Book Review: Inventing the Charles River by Karl Haglund


Author: Karl Haglund
TitleInventing the Charles River 
Publication Info: Cambridge : MIT Press, c2003.
Summary/Review:

One would assume that a body of water like the Charles River is natural, but Karl Haglund – and urban planner and historian with the Massachusetts’ Department of Conservation and Recreation – presents evidence that the river we know today is largely human made.  From the arrival of European settlers in the 17th century the river has been modified with landfill (most notably the decades-long Back Bay project), dammed, and converted from a brackish tidal estuary into essentially a freshwater lake.

The history of the Charles River involves a lot of planning and competing interests ranging from industrial to parks and recreation to parkways and highways. One thing I never knew is that a lot of 19th century planners were influenced by the Alster Basin in Hamburg when designing for the Charles River.  A lot of the designs that never came to fruition are interesting.  Several designers wanted to place an island in the middle of the basin, with one proposal specifying that one channel would be the width of the Seine in Paris while on the other side the channel would be the width of the Thames in London.  Many proposals were made to have Harvard Yard address the Charles River but didn’t get built.  MIT was more successful at having a formal courtyard between the river and its main building, but somehow I never noticed that.

The later chapters deal with highway construction and conflicts with parklands in great detail. While I knew that Storrow Drive was built on the Charles River Embankment (against the wishes of James and Helen Storrow), I’d never seen before and after pictures, and it made me mad to see what we lost.  In the 1950s and 1960s, highways were built because of available federal funding without thought to which highways were even most needed, just that they could be built. The last stretch of the river before emptying into Boston Harbor became known as “the lost half mile” due to being covered by railroad and motor vehicle bridges, dams, and industrial uses.

“The lost half mile” is transformed in the final chapters as part of the Central Artery/Tunnel project (aka “The Big Dig”) which Haglund describes in great detail (perhaps too much detail). The plan known as Scheme Z evolved to provide new river crossings – including the landmark Leonard P. Zakim Bunker Hill Bridge – while restoring the river banks with new parks.  This book was published 20 years ago before the Big Dig and associated projects were completed, and I suspect Haglund could write another chapter or two about the changes in just the last two decades.

This richly-illustrated coffee table style book is dense in text and requires a physical effort to read, but is enjoyable to pop in and read chapter by chapter. The final chapter is especially interesting with images of specific locations on the river at different points in history to compare and contrast.

Recommended books:

Rating: ****

Book Review: The King’s Best Highway by Eric Jaffe


Author: Eric Jaffe
Title: The King’s Best Highway: The Lost History of the Boston Post Road, the Route that Made America
Publication Info: New York: Scribner, 2010
Summary/Review:

I’ve lived most of my life in proximity to the Boston Post Road, which is in fact more than one road and it goes by many names such as Main Street, King’s Highway, Centre Street, Washington Street, Putnam Avenue, or simply US 1 and US 20.  Jaffe’s history goes back to the colonial era when trails first trod by indigenous peoples were adapted to allow post riders to carry the mail between Boston and New York City.  The roads were improved by the likes of postmaster Benjamin Franklin and later by private turnpike companies.  By the time of the United States’ independence the road carried regular stagecoach service.

The road continued to be adapted to the times and in the 19th century was lined with streetcar tracks while railroads were built parallel or sometimes right on to the road itself.  This grew into the New York, New Haven and Hartford Railroad which Jaffe paints as particularly corrupt (but that was true of all the railroad companies).  A late 19th-century revival of interest in “Good Roads” was not spearheaded by the arrival of the new motorcar, but by bicycle manufacturer Albert Pope who advocated for paved roads for cycling.

Nevertheless, the new automobiles soon swamped the Old Post Road which was appropriately assigned to be part of route number US 1 in the new highways system that debuted in 1925. Efforts to alleviate traffic lead to the Post Road being paralleled by parkways in the 1920s-30s and then overlaid in many places by the Interstate Highway System in the 1950s.  Jaffe ends the book with an account of his own cruise along the Boston Post Road as it survives today, which is a depressing story of traffic congestion, strip malls full of retail chains, and very little evidence of the road’s august history.

Apart from the story of the road itself, Jaffe includes various stories that keep the narrative interesting.  These include:

  • postmen, printers, and the Stamp Act
  • General George Washington’s celebratory ride after the Revolution
  • Samuel Slater’s mill and the industrialization of New England
  • the contest for primacy between the Post Road and Broadway in Manhattan (Broadway won)
  • Abraham Lincoln’s 1860 presidential campaign to cities along the road
  • P.T. Barnum’s surprisingly progressive legislative career
  • the highway revolt against the Southwest Corridor in Boston in the 1960s and 1970s

I kind of found Jaffe’s writing tone to be too “jokey” at times, and his writing about the native peoples of America lacked cultural competency.  But there was nothing about the work that made me doubt the quality of his scholarship.  The King’s Best Highway proved to be an illuminating way of relating the history of New York and New England by linking the stories together with the history of this most important road.

