I’m taking a photography class and needed to practice taking portraits. The gorillas at the Franklin Park Zoo proved to be agreeable subjects.
Title: The Race Underground
Release Date: 31 January 2017
Director: Michael Rossi
The American Experience documentary adapts a portion of the book by Doug Most relating to Boston’s effort to create America’s first subway. As a Boston partisan myself, why not leave out the portion of the book about New York City, even if they built a far more extensive subway system very swiftly after Boston’s first tunnel opened? Kidding aside, it is a dramatic figure focusing on key figures such as Frank J. Sprague, who invented the electric trolley car, and Henry Melville Whitney, who consolidated the trolley lines into the West End Street Railway Company and persuaded city officials to approve the first tunnel. There are challenges along the way including negative popular opinion, graves of Revolutionary War era soldiers, and an explosion, but the subway is completed and convinces the doubters. The documentary is well-illustrated with photographs and vintage film, and is a delight to watch.
Author: Kekla Magoon
Title: How It Went Down
Narrators: Cherise Boothe , Shari Peele , Kevin R. Free , Avery R. Glymph , and Patricia Lucretia Floyd
Publication Info: Recorded Books, 2014
A story familiar to any American: in a poor urban neighborhood, there’s a scuffle. A white man in a passing car, stops, draws his gun, fires, and a black teenager Tariq Johnson is dead. The police let the shooter go claiming he was exercising self-defense. The novel is told from many voices of Tariq’s family, friends, neighbors, and a visiting minister (who is also running for office) who arrives in town to offer his support. They offer conflicting views – was Tariq a gang member or not, did he have a gun or not – as well as memories of Tariq, and their part in the communal grieving process. This highly nuanced book shows that there are no angels but also that there is no one unworthy of empathy. Excellent reading by a cast of actors performing the various characters’ parts.
Recommended books: Let the Great World Spin by Colum McCann
Author: Robert Simpson
Title: Frozen: The Cinestory
Publication Info: Joe Books Inc. (2014)
I read this adaptation of the Disney musical Frozen with my daughter over the course of several bedtimes. It’s essentially scenes from the film arranged in a comic book format. Strangely enough, none of the lyrics to the songs that made this musical famous are included in the book. Instead the same basic ideas are related in the dialogue. I don’t know if this is a licensing issue or if they just thought it would work better in comic form without the songs. Nevertheless, if you and your children enjoy Frozen, this is an enjoyable read.
Author: Robert Kirkman
Title: The Walking Dead Vol. 26: Call To Arms
Publication Info: Image Comics (2016)
I’ve never been much too impressed with the character of Negan, so color me surprised that in this story of Negan escaping and joining The Whisperers, I find him funny, interesting, and even a voice of conscience! It’s the little surprises like this that keep me reading when this series often seems to just retread that same things again and again. Plus there’s quite a cliffhanger at the end, but Negan isn’t necessarily a reliable narrator so who knows where it will lead to next.
Author: Robert Kirkman
Title: The Walking Dead Vol. 25: No Turning Back
Publication Info: Image Comics (2016)
It seems not that long ago Rick Grimes decided that the way forward was to stop fighting and to work together to create a new society among the dead. Well, since the creators of The Walking Dead seem only about to work with one or two ideas (while tantalizingly dancing around something more brilliant) we’re back to all out war as the central narrative of the ongoing zombie story. Rick gets advice from Negan of all people and takes on an authoritarian leadership role to channel the Alexandrians rage at against the Whisperers. Plus ça change…
Author: Marc Lamont Hill
Title: Nobody: Casualties of America’s War on the Vulnerable, from Ferguson to Flint and Beyond
Publication Info: Atria Books (2016)
Hill’s book is a collection of essays focused on the people whose names have become party of a litany of violence against African-Americans in recent years: Eric Garner, Michael Brown, Sandra Bland, Freddie Gray, Trayvon Martin and others. These people who have been made a Nobody in contemporary America are given their full human dignity in Hill’s account of their lives, as well as the incidents that brought their demise and their aftermath. But Hill goes beyond the headlines and uses these incidents as a window into the greater societal and political trends that undergird them: “broken windows” policing, plea bargains denying people accused of crimes of their day in court and the incredible power this gives prosecutors, “Stand Your Ground” laws and the arming of America, mass incarceration, and the neoliberal ideal of running the government “like a business” that leads to the exploitation and disasters of places like Flint, Michigan. This is a powerful book and important book and one I highly recommend that everyone concerned about the future of our nation reads.
