Title: The Kids in the Hall: Comedy Punks Release Date: March 15, 2022 Director: Reginald Harkema Production Company: Blue Ant Media Summary/Review:
This two-part documentary on Amazon Prime Video is tied in with the release of a new season of The Kids in the Hall, the first in 27 years! I’m not going to review that series but if you’re a fan of the Kids in the Hall, watch it because it’s excellent and they haven’t missed a step. The documentary features interviews with all five Kids – Dave Foley, Bruce McCulloch, Kevin McDonald, Mark McKinney, and Scott Thompson – as well as producer Lorne Michaels, writer Paul Bellini, and celebrity fans like Mike Myers and Eddie Izzard, among others. It also is rich in archival footage and clips from various KITH all projects.
I learned that Dave & Kevin were the closest partnership in the group and had started performing together in Toronto. Meanwhile Bruce and Mark began working together in Calgary before moving to Toronto. The four of them formed the Kids in the Hall (which Mark wanted to call The Audience) and then Scott Thompson willed himself into the group. I also learned that Scott had survived a mass shooting at his school in Ontario as a child which has informed his work. KITH also made a miniseries in 2012 called Death Comes to Town which I’d never even heard of.
This is a solid and informative documentary. But it does strike me as an extremely conventional approach for a documentary about an unconventional comedy team. At least Paul Bellini wears a towel during some of his interviews.
Title: The Book of Boba Fett Release Date: 2022 Creator/Head Writer/Showrunner: Jon Favreau Episodes: 7 Production Company: Lucasfilm | Golem Productions Summary/Review:
WARNING: LOTS OF SPOILERS HERE! DON’T READ IF YOU HAVEN’T WATCHED THIS SEASON AND WANT TO BE SURPRISED.
Title: Hawkeye Release Date: 2021 Creator: Jonathan Igla Director: Rhys Thomas (episodes 1,2, & 6), Bert & Bertie (episodes 3-5) Season: 1 Episodes: 6 Production Company: Marvel Studios Summary/Review:
Clint Barton, a.k.a. Hawkeye (Jeremy Renner), is the overlooked Avenger, who not only never got his own movie, but was just kind of there when the first Avengers movie began. So this is a belated Hawkeye story that focuses on the aging superhero/dad dealing with the trauma of losing his friend Natasha Romanov as well as hearing loss. Enter Kate Bishop (Hailee Steinfeld), who as a child witnessed the Battle of New York in 2012 when her house in Manhattan was damaged and her father killed. Seeing Hawkeye’s heroics, Kate dedicated her life to learning archery and martial arts skill.
This series is obviously a “passing the baton” story as Barton just wants to get home to his family for Christmas but gets caught up in a crisis that center around Kate. They have a good chemistry and the show has a good balance of humor, action, and more reflective moments. It also has an surplus of villains including the Tracksuit Mafia, Maya Lopez (Alaqua Cox) – a deaf leader of the Tracksuits set on vengeance against Barton’s alter-ego Ronin, and Natasha’s sister Yelena Belova (Florence Pugh), who was introduced in Black Widow and once again steals scenes left and right.
I won’t go into much detail but it’s an enjoyable series and another great addition to the Marvel Cinematic Universe.
Title: What If… Release Date: 2021 Creator: A.C. Bradley Director: Bryan Andrews Season: 1 Episodes: 9 Production Company: Marvel Studios Summary/Review:
The animated Disney+ series does what it says on the tin, asking “What If?” things happened differently in various Marvel Cinematic Universe stories. It helps to have a knowledge of the existing films to understand why the changes are significant, but I think plot changes are explained well enough to still be entertaining to a novice. The series is narrated by The Watched (Jeffrey Wright), an alien being who observes the multiverse and is sworn not to interfere. The animation is high-quality with a painterly quality that fits both the stories’ comic book origins and motion picture predecessors. The voice cast also includes a lot of the actors who played the roles in the movies, including Chadwick Boseman in one of the final projects he worked on before his death.
