Book Review: Before the Storm : Barry Goldwater and the Unmaking of the American Consensus by Rick Perlstein


Author: Rick Perlstein
Title: Before the Storm : Barry Goldwater and the Unmaking of the American Consensus
Narrator: Kiff VandenHeuvel
Publication Info: Hachette Audio [Originally published, 2001]
Summary/Review:

In the first of a series of books on modern conservatism, Rick Perlstein explores the origins of the movement in the 1950s and its throughline to today’s Republican Party. According to Perlstein, the Roosevelt and Truman administrations created a consensus around governing with New Deal style programs.  This consensus was strong enough that it was unaffected by the election of Republican President Eisenhower.  But during Ike’s presidency conservatives who did not agree with the consensus grew vocal and organized.

Perlstein finds the core of this movement in the types of families that own a manufacturing business that employs everyone in a town that feel that increased taxes, regulations, and labor representation don’t benefit them at all. They rail against the liberals who have sold out the country to “socialism” while also opposing the big city corporate types who control the Republican party and chose Eisenhower over their favored candidate Robert Taft in the first place (ironically, the movement they create would allow big conglomerates to gobble up family-owned businesses in future decades).  There’s also a youth movement in the 1960s, but not the counterculture, which creates the Young Americans for Freedom organization who also push for conservative values.  Considering how many significant right-wing leaders of the past 60 years were born in the late 30s/early 40s, this cohort had great staying power.

This movement coalesces behind department store owner Barry Goldwater who single-handedly flipped Arizona from Democrat to Republican when elected to the Senate in 1952.  Goldwater’s organizing skills and confrontational speech style helped him gain support throughout the country.  This included the South where white voters had been solidly Democratic since the Civil War but now saw the national Democratic Party taking stronger Civil Rights stances. Goldwater’s insistence that Civil Rights legislation and New Deal programs were a threat to freedom, that Soviet-influenced communism was creeping in everywhere, and that the U.S. needed to be more aggressive militarily including using nuclear weapons won him followers while also terrifying a greater number of people.

The second half of the book focuses on Goldwater’s 1964 campaign for President.  It is sprawling in detail and challenging to keep track of all the figures involved in the Republican primary campaign as well as Lyndon Johnson’s administration. It’s refreshing that Democrats in 1964 had no compunction about calling out Goldwater’s extremism and danger, instead of calls for bipartisanship and a “strong Republican Party” that we hear today.  The news media was similarly unequivocal about the danger of Goldwater instead of playing “both sides” debates. That dangerous and insurrectionist right wing ideologues have essentially been normalized today is part of Goldwater’s legacy.

Goldwater lost the 1964 election in a landslide with Johnson still holding the record for percentage of popular votes received.  But Perlstein notes that in many ways Goldwater won by losing.  A speech late in in the campaign by a Goldwater surrogate electrified the conservative movement.  The man who gave that speech, Ronald Reagan, will be a key figure of the rest of Perlstein’s series of books.

Recommended books:

Rating: ****

Book Review: Just One Damned Thing After Another by Jodi Taylor


Author:  Jodi Taylor
Title: Just One Damned Thing After Another
Narrator: Zara Ramm
Publication Info: Headline, 2021 [Originally published, 2013]
Summary/Review:

Madeline “Max” Maxwell is recruited by St. Mary’s Institute of Historical Research to be a historian.  The researchers at St. Mary’s use time travel to observe the past and provide data to mysterious, wealthy clients.  Max relates her training and first five years as a historian.  It’s a dangerous job with a high body count and Max particularly seems to be particularly a magnet for disaster.

Over the course of the novel, Max learns of rivals, time travelers from the future who do not follow the ethics of St. Mary’s.  The novel is a somewhat darker, but humorous take on historians using time travel for research compared with similar concepts by Connie Willis and Jack Finney. The book is also surprisingly horny, as romance blossoms between Max and Chief Technical Officer Leon Farrell.  This is the first of a series of books called “The Chronicles of St. Mary’s” and Max’s experiences in this book lead to a new direction for St. Mary’s.  I think it will be worthwhile to read the ensuing books to find out what happens next.

Recommended books:

Rating: ***1/2

Song of the Week: “Big Time Nothing” by St. Vincent


St. Vincent – “Big Time Nothing”

I listened to St. Vincent’s newest release All Born Screaming last week but didn’t find enough about I liked to make it worth writing an album review.  The track “Big Time Nothing” stood out for it’s funky Prince groove and grinding 90s industrial sound.  So enjoy this track this week!

