Title: Palm Springs
Release Date: July 10, 2020
Director: Max Barbakow
Production Company: Limelight Productions | Lonely Island Classics | Sun Entertainment | FilmNation Entertainment
Let’s get the obvious out of the way: Palm Springs follows the same basic premise of Groundhog Day where someone is living the same day over and over again on a seemingly infinite time loop. There are some key differences. When the film begins, Nyles (Andy Samberg) is already caught in a time loop attending a wedding in which his girlfriend Misty (Meredith Hagner) is the bridesmaid. He accidentally pulls a second person into the the loop with him, sister of the bride Sarah (Cristin Milioti). And the movie has more elements of gross-out and sex comedy than Groundhog Day.
It’s an interesting reworking of a formula, and leads to a perfectly enjoyable romantic comedy. Nyles and Sarah are initially contentious but grow closer after who knows how many thousands of repeats. It’s a fun lark, but it’s not likely something I’ll return to.
Title: Bill and Ted Face the Music
Release Date: August 28, 2020
Director: Dean Parisot
Production Company: Orion Pictures | Endeavor Content | Hammerstone Studios
The long delayed sequel to Bill & Ted’s Excellent Adventure (1989) and Bill & Ted’s Bogus Journey (1991) finds our heroes Bill (Alex Winter) and Ted (Keanu Reeves) having failed to write the song that will unite the world, despite exploring increasingly esoteric musical styles. The strain begins to affect their marriages with Princess Elizabeth (Erinn Hayes) and Princess Joanna (Jayma Mays). Then Kelly (Kristen Schaal), daughter of their late mentor Rufus, arrives from the future to tell them that their failure to write the song is causing time and space to collapse.
The Bill & Ted films were about goofy teenagers who talked like surfer dudes, so the challenge here is how to make these characters work as middle-aged men. Winter and Reeves adroitly bring plenty of charm and believability to their roles as man-children. It also helps that their main plot is to travel to the future and visit older and increasingly antagonistic versions of themselves as they attempt to “steal” the song from themselves. But youth is served well by Bill and Ted’s daughters, Thea (Samara Weaving, the niece of Reeves’ Matrix antagonist Hugo Weaving) and Billie (Brigette Lundy-Paine) who travel back in time to put together a band for their dads consisting of Jimi Hendrix, Louis Armstrong, Wolfgang Amadeus Mozart, Ling Lun, Grom (a prehistoric drummer), and the real life Kid Cudi.
This movie is far better than it has any right to be, channeling the quirky charm and imagination of its forebears into an updated setting. It has its flaws. Schaal, a great comic performer, is underused and the Dennis joke is one-note and annoying. But overall it’s a great finale to the series. And while a fourth Bill & Ted movie would be unwise, I’m totally on board for a Billie & Thea spinoff movie.
Title: La Jetée
Release Date: February 16, 1962
Director: Chris Marker
Production Company: Argos Films
Working my through lists of all-time greatest movies means watching lots of very long movies, so I was relieved that this one is only 28 minutes. The joke was on me though, because this is an intense 28 minutes of experimental film set in a post-nuclear war Paris. The movie is almost entirely made up of a montage of still images.
The plot involves scientists researching time travel and finding a man (Davos Hanich) who has a strong memory from his childhood of a young woman (Hélène Châtelain) standing on the observation platform (“la jetée”) at Orly Airport. The post-apocalyptic setting, time travel, and even the significance of an airport reminded me of the 1995 movie 12 Monkeys, so it was no surprise to find out that La Jetée was a credited inspiration for that movie.
La Jetée is a chilling but surprisingly beautiful film, with sound effects and music carrying a heavy load and Hanich and Châtelain expressing a lot of emotion and nuance in their acting (or perhaps more accurately, “posing”).
Title: Meet the Robinsons
Release Date: March 23, 2007
Director: Stephen Anderson
Production Company: Walt Disney Pictures | Walt Disney Animation Studios
Lewis (Jordan Fry), a 12-year-old orphan with a talent for inventing, creates a device that scans the mind for lost memories. After the memory scanner seemingly fails at a science fair, a 13-year-old time traveler from the future named Wilbur Robinson (Wesley Singerman) tells Lewis he needs to protect the device from the Bowler Hat Guy (Steve Anderson), a literal cartoon villain with a twisted mustache. They travel to the future where Lewis meets Wilbur’s large and eccentric family while continuing to fight against the Bowler Hat Guy. Lewis finds himself with a feeling of belonging for the first time ever with the Robinsons, although naturally he cannot stay in the future.
There are a number of fairly obvious twists in the plot and some dark moments involving the sentient bowler hat. The movie tries hard to be clever but it often misses the mark, and I found myself groaning more often than laughing. The whole film seems like a failed attempt by Disney to make a Dreamworks-style animated film. The whole thing stinks of self-congratulatory mediocrity.
Author: Amal El-Mohtar and Max Gladstone
Title: This is How You Lose the Time War
Narrator: Cynthia Farrell and Emily Woo Zeller
Publication Info: [New York] : Simon & Schuster Audio, 
This novella features letters exchanged by a pair of agents – Red and Blue – on opposite sides of a war where they each travel through time to manipulate events in a way to harm the opposing side. The initially snarky and boastful letters soften over time as Red and Blue realize they are falling in love. The novel relies on poetic language and experimental writing styles (the authors wrote their sections of the book in response to one another much like the characters). Call me a philistine, but for all that creativity, I still found the book to be rather boring.
Author: Margarita Montimore
Title: Oona Out of Order
Narrator: Brittany Pressley
Publication Info: New York : Macmillan Audio, 2020.