The What If? propositions tend to go for comedy or to go really dark. In the former category, Boseman’s T’Challa becomes Star Lord instead of Peter Quill and his competence makes everything go better for everyone involved, including Thanos (Josh Brolin) who is convinced to give up trying to kill half of all sentient beings and join the Ravagers. The dark episodes show us what happens if all the Avengers were killed before they could work together and what happens if the world was overrun by zombies (including some of the superpowered). My favorite episodes are “What If… Captain Carter Were the First Avenger?” where Peggy Carter (Hayley Atwell) takes the serum instead of Steve Rogers (Josh Keaton) and fights HYDRA with a shield bearing the Union Jack. The other classic “What If… Killmonger Rescued Tony Stark?” has Erik “Kilmonger” Stevens (Michael B. Jordan) rising through the ranks of Stark Industries where Tony Stark (Mick Wingert) had no life-changing injury to create Iron Man.
While the show works as a series of stand alone episodes. The penultimate episode leads into a cliffhanger with the final episode requiring The Watcher to be a more active character and bring together a team of characters from previous episodes to be The Guardians of the Multiverse. The show also ties into some of the recent movies and shows where the Multiverse is figuring to play a big role in the overarching theme of Phase 4 of the MCU. While not a vital series, it is a fun addition to the lore for fans of the MCU.
Title: Loki Release Date: 2021 Creator: Michael Waldron Director: Kate Herron Episodes: 6 Production Company: Marvel Studios Summary/Review:
WARNING: This review contains light spoilers, so if you’re sensitive to spoilers and not watched all 6 episodes of Loki, please don’t read
This Disney+ series picks up from a scene in Avengers: Endgame when the Norse trickster god Loki (Tom Hiddleston) uses the Tesseract to escape the Avengers, and over six episodes ends up in a completely different place that appears to be setting up the next phase of Marvel Cinematic Universe. Loki is captured by the Time Variance Authority (TVA), a bureaucratic organization that operates out its massive mid-century modern headquarters to maintain the Sacred Timeline by “pruning” branches from the timeline.
Judge Ravonna Renslayer (Gugu Mbatha-Raw) condemns Loki to be erased from existence but Agent Mobius (Owen Wilson) convinces her to allow Loki help investigate another Loki variant who has killed several time agents. They find the Loki variant and discover it is a woman who uses the alias Sylvie (Sophia Di Martino). Loki and Sylvie end up teaming up and begin uncovering the dark truths behind the TVA. The final episode avoids the typical Marvel battle for a quieter conversation with the TVA’s creator He Who Remains (Jonathan Majors). As someone who hasn’t read 60 years of Marvel Comics, I found it a bit frustrating to not be aware of the identity behind He Who Remains until after I read reviews of the episode, but he appears to be setting up to be the MCU’s next Thanos-level threat.
Loki is another excellent limited series that takes storytelling to new and interesting places. The acting is on point with Hiddleston getting a chance to show his ranges as Loki and Di Martino is a great addition. I also really enjoy the style of the TVA and the self-referential humor.
Title: Star Trek: Discovery Release Date: 2020 Creator: Bryan Fuller and Alex Kurtzman Season: 3 Episodes:13 Production Company: Secret Hideout | Roddenberry Entertainment | Living Dead Guy Productions | CBS Studios Summary/Review:
Picking up from the cliffhanger end of Season 2, Michael Burnham (Sonequa Martin-Green) and the crew of the USS Discovery successfully travel 930 years into the future. Their mission to save the universe is a success, but they find new troubles in the future. Specifically, sources of dilithium for warp travel through space have dried up and an event called The Burn additionally destroyed many starships. Unable to travel long distances, the Federation has dwindled in size while pirates and mercenaries operate freely in many systems.
I’ve had mixed feelings about Star Trek:Discovery and continue to do so. Season 3 is definitely the best of the three seasons thus far, and I continue to like the cast and the characters they play. Sending Discovery to the future helps in that the show can finally shake off being overshadowed by the original series and can feature more futuristic technology without it looking anachronistic.