Recommended books:

Rating: ***1/2

10th Anniversary Film Festival: The Way Way Back (2013)


Today I’m celebrating movies released in 2013!

TitleThe Way Way Back
Release Date:  January 21, 2013
Director: Nat Faxon, Jim Rash
Production Company: Sycamore Pictures | OddLot Entertainment | The Walsh Company | What Just Happened Productions
Summary/Review:

14-year-old introvert Duncan (Liam James) spends the summer with his divorced mother Pam (Toni Collette) at a Cape Cod vacation house owned by her disagreeable boyfriend Trent (Steve Carell).  Feeling largely abandoned by the adults who act as if they’re on spring break, and ignored by Trent’s teenage daughter, Duncan explores the area on an old bike and discovers a water park.  There he makes the acquaintance of Owen (Sam Rockwell), an immature water park employee in his 40s, who nonetheless takes Duncan under his wing and acts as the father figure he needs.  Working at the water park, Duncan finds a place where he feels happy and confident.  At the same time Pam and Trent’s relationship begins to fall apart.

I thought this movie would be “just okay” but as it went along I really warmed up to it.  It may have familiar themes of a coming-of-age story, but I feel it’s subtle in developing those themes.  This style of family comedy-drama feels like something from the 1980s, and the movie has a lot of references to that decade that it almost feels likes like a period piece despite being clearly set in the present day of 2013.  Anyhow, I wish I knew someone as cool as Owen when I was a 14-year-old introvert.

Rating: ***1/2

90 Movies in 90 Days: How to Rob (2023)


I’m kicking off 2023 by trying to watch and review one movie every day for the first 90 days, most of which will be 90 minutes or less.

Title: How to Rob
Release Date: January 20, 2023
Director: Peter Horgan
Production Company: ???
Summary/Review:

The Boston Crime Movie (a.k.a – Film No R) has become so ubiquitous that its  the subject of multiple parodies, could we possibly need one more?  Peter Horgan makes a good case with this low-budget indie movie set in the Boston suburb of Quincy, which returns the Boston Crime Movie to it’s non-glitzy, working class roots of The Friends of Eddie Coyle. Sean Price (Chinaza Uche) and Jimmy Winters (Joshua Koopman) are lifelong friends who operate a landscaping company by day and in their free time are stick-up men who rob other criminals under instruction of bartender Ralph Judge (Kevin Nagle). It’s important to note that Sean is Black and Jimmy is white, which is unique for this type of movie.

Sean is the more responsible of the pair and wants to invest their ill-gotten gains into the landscaping company so that they can go completely legit.  Jimmy is more free and enjoys the criminal lifestyle.  Two incidents test the loyalty of their friendship. First, Sean’s girlfriend Tina (Caitlin Zoz) is moving to Chicago and wants Sean to join her, correctly observing that Jimmy is holding him back from achieving his dreams. Second, due to Jimmy’s rash behavior on one of their jobs, they are targeted by hitmen from the Italian mob.

There are some misteps in this movie, but for a low-budget film it does well on cinematography, editing, sound, and music.  Most impressive is the crisp dialogue of Horgan’s script.  I thought the acting was pretty good as well, especially Uche, who is one of those actors who can say a lot without speaking.  I hope to see him in more movies in the future.

Rating: ***1/2

90 Movies in 90 Days: Wild Nights With Emily (2019)


I’m kicking off 2023 by trying to watch and review one movie every day for the first 90 days, all of which will be 90 minutes or less.

Title: Wild Nights With Emily
Release Date: April 12, 2019
Director: Madeleine Olnek
Production Company:P2 Films | UnLTD Productions | Salem Street Entertainment | Embrem Entertainment
Summary/Review:

Debunking the myths of Emily Dickinson, Wild Nights with Emily depicts actual events from her life as a romantic comedy.  Molly Shannon stars as Dickinson with Susan Ziegler portraying Dickinson’s long-term romantic partner Susan Gilbert. Amy Seimetz also stars as Mabel Todd, who posthumously published Dickinson’s poems, modifying them to hide that she wrote love poems addressed to Susan.  There are a number of gags that will appeal especially to English majors, such as a singalong to the tune of “Yellow Rose of Texas.”  Overall it’s a fun and clever film that shows the real Dickinson was much more interesting than the myths.