On the last day of 1982, Oona Lockhart is ready to celebrate at the stroke of midnight the new year and her 19th birthday. Instead she finds herself in her 51-year-old body in 2015, the first time jump in her life in which she will live each year of her life out of order. Only her mother and personal assistant/friend Kenzie know her secret.
Oona has the advantage of never having to worry about money thanks to being able to know the best investments and sports bets to make. But she’s faced with the challenge of having to maintain and create relationships with little knowledge of what happened the year before, and coming of age in a body that can be vastly different ages.
I like the conceit of the book and how Oona faces the challenges of living her life. She’s never able to figure out how this is happening to her, nor is she able to change the future even when she knows what is going to happen. There’s a twist in the story that I only thought possible just before it was revealed, but you might figure it out earlier. I believe the narrative covers only 7 years spread out over 4 decades. I think it would’ve been interesting if more of Oona’s years were included in the novel. It would make the book longer, but I found it to be a page-turner so I’d probably keep reading.
Title: Bill & Ted’s Bogus Journey
Release Date: July 19, 1991
Director: Pete Hewitt
Production Company: Nelson Entertainment | Interscope Communications
This sequel to Bill & Ted’s Excellent Adventure got good reviews at the time of its release but I never got around to watching it until now. Wisely, the filmmakers went for a plotline that didn’t rehash the gags of the first movie. Bizarrely, they instead made a movie that is partially a parody of Bergman’s The Seventh Seal.
Bill & Ted are high school graduates with their own apartment, hoping to marry their “chaste” medieval girlfriends. In the intervening years, they appear to have become more alternative than metal (Ted in particular is looking grunge and the band Primus makes an appearance). In the future utopia built on Bill & Ted’s music, a rebel gym teacher Chuck De Nomolos (Joss Ackland) sends back evil Bill & Ted robots to kill the real Bill & Ted. Thus begins the Bogus Journey where Bill & Ted must outwit Death (William Sadler) in various board games, travel to Hell and Heaven, and return to Earth to win a Battle of the Bands.
Like its predecessor, the movie is full or cornball gags that grow increasingly weird while also having a wholesome, feel-good sheen. Sadler’s Death is particularly a hilarious scene-stealer and unexpected sidekick.
Title: Bill & Ted’s Excellent Adventure
Release Date: February 17, 1989
Director: Stephen Herek
Production Company: Interscope Communications | Nelson Entertainment
I watched this movie once 30 years ago, found it mildly amusing, and never thought to revisit it until now. Surprisingly, it holds up better than I remember it. The movie is basically dumb fun about a the titular high school kids, Bill (Alex Winter) and Ted (Keanu Reeves) who love heavy metal and slack off at school. A time traveler from the future, Rufus (George Carlin), informs them that they must pass their history presentation and allows them to use his time traveling phone booth to study the past.
The basic plot involves Bill and Ted traveling to various historic eras and gathering up historic figures. Some of the gags fall flat, but most of them remain humorous. What surprises me is that the movie is rather wholesome considering it covers territory previously explored in much raunchier movies like Fast Times at Ridgemont High and Weird Science. Bill and Ted also have a hilariously erudite vocabulary. The characters can be very dumb but also very smart when it’s needed for the plot, and somehow it works.
Bill & Ted’s Excellent Adventure remains excellent cornball comedy from the 80s.
Author: Russell T. Davies
Title: Damaged Goods
Publication Info: Virgin Book, October 1996
Many of the Doctor Who novels published in the 1990s were written by authors who either wrote for the original tv series or would go on to write for the revived series. This novel is significant in that it’s author Russell T. Davies would go on to be the showrunner who brought Doctor Who back to our tv screens in 2005. In common with the later tv series, this story is set on a council estate with a family named Tyler.
Much like in Andrew Carmel’s Warlock, a narcotic drug turns out to be an alien force. In this case, cocaine contains an ancient Gallifreyan weapon called the N-form. The weapon draws power from a pair of twins separated at birth who are connected by a vampiric waveform. The whole plot is rather complicated, but it’s setting in the depression and poverty of Thatcher’s Britain is a well-formed world for the Doctor, Chris, and Roz to unlock a mystery and a human tragedy.
Other Doctor Who Virgin New Adventures:
Title: Back to the Future, Part III
Release Date: May 25, 1990
Director: Robert Zemeckis
Production Company: Amblin Entertainment | Universal Pictures
The finale of the Back to the Future trilogy picks up with Doc Brown (Christopher Lloyd) accidentally being sent back in time to 1885 and Marty is stranded in 1955. Doc is able to leave a message for Marty telling him where the time machine is hidden and Marty gets 1955 Doc help him restore it to working order. Learning that Doc will be shot dead in 1885, Marty decides to go back in time to save him.
In 1885, Marty gets caught up in various Western tropes and discovers that Doc is a successful blacksmith (which he uses as a cover for steampunk-style technology). Lacking fuel for the DeLorean, Marty and Doc work on a plan to have a railroad engine push the car up to 88 miles per hour. Meanwhile, Doc falls in love with the scientifically-minded school teacher, Clara (Mary Steenburgen) and they have to avoid a showdown with Biff’s great-grandfather, an outlaw named Buford (Thomas F. Wilson). Marty also meets his own great-grandparents, Irish immigrant farmers played by Michael J. Fox and Lea Thompson.
Despite being set in the rowdy Old West, Part III feels gentler and less violent than Part II. With only one primary setting the story feels more focused and less gimmicky. This movie still doesn’t hold a candle to the first movie, but it has its charms and humor, and it definitely shows the growth of Marty and Doc’s friendship.