Some other highlights of Season 3:
introduction of Book (David Ajala), a courier or smuggler from the 32nd century who becomes a love interest for Michael Burnham
introduction of Adira Tal (Blu del Barrio), a teenage human who is bonded with a Trill symbiont. They have a Wesley Crusher teen genius flair to them (NOTE: I know in some quarters of Star Trek fandom, Wesley is hated, but I’ve always liked the character so this is a compliment)
there feels to be a lot more exploring of “strange new worlds” in this series although it is tied to the season-long arc. Seeing this far into the future of the Star Trek universe is fascinating in of itself
a completely bonkers call back to the Guardian of Forever
fleshing out of the bridge crew characters that we learned little about in the first two seasons, especially Keyla Detmer (Emily Coutts) and Joan Owesekun (Oyin Oladejo)
Grudge the cat
the final three episodes are a highwater mark for story, action, and direction. These episodes are the first the really feel like they are made in the same spirit as the original series and Star Trek: The Next Generation. We even get to see Doug Jones in a rare performance as Saru without prosthetics
There are also a few downsides:
the continued presence of the evil Mirror Universe Philippa Georgiou (Michelle Yeoh) is a drag. Yeoh is a great actor but she’s saddled with two much air time that could be dedicated to more interesting things. Georgiou does finally depart the show (for a planned spinoff series), but not before we have to sit through a two-parter that brings us back to the Mirror Universe for gratuitous nastiness. The other characters fawning over her at her memorial service seems more like a tribute to Yeoh than to Georgiou who everyone rightly would’ve hated
while the show has gradually shed being grimdark for grimdark’s sake over the course of three season, it’s still baked into the show with crazy plot twists often substituted for good storytelling. And there’s too much gratuitous violence, even in the good episodes where Burnham chokes a person to death with her legs.
while I generally like Sonequa Martin-Green’s performance as Michael Burnham, I feel that the writers are overdoing it by having her be central to every story in every episode. Even Kirk and Picard were left out of smattering of episodes in the old shows. As the series ends, Saru is apparently leaving the show and Burnham takes over as captain. The loss of one of the best characters and the further centering of Burnham makes me a bit uneasy about the future of the show.
But as I said earlier, this is the best season of Discovery so far and with it finishing so strongly, I do have high hopes that the show will continue to improve and earn a place in Star Trek lore. My subscription to Paramount+ runs out before season 4 premieres and I don’t know if and when I will re-subscribe, but I expect somewhere down the road I will watch future seasons of the show. In the meantime, I’m inspired to go back and rewatch Star Trek and Star Trek: The Next Generation and finally work my way through Deep Space Nine, Voyager, and Enterprise. This will take some time, for sure.
Title: Star Trek: Lower Decks Release Date: 2020 Creator: Mike McMahan Season: 1 Episodes:10 Production Company: CBS Eye Animation Productions | Secret Hideout | Important Science | Roddenberry Entertainment | Titmouse, Inc. Summary/Review:
Starfleet: they’re just like us! The animated comedy series Star Trek: Lower Decks shows the perspective of low-ranking crew members aboard the starship U.S.S. Cerritos. The four main characters included Beckett Mariner (Tawny Newsome) a wise-cracking rule-breaker who is the captain’s daughter, although neither of them publicly acknowledge their relationship. Mariner befriends the nerdy but ambitious Brad Boimler (Jack Quaid) who is a stickler for the rules. The cast is rounded out with D’Vana Tendi (Noël Wells), an Orion medical ensign who is very enthusiastic about everything Starfleet, and Sam Rutherford (Eugene Cordero), an engineering ensign adjusting to a new cyborg implant.
This show isn’t breaking any ground as joking about the tropes and conventions of Star Trekgo back a long way. The adult animation style and humor are also nothing new as it’s pretty similar to your run-of-the-mill animated shows on The Cartoon Network/Adult Swim. And yet, I found the show had a goofy charm I enjoyed. Maybe Discovery and Picard set me up to have low expectations for the Paramount+ Star Trek Universe. I definitely felt this show improved vastly as the season went along and I would be happy to watch more when season 2 is released.