Rating: ***1/2

Book Review: Conscience and Courage by John Hawkins


Author: John Hawkins
Title: Conscience and Courage: How Visionary CEO Henri Termeer Built a Biotech Giant and Pioneered the Rare Disease Industry
Publication Info: Cold Spring Harbor Laboratory Press (2019)
Summary/Review:

This is a book I read for research at work.  It is a biography of the Dutch-born Henri Termeer who emigrated to the US to study at UVA’s Darden School of Business.  He then entered into the emerging biotech industry the blossomed in the Boston and Cambridge area in the 1980s. Termeer joined the startup Genzyme Corporation in the early 80s and soon rose to president. (Personal note: when I first moved to Boston in the late 90s I worked as a temp at Genzyme).

Termeer focused Genzyme on orphan diseases so-called because even though they are life-threatening illnesses they affect fewer than 200,000 people and thus there is not a lot of people and resources put toward treating the diseases.  Termeer’s patient-focused approach won him accolades due to the life-saving nature of Genzyme’s treatments.  But the success came with the high costs of research and development, expensive ingredients, and only a small number of patients to share the costs of some of the most expensive drugs in the world.

Recommended books:

Rating: ***

Book Review: Tuesday Mooney Talks to Ghosts by Kate Racculia


Author: Kate Racculia
Title: Tuesday Mooney Talks to Ghosts
Narrator: Lauren Fortgang
Publication Info: HMH Adult Audio, 2021
Summary/Review:

Tuesday Mooney is a researcher at a hospital in Boston who looks into the backgrounds of prospective donors.  When an eccentric millionaire, Vincent Pryce, dies at a fundraiser, it kicks off a city-wide treasure hunt for the deceased’s fortune.  Tuesday teams up with her best friend Dex, her teenage neighbor and mentee Dorry, and Arches, the charming son of another first family of Boston.

There is a lot going on in this book with the treasure hunt a fun main plot around which various subplots orbit.  For one thing, Tuesday is dealing with her best friend Abby going missing (and presumably dead) when they were teenagers.  She can still hear Abby’s voice talking with her and advising her as an adult.  Arches, meanwhile, has famously had his wealthy father go missing in a boating incident 6 years earlier, the truth of which is something he is grappling with.  And that’s just scratching the surface.

I think the many stories going on within the novel make it needlessly complicated.  But it’s still a fun mystery/adventure/paranormal/romance novel with a lot of great Boston details.

Rating: ****

Scary Movie Review: Hocus Pocus (1993)


Title: Hocus Pocus
Release Date:  July 16, 1993
Director: Kenny Ortega
Production Company: Walt Disney Pictures
Summary/Review:

I was 19-years-old when Hocus Pocus was released to theaters in 1993, so I quickly judged it as “not for me.”  But over the decades, the Millennial generation have made it loudly be known that this is a Halloween classic, so I figured I’d give it a try.  The movie is very 1990s, sometimes painfully 1990s.  And very Disney.  And very sitcom-ish.  And very 1990s Disney sitcom, although I should note once again it was released in theaters.  And yet, despite the cringe moments, I found myself warming to the quirky charm of Hocus Pocus and its absolutely bonkers plot points.

Max (Omri Katz) is a teenager who just moved from California to Salem, Massachusetts and is having trouble fitting in.  That the movie depicts the people of Massachusetts as obsessed with Halloween and prone to making fun of Max for being from Los Angeles are some of the most accurate parts of the movie (I’m also impressed that so much location shooting was done in the real Salem!).

On Halloween, Max reluctantly takes his little sister Dani (Thora Birch) trick-or-treating.  Stopping at the house of Max’s crush Allison (Vinessa Shaw) the three decided to break into the shuddered historic house museum of the Sanderson sisters, three women executed for practicing witchcraft in 1693. Trying to impress Allison, Max accidentally casts the spell that brings back the Sanderson sisters – Winnifred (Bette Midler), Sarah (Sarah Jessica Parker), and Mary (Kathy Najimy).  With the help of Thackery Binx (Sean Murray),  a colonial boy cursed by Winnifred to live in immortality as a talking cat (voiced by Jason Marsden), Max, Dani, and Allison must stop the Sandersons and save Salem.

This movie is a lot weirder than I thought.  Midler is obviously having fun in her over-the-top performance as Winnifred.  For my money, though, the MVP is Parker is almost always doing something bizarre around the edges of the shot (I’d forgotten how goofy Parker could be in her career before Sex and the City, although I haven’t seen any of her more recent work).  Birch is also excellent in the sarcastic, cute kid role.  And the great Doug Jones has a small part as the zombie Headless Billy.

This movie is a lot hornier than you’d expect for a Disney film.  A key plot point is that Max is “still” a virgin at 15-years-old and everyone gives him a hard time for it!  Also, a bus driver quips that he would be willing to impregnate all the Sanderson sisters.  Not for nothing,  there are also some scares in the movie, including a child being killed on screen within the first five minutes and a cat getting flattened by a bus.  Still though, this is light comic fair for the most part, and I’m not surprised that a generation of kids could enjoy watching this every October on tv.