“The case for broken-windows policing is compelling because it lightly dipped in truth. Yet while there is a correlation between disorder (social and physical) and crime, research shows that this relationship is not causal. Simply put, there is no evidence that disorder directly promotes crime. What the evidence does suggest, however, is that the two are linked to the same larger problem: poverty. High levels of unemployment, lack of social resources, and concentrated areas of low income are all root cause of both high crime and disorder. As such, crime would be more effectively redressed by investing economically in neighborhoods rather than targeting them for heightened arrests.” – p. 44
“Unfortunately, since modern American society, as with all things in the current neoliberal moment, prioritize privatization and individualism, the very notion of the public has become disposable. As the current criminal-justice process shows, no longer is there a collective interest in affirming the value of the public good, even rhetorically, through the processes of transparency, honesty, or fairness. No longer is there a commitment to monitoring and evaluating public officials, in this case prosecutors, to certify that justice prevails. Instead we have entered a moment in which all things public have been demonized withing out social imagination: public schools, public assistance, public transportation, public housing, public options, and public defenders. In place of a rich democratic conception of “the public” is a market-driven logic that privileges economic efficiency and individual success over collective justice.” – p. 78-79
“There is plenty of reason to debate the central premise of privatization – that business always does it better – but we don’t have to go there to find this idea objectionable. In the way that privatization separates government responsibilities from democratic accountability, the notion is flawed from its very conception. Businesses are not made function for the public good. The are made to function for the good of profit. There is nothing inherently evil in that. In most cases, the profit motive will almost certainly lead to a more efficient and orderly execution of tasks. But it does not necessarily lead to an equitable execution of tasks; indeed, it quite naturally resists and equitable execution of tasks. Furthermore, bu injecting moneymaking into the relationship between a citizen and the basic services of life – water, roads, electricity, and education – privatization distorts the social contract. People need to know that the decisions of governments are being made with the common good as a priority. Anything else is not government; it is commerce. One only needs to look back at Michigan to see this idea manifested because the crisis in Flint, as Henry Giroux has written, is what happens when the State is ‘remade in the image of the corporation.'”
Recommended books: Between the World and Me by Ta-Nehisi Coates, The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander, and Invisible Man by Ralph Ellison
Author: Jacqueline Woodson
Title: Another Brooklyn
Narrator: Robin Miles
Publication Info: HarperCollins Publishers and Blackstone Audio, 2016
This short novel is the reminiscences of the narrator August reflecting on her childhood in 1970s Brooklyn. It’s a period piece that recreates a place and time so different from the Brooklyn of today, and very specifically the challenges of joys of being an African-American girl in that place and time. It’s also a meditation on friendship, as August recalls the tight relationships with her friends Gigi, Angela, and Sylvia, friendships that at the time seemed permanent but have long since faded away. The book is permeated with a nostalgic sense of loss, and is a poetic rumination of the more complex themes underlying everyday childhood.
