgia Sposito
Colorist:  Adele Matera
Letterer:  Richard Starkings and Jimmy Betancourt
Title: Doctor Who: The Tenth Doctor Facing Fate Volume 3 – The Good Companion
Publication Info: Titan Comics (2018)
Summary/Review:

This appears to the conclusion of the Titan Tenth Doctor Comics featuring Gabby.  The Time Sentinels are a strange and kind of uninteresting antagonist.  But I do like how this book brings back old themes and characters (Cleo and Zhe) to tie together Gabby’s ongoing story.  It’s interesting to see how much – and how believably – everyone has changed since being introduced.  There’s also a nice cameo at the end.

Rating: ***