Songs of the Week for 2024

January

February

March

April

  • Voiles” by Flore Laurentienne
  • Rose-Tinted” by Shay De Castro
  • Colloquially” by Caity Gyorgy
  • Pandora” by Wisp
  • Bandolera” (feat. Tayson Kryss · KEVIN ROLDAN · Martina Camargo · Albert Breaker · Junior Black) by BADDIES ONLY

May

 

Movie Review: The League (2023)


Title: The League
Release Date: June 12, 2023
Director: Sam Pollard
Production Company: Play/Action Pictures RadicalMedia Two One Five Entertainment YABBA Biri Productions
Summary/Review:

The Negro Baseball Leagues allowed the best Black American baseball players to play in a highly-competitive and entertaining professional sport from the 1920s to 1940s.  The leagues were Black-owned businesses who employed not only Black coaching staff and other Black employees on down to the vendors, becoming a major economic force in the Eastern and Midwestern cities where they played.  As such, Sam Pollard’s documentary focuses a lot on the executives behind some of the most successful ballclubs such as Rube Foster of the Chicago American Giants, Cum Posey of the Homestead Grays, and Effa Manley of the Newark Eagles (who was also a notable woman’s voice in a man’s world).

The documentary also sets the Negro Leagues in the context of the Civil Rights Movements of the 20th centuries as it relates to Black soldiers fighting in the World Wars having to fight a second battle for equality, the Great Migration from the South, and the Harlem Renaissance.  What the movie doesn’t focus on all too much is accomplishments on the playing field, which I found a little disappointing, although it does touch on many of the best players. Since almost everyone involved in the Negro Leagues has passed on, direct interviews were not possible, but the film does well incorporating historical interviews with figures like Satchel Paige. Passages from the memoir of a less well-known figure, Negro League umpire Bob Motley (voiced by Pollard), are used throughout the film as a connective thread.

While Jackie Robinson breaking the color barrier with the Brooklyn Dodgers in 1947 is celebrated as a moral victory, it comes at a cost.  Major League executives like the Dodgers’ Branch Rickey openly scoffed at providing compensation to Negro League teams for signing away their contracted players.  Soon the Negro Leagues were picked clean of their best players and folded, or continued in a reduced fashion until the final league disbanded in 1962.  The economic effect on the Black community was devastating as well as the pride in being able to make something successful on their own.  One of the great “what ifs?” of American history is the possibility that Negro Leagues could’ve merged into Major League Baseball (much like the later NFL/AFL and NBA/ABA mergers), something that Rube Foster envisioned back in the 1920s!

This is an excellent, well-constructed documentary that should appeal to a wide audience, not just sports fans.  I learned a lot from it although I still feel in the time allotted it only skims the surface, leaving me wanting to know more.

Rating: ***1/2

Albums of the Month: Sun Without the Heat by Leyla McCalla


Album: Sun Without the Heat
Artist: Leyla McCalla
Release Date: April 12, 2024
Label: ANTI-
Favorite Tracks:

  • Open the Road
  • Sun Without the Heat
  • Tower
  • Love We Had
  • I Want to Believe

Thoughts:

A theme of recent album releases is their ability to defy genre classification.  This holds true for this solo outing Leyla McCalla,a vocalist and multi-instrumentalist who plays cello, banjo, and guitar, and has performed with the Carolina Chocolate Drops and Our Native Daughters.  Musically the album blends folk and Americana with Haitian folk, Brazilian tropicalismo, Afrobeat, and even indie rock! Lyrically the album is personal as the personal is political as a Black woman seeking to define her own creative expression.

Rating: ****

Albums of the Month: Only God Was Above Us by Vampire Weekend


Album: Only God Was Above Us
Artist: Vampire Weekend
Release Date: April 5, 2024
Label: Columbia
Favorite Tracks:

  • Ice Cream Piano
  • Capricorn
  • Connect
  • Gen-X Cops
  • Mary Boone

Thoughts:

Only God Was Above Us is something of a return to form after 2019’s Father of the Bride, which was essentially an Ezra Koenig solo album with a jam band ethos.  It sounds like the band’s early albums as if the melodies and drumfills of those early albums are being interpolated and remixed.  This is not to say it is not original but their is a familiarity to it.  Appropriately the album’s theme deals with the past, specifically New York City in the 20th century.  The songs are a musical journey from cynicism to optimism.