Title: Star Trek: Picard Release Date: 2020 Creator: Akiva Goldsman, Michael Chabon, Kirsten Beyer and Alex Kurtzman Season: 1 Episodes:10 Production Company: Secret Hideout | Weed Road Pictures | Escapist Fare
Roddenberry Entertainment | CBS Studios Summary/Review:
Beloved character Jean-Luc Picard, played by the even more beloved actor Patrick Stewart, returns to the small screen nearly 20 years after his last appearance in Star Trek: Nemesis (the only one of the 10 films in the original Star Trek film series that I’ve never watched). The premise of the series is that 14 years before it begins, Admiral Picard was active in relocating the Romulan people before the star near their home planet went supernova. After synthetic life forms carry out a devastating act of sabotage on the Federation’s facilities on Mars, the Federation calls off the relocation project and ban all synthetic life. Angry at these two betrayals, Picard resigns from Starfleet.
In the present day a young woman, Dahj (Isia Briones), seeks out Picard’s help after realizing that she is an android created from the remains of Picard’s friend Data (Brent Spiner) . Romulan spies kill Dahj, but not before Picard learns that she has an identical twin, Soji, working at a Romulan outpost on an abandoned Borg cube called The Artifact.
Picard puts together a crew to help find and help Soji. This includes a friend and colleague who helped with Romulan relocation, Raffi (Michelle Hurd), who struggles with substance abuse. Raffi finds a captain with a ship, La Sirena, Chris (Santiago Cabrera) who has a traumatic background in Starfleet. They are joined by Agnes (Alison Pill), a synthetic life expert who is naive about space travel. Along the way they pick up Elnor (Evan Evagora), a samurai-like Romulan who was raised by a sect of warrior nuns to provide protection. To please the fans, familiar characters from the Star Trek franchise make appearances, including former Borg Seven of Nine (Jeri Ryan), and Picard’s crewmates from Enterprise, Will Riker (Jonathan Frakes) and Deanna Troi ( Marina Sirtis). Brent Spiner also returns to play Data in dream sequences and Altan Inigo Soong, the son of Data’s creator. One of the weird aspects of the show is that Picard not only quit Starfleet, but hasn’t kept in touch with any of his friends which is both out of character and used to create artificial tension.
In the early episodes, the show moves slowly, setting up Picard’s current situation and introducing the new characters. There are elements of mystery and spy thriller with Picard thrust into the role of detective. It was a refreshing change from the fast-paced action for action’s sake of Star Trek: Discovery. By the end of episode 3 when we finally see Picard on the bridge of a starship and hear him say “Engage!,” it is a cheezy moment for the fans but one that is well-earned. Unfortunately, during the second half of the season the show goes off the rails. All the worst instincts of Discovery for shocking twists are indulged and a lot of drama is forced from the characters making bold choices to raise the stakes that seem irrelevant a few scenes later.
For a show called Picard, the title character seems lost in the crowded cast. And yet, we don’t really get to know the new characters all that well either. Sometimes they seem to do things that are out of character, but then their characters never seem to be developed well enough to know in the first place. I loved Star Trek: Generation as a kid, but the level of graphic violence and profanity in Picard that makes it “gritty and dark,” makes me not want to share it with my kids. There was some promise in Picard, and maybe it will be fulfilled in the upcoming two seasons that are in production, but right now I don’t feel compelled at all to want to watch them.
Title: The Falcon and the Winter Soldier Release Date: 2021 Creator: Malcolm Spellman Director: Kari Skogland Episodes: 6 Production Company: Marvel Studios Summary/Review:
WARNING: This review contains light spoilers, so if you’re sensitive to spoilers and not watched all 6 episodes of The Falcon and the Winter Soldier, please don’t read.