Rating: ***

Movie Review: Glory (1989)


Title: Glory
Release Date: December 15, 1989
Director: Edward Zwick
Production Company: Freddie Fields Productions
Summary/Review:

Glory was the first major motion picture to depict African American men fighting in the American Civil War.  I remember seeing it when it first came out at a theater in Washington, DC while visiting my sister at college.  I’ll always remember during the Battle of James Island scene that a Black man sitting behind us openly cheering for the 54th Regiment: “Get, him!  Yes! Ok!  Now help him out!”  This is why representation is important. I watched the movie several times in the ensuing years and it was one of my favorites, but this is the first time I revisited in a few decades.  I’m happy to report that it holds up very well.

Like most historical dramas, Glory is not 100% factual.  One of the biggest changes from the historical record is that apart for Colonel Robert Gould Shaw (Matthew Broderick), all of the major characters in this movie are composite characters rather than historical figures.  This has the unfortunate effect of lending a “white savior narrative” sheen to the story, especially early on when the movie is primarily from Shaw’s point of view.  But it also means we don’t get to know of actual Black members of the regiment like Frederick Douglass’ two sons, Lewis and Charles, or William Harvey Carney, who would eventually be awarded the Medal of Honor for his bravery.  The real Massachusetts 54th Regiment was also made up primarily of freemen born in Massachusetts and other Northern states whereas the movie depicts the rank and file as mostly men who had recently emancipated themselves from slavery in the South.

Despite these inaccuracies, I still think the movie does a good job of dramatizing the 54th Regiments’ from recruitment to the fateful Battle of Fort Wagner.  The core group of soldiers in the movie include:

  • Private Silas Trip (Denzel Washington) – a formerly enslaved man with a lot of anger and mistrust of others
  • Sergeant Major John Rawlins (Morgan Freeman) – an older, paternal figure who is recognized as the first Black noncommissioned officer in the regiment
  • Corporal Thomas Searles (Andre Braugher) – a highly-educated freeborn man from Massachusetts who is close friends with the Shaw family and struggles with the physical exertion of being a soldier
  • Private Jupiter Sharts (Jihmi Kennedy) – a younger soldier who is generally enthusiastic about the opportunity to serve in the army

In other words, like most war movies, each of these men are more of a type than an individual.  But great acting performances, especially from Washington and Freeman, really bring these characters to life.  Cary Elwes also stars as a white officer who occasionally locks horns with Colonel Shaw over how to command the regiment justly.

Apart from addressing a historical blindspot of the importance of Black soldiers to the ultimate Union victory in suppressing the enslavers’ insurrection, I think that Glory is the earliest movie that depicted the full-scale horror of the Civil War.  At times it almost feels like an anti-war movie, and deals subtly with things like Shaw’s PTSD after the Battle of Antietam.  Despite factual inaccuracies, I think this film still stands as a more accurate representation of the Civil War than your typical Hollywood fare.

Rating: ****

Movie Review: The Social Network (2010)


Title: The Social Network
Release Date: October 1, 2010
Director: David Fincher
Production Company: Columbia Pictures | Relativity Media | Scott Rudin Productions | Michael De Luca Productions | Trigger Street Productions
Summary/Review:

The Social Network asks the question, can a person unable to create bonds with other human beings make a billion dollar business based on friendship?  The movie is a dramatization of how Mark Zuckerberg (Jesse Eisenberg) created Facebook while a sophomore at Harvard University in 2003.  The movie is framed by legal depositions where Zuckerberg faces off against Eduardo Severin (Andrew Garfield), his friend and Facebook CFO who claims his shares of Facebook were unfairly diluted.  He also faces a legal battle with Cameron and Tyler Winklevoss (both played by Armie Hammer) and Divya Narendra (Max Minghella) who claim that Zuckerberg stole their idea.

I typically don’t like Aaron Sorkin scripts because his dialogue makes everyone sound insufferably smug, but that actually suits the film.  The historical facts of Facebook’s creation are played with loosely, probably because the reality was much more boring, but I feel that it was just as douchey as portrayed here.  Women don’t get much to do in this film except be kind of a decorative wallpaper to activities of the men, but given the dudebros ethos of the film it feels suiting.  The most significant women character in the movie is played by Rooney Mara, who plays a fictional ex-girlfriend of Zuckerberg’s who is supposed to be his inspiration for creating Facebook.

As a connoisseur of movies set in the Boston area, I enjoyed spotting the scenes that were filmed on location.  Poor Jesse Eisenberg had to do a lot of running in this movie, from the streets of real Cambridge all the way to Maryland where there is a dorm building that coincidentally has the same name as his dorm at Harvard.  I also used to frequent The Thirsty Scholar pub in Somerville circa 2003, so maybe I was there when Zuckerberg broke up with his fictional girlfriend.

Rating: ***1/2