Rating: ****

 

Movie Review: The Greatest Night in Pop (2024)


Title: The Greatest Night in Pop
Release Date: January 29, 2024
Director: Bao Nguyen
Production Company: Republic Pictures | Dorothy Street Pictures | MRC | MakeMake Entertainment
Summary/Review:

This documentary is a behind-the-scenes look at the creation of the charity megasingle “We Are the World” by USA for Africa.  Of the key players behind the song’s origin, Harry Belafonte and Michael Jackson have passed on, and Quincy Jones is of an advanced age, so the key interviewee is Lionel Richie.  This make sense as Richie is seen throughout the archival footage essentially coaching all the talent to bring the song together.  It was a busy day for Richie as the recording session took place in Los Angeles after the American Music Awards, a show that Richie hosted (really, when did he sleep?).

Other artists interviewed for the film include Bruce Springsteen, Huey Lewis, Kenny Loggins, Cyndi Lauper, and Sheila E (who felt like she was being used to lure Prince to the recording session).  I particularly enjoyed that the film takes time to interview behind-the-scenes players such as the recording engineer and a camera operator shooting the video simultaneously with the recording session.  There’s a strange sense of awareness that many of the most talented American music artists are in the room together, which brings out a sense of vulnerability and humility in them.

Other highlights of the film include:

  • the group spontaneously singing “Day-O” as a tribute to USA for Africa mastermind Belfonte
  • Al Jarreau drinking too much and struggling with his solo
  • Huey Lewis, Cyndi Lauper, and Kim Carnes creating a harmony on the spot
  • the reason Bob Dylan looks so befuddled in the video is that he is anxious about having to sing among so many great vocalists
  • Diana Ross cried at the end of the night because she didn’t want it to end
  • Richie is interviewed in the very same A&M Recording Studios in Hollywood, which he calls “home”

Rating:

Albums of the Month: Older by Lizzy McAlpine


 

Album: Older
Artist: Lizzy McAlpine
Release Date: April 5, 2024
Label: RCA
Favorite Tracks:

  • All Falls Down
  • Staying
  • I Guess
  • Drunk, Running
  • You Forced Me To

Thoughts:

Singer/songwriter (and Berklee College of Music alum) Lizzy McAlpine writes in a confessional style akin to Phoebe Bridgers or Taylor Swift.  At 24 years old, McAlpine is by no means old, but the songs such as the title track reflect the fear of mortality and search for identity that comes with the quarter-life crisis. Other songs reflect on toxic relationships including one with an alcoholic partner (“Drunk, Running”).  The raw lyrics are set to a stripped-down sound carried by McAlpine’s emotive voice.

Rating: ***

Albums of the Month: Halfsies by Lizzie No


 

Album: Halfsies
Artist: Lizzie No
Release Date: January 19, 2024
Label: Miss Freedomland
Favorite Tracks:

  • Halfsies
  • The Heartbreak Store
  • Done
  • Annie Oakley
  • Babylon

Thoughts:

Lizzie No is a singer/songwriter, guitarist, and harpist from New Jersey who is broadly categorized as an Americana artist.  But as it says on their website “genre is a construct” and Lizzie No cannot be so easily pinned down.  No refers to her album as a video game in which a character named Miss Freedom goes on a journey through America touching upon the Black and LGBTQ experience.  No’s voice is captivating throughout and their lyrics make this an album worth revisiting to get the full message.

Rating: ***1/2

Song of the Week: “America in Your 20s” by Winnetka Bowling League


Winnetka Bowling League – “America in Your 20s”

It’s been a long time since I was in my 20s but this song is nonetheless relatable.  Anyway, I’m in American in the 20s. Winnetka Bowling League are based out of Los Angeles and their debut album Sha La La is out on May 31.

Songs of the Week for 2024

January

February

March

April

  • Voiles” by Flore Laurentienne
  • Rose-Tinted” by Shay De Castro
  • Colloquially” by Caity Gyorgy
  • Pandora” by Wisp
  • Bandolera” (feat. Tayson Kryss · KEVIN ROLDAN · Martina Camargo · Albert Breaker · Junior Black) by BADDIES ONLY

May