Recommended books: Sula by Toni Morrison and The Fortress of Solitude by Jonathan Lethem
Title: A Series of Unfortunate Events
Release Dates: 2017
Number of Episodes: 8
The adaptation of the Lemony Snicket (a.k.a. Daniel Handler) novels is a great success, capturing the humor, tragedy, and pedagogy of the Baudelaire orphans sad tale. It’s been over a decade since I read the books, but the tv show appears to be largely to the books with the exception of the introduction of some characters and the themes of the VFD that actually play a bigger role later in the series (not a bad idea for the tv show). Neil Patrick Harris gets a lot of attention for his performance as the evil Count Olaf, and he chews the scenery in a way that will delight most viewers (although I can also see how he could irritate some). The thing is, NPH isn’t even the best thing about this show. The main cast of young actors includes Malina Weissman as Violet, Louis Hynes as Klaus, and the greatest baby actor ever in Presley Smith as Sunny. Patrick Warburton offers a dry delivery of the narration as Lemony Snicket and K. Todd Freeman is the forever clueless, and coughing, Mr. Poe. The guest cast includes spectacular performances by Joan Cusack, Aasif Mandvi, Alfre Woodard, Don Johnson, Catherine O’Hara, and Rhys Darby. And kudos for the diversity in the casting decisions not necessarily indicated in the source material. The surreal sets and the brightly-colored costumes lend an unworldly effect to the Snicketverse. This is a brilliant show, and despite the warning from the opening title song to “Look Away,” this is definitely a show to watch and enjoy.
Release Dates: 2017
Number of Episodes: 3
Since 2010, the BBC has presented the reimagined adventures of Sherlock Holmes set in modern-day London starring Benedict Cumberbatch as Holmes and Martin Freeman as Dr. John Watson. It may sound facile, but after watching this fourth season, I wish the show had stuck with telling stories of two men solving mysteries. It seems that this show has gone from being about a man with remarkable abilities in gritty, everyday London to being a show about a man with superpowers in a fantasy world paralleling our own.
The purpose of each episode in this series seems to be to put a character through emotional and physical torment and see how they react – Mary (Amanda Abbington) in “The Six Thatchers,” John in “The Lying Detective,” and Sherlock in “The Final Problem.” It’s a credit to the acting talent of these actors (and others in supporting roles) that the show remains compelling to watch, but the absence of story (and mystery and adventure) is clearly missing in this series. That the series is a set of three 90-minute “feature-length” episodes doesn’t help as the emotional and character arcs would be developed better over a longer series.
The end of the series appears to be resetting Sherlock to its original “Holmes/Watson solve a mystery premise,” while at the same time rumors are swirling that the show is now at an end. I do hope it returns, because it is still a compelling show to watch, but I hope the showrunners and writers take some time to rest and reconsider before creating another series.
Author: Bob Mehr
Title: Trouble Boys: The True Story of the Replacements
Publication Info: Boston, MA : Da Capo Press, a member of the Perseus Books Group, 
The Replacements are a band that have left a legacy of great music, yet always seemed to have the potential to do much more. After reading this book though, it seems amazing that they even accomplished what they did. Beyond their music, The Replacements are known for their heavy alcohol and substance abuse and their disastrous antics on-stage. Turns out that they actually played better when drunk, and their worst performances were a rebellion against perceived hostility in the crowd or plain old self-sabotage. From the beginning, the band is riven by conflicts among its members and with their managers, producers, and record labels.
Mehr’s book traces the band back to their childhoods which were troubled indeed, especially for the Stinson brothers who suffered from abuse and neglect. Each member of the band is well-developed within the narrative of the band’s rise and fall:
Bob Stinson – The founder of the band who always resented Paul Westerberg essentially taking over, and disliked the move to more melodic pop songs. Stinson’s substance abuse problems were the most serious of all The Replacements, and he was forced out of the band in 1986.
Tommy Stinson – Bob had his little brother take up bass, and Tommy ended up developing into the most talented instrumentalist in the band. Tommy’s life is remarkable as he drops out of school and he essentially spends his teenage years playing and touring with The Replacements. Eventually he grows close to Westerberg and allies with him against his own brother.
Paul Westerberg – In the story related in the book, Westerberg hears the Stinsons’ band rehearsing in their basement and pretty takes over and makes them his band. Westerberg comes across as arrogant and dismissive, and I really felt like punching him in the face by the end of this book. And yet, Westerberg also grows to become a talented songwriter creating introspective songs that speak for the disaffected youth of the 1980s.
Chris Mars – Every band has a “quiet one” and The Replacements’ drummer is not just a musician but an artist who finds fulfillment outside of the band. Still the way Paul & Tommy basically ditch him in the later years is just wrong.
