Title: A Matter of Life and Death
Release Date: 15 December 1946
Director: Michael Powell & Emeric Pressburger
Production Company: The Archers | J. Arthur Rank
A Matter of Life and Death begins with a strikingly intimate conversation between British airman Peter Carter (David Niven), aboard a burning bomber over the English Channel, and American radio operator June (Kim Hunter). They bond in a few moments of shared humanity before Peter, who has no parachute, determines he would rather leap to his death than burn. Then this movie gets very, very weird.
Carter survives his fall and washes up on the shores of England. He meets June who works at a nearby base and they fall in love. It turns out that Conductor 71 (Marius Goring), a French aristocrat killed in the Revolution, was supposed to guide him to the Other World but lost Peter in the fog over the Channel. With a new leash on life and his romance with June, Peter argues that he should be given another chance at life.
A neurologist named Dr. Frank Reeves (Roger Livesey) takes on Peter’s case, in two meanings of the word. First he assumes that Peter’s visions of otherworldly people are due to brain injury. Later he takes on the role as Peter’s counsel in an Other World trial. Perhaps the weirdest part of the trial scene is that a becomes a debate of the British versus the Americans, with American multiculturalism ultimately being celebrated.
This movie is often compared to It’s a Wonderful Life as they both deal with the trauma of World War II and contain fantasy elements of the afterlife. But I found it reminded me of The Devil and Daniel Webster, because both movies are built around a fantasy trial sequence. This movie also clearly was an influence for the most recent Pixar film, Soul. Both films feature an escalator to the afterlife, heavenly bureaucracy, filing cabinets full of the details of every person who ever lived, and historical figures acting as mentors to souls. I also learned that a sample from the prologue of this movie is in one of my favorite tunes from my teenage years, “If I Were John Carpenter.”
A Matter of Life and Death (also called Stairway to Heaven in its American release) stands out as a unique and experimental film for it’s time. And even though I wasn’t aware of it before watching it for this project, it is also clear it’s an influential film. It’s a bit on the corny side, but I expect a lot of classic film fans will enjoy it. If nothing else the opening scene between Peter and Kim over the radio is magnificent.