Much like its predecessor WandaVision, this Marvel series on Disney+ is set shortly after the events of Avengers: Endgame and uses recovering the traumatic events of “The Blip” as the background to series. Sam Wilson/Falcon (Anthony Mackie) and James “Bucky” Barnes (Sebastian Stan) were both snapped out of existence for five years and both lost one of their closest friends with the passing of Steve Rogers. As the series begins, Bucky is in therapy dealing with the murders he committed while brainwashed by Hydra. Sam received the Captain America shield from Steve, but determines to place it in a museum rather than take up the mantle himself. He also grows concerned about his sister Sarah (Adepero Oduye) being in a position where she needs to sell the family’s fishing business in Louisiana, but even as a superhero he can’t get credit from predatory banks.
The main antagonist in the series is Karli Morgenthau (Erin Kellyman playing a character very similar to her role as Enfys Nest in Solo), the leader of an organization called the Flag Smashers who are fighting for open borders in the post-Blip world. Workers who were allowed to move to to more prosperous countries during the Blip are now being forced out. This is an interesting concept that relates to real life issues of refugee crises, but the goals of the Flag Smashers seem very muddled in practice, as if the show’s creators wanted to make them somewhat sympathetic but still keep the moral certainty needle pushed towards the shows “heroes.” Another antagonist is John Walker (Wyatt Russell), a U.S. Army veteran appointed to be the new Captain America when Sam refuses it. He’s an interesting morally-grey character because he’s arrogant, but also seems to be trying to do the best he can in the shadow of Steve Rogers. He eventually does turn heel, but then is far too easily redeemed in the final episode.
The series focuses deeply on issues of race and how Black people are treated inequitably in America. Sam’s reluctance to be Captain America is partially due to the fact that the colors of the American flag don’t represent Black Americans and that a Black Captain America would not be accepted by white Americans. Issues such as police harassment of Black people and the revelation of super soldier experiments on Black prisoners are covered in the show. The race issues are unnuanced and a bit simplistic, but on the other hand it’s a credit to Marvel for trying to address them.
The very busy six episodes also include appearances by anti-super soldier villain Helmut Zemo (Daniel Brühl), Avenger James “Rhodey” Rhodes (Don Cheadle), a fugitive Sharon Carter (Emily VanCamp), and member of Wakanda’s Dora Milaje Ayo (Florence Kasumba). The series serves as a transition for Sam and Bucky to set them up for future chapters in the ongoing MCU. I found it entertaining with some good performances, but it bit scattered storywise with too many plot elements packed in.
Title: This Is a Robbery: The World’s Biggest Art Heist Release Date: April 7, 2021 Creator : Colin Barnicle and Nick Barnicle Director: Colin Barnicle Episodes: 4 Production Company: TriBeCa Productions Summary/Review:
I generally avoid True Crime media, but I am borderline obsessed with the theft of 13 works of art from Boston’s Isabella Stewart Gardner Museum in 1990. I’ve read a book about it and listened to a podcast, and now I’ve watched this 4-part Netflix documentary. The documentary does a good job of reiterating the main points of what is known about the crime. It’s good get the visuals to go with the story, such as diagrams of the museum that show where the thieves operated. And then there’s a mix of archival news footage with present-day interviews with many key figures, from museum guards to the museums director.
While being a very entertaining documentary it’s also highly sensationalist (which naturally adds to the entertainment value). There’s a lot of building up of potential suspects before revealing that they couldn’t possibly have commited the crime. The same footage is played over and over again, most hilariously a “dramatic reenactment” of a couple of high school students walking piggy back down Palace Road before the crime. The creators of the film are happy to rely on the false Hollywood image of Boston as a mobster-infested playground of vice. A lot of people commenting on the documentary are loving the Boston accents and characters which really don’t exist in present day Boston. In short, it’s a fun way to spend a couple of hours, but take it with a grain of salt.
My main takeaway from this series is that it is been way too long since I’ve been inside the glorious interiors of the Gardner Museum. I will prioritize visiting there post-pandemic. The series also gave us this tweet, which is a work of art of its own:
As you are getting your tires rotated in a random Boston area garage, you admire a painting on the office wall. "You like it?", a mechanic asks. "It's Rembrandt's only seascape."
Panorama of the Mountains 