Slim Dunlap – A journeyman/session guitarist who takes over after Bob Stinson’s ousting, he’s older than the rest of the band and settled in his married life, creating quite a contrast. And yet he becomes something of an enforcer for the band against outsiders.
All in all, this is a well-written book that gives the reasons that for all their flaws, we still kind of find ourselves rooting for The Replacements to succeed.
Though the band’s drinking would come to define and even consume them in later years, in the beginning it was a perfect lubricant for the long hours of practice and their burgeoning friendship. “That was the glue that held us—ol’ Jack Daniels,” said Mars. Westerberg noted: “They weren’t heavy fall-down drunks when I met them. None of us were. We learned to be that together.”
Where other groups evinced a certain artfulness or tried to present an idealized vision of themselves, the Replacements were all rough edges and struggle. That was part of the attraction: watching them, you couldn’t help but root for the band.
When Hoeger asked about their career aspirations, Westerberg articulated a prescient vision of the Replacements’ future: “We’d like to become famous without being professional,” he said. “Maybe like a giant cult.”
“To me, the soul of rock-and-roll is mistakes. Mistakes and making them work for you,” Westerberg would note. “In general, music that’s flawless is usually uninspired.”
Over the course of their career onstage, the Replacements would happily play the role of jesters and buffoons, but their concerts were also a high-wire act as well as a geek show. On one level, it was theater, pure performance—but it was real too. The band was constitutionally unable to put on a conventional act. If they were bored, they sounded bored; if they were drunk, the sets careened; if they were angry, their playing seethed; if they felt ornery, the show might devolve into one long piss-take, a joke on the crowd. That kind of calculated authenticity—in all its paradoxical glory—would be the Replacements’ methodology moving forward.
True Replacements fans—not the ones coming to live vicariously through them or to find sanction for their own behavior—were a different breed. “When we started, we were mixed-up kids, and we wrote about it,” said Westerberg. “It’s funny that the people who related to it the most weren’t fucked-up kids, though. Our fans have always been, dare I say, a little more intelligent than the band was labeled as. I always thought that ironic.” Replacements partisans were, on the whole, literate, dark-humored, and a bit confused about their place in the world. They weren’t the go-getters or yuppie types, but they weren’t hopeless wastrels either. They were, Tommy Stinson would note, “more like us than they fuckin’ knew. They didn’t really fit anywhere. They probably didn’t aspire to a whole lot, but also didn’t aspire to doing nothing either. That’s the kind of fan we probably appealed to most: the people that were in that gray area.
Prince was rumored to have lurked in the shadows at some of the Replacements’ shows at First Avenue, but it was in the bathroom of a club in St. Paul where Westerberg finally ran into him. “Oh, hey,” said Westerberg, seeing the dolled-up singer standing next to him at the urinal. “What’s up, man?” Prince turned and responded in cryptic fashion: “Life.”
Dubbing the Replacements “America’s inebriate counterpart to the Smiths,” Reynolds was one of the few European journalists to grasp the peculiar alchemy that fueled the ’Mats: “At the heart of the Replacements lies fatigue, insecurity, a sense of wasted or denied possibilities, but this is a pain that comes out bursting and exuberant, a world weariness that’s positively, paradoxically boisterous.”
Recommended books: Unfaithful Music & Disappearing Ink by Elvis Costello
Author: Chad Millman
Title: The Detonators: The Secret Plot to Destroy America and an Epic Hunt for Justice
Narrator: Lloyd James
Publication Info: Tantor Audio (2006)
This work of history unravels an overlooked incident in American history: the Black Tom explosion. This munitions depot on a spit of land on the New Jersey side of New York Harbor was detonated by German saboteurs on July 30, 1916, before the United States had entered the World War. Debris from the explosion damaged the Statue of Liberty and Brooklyn Bridge and shattered windows in Manhattan, so it is surprising that it is not a more well-known event. Millman traces the actions of the network of German spies who caused the explosion. But the better part of the book is dedicated to the legal efforts to hold Germany responsible for the explosion and the series of legal proceedings that occurred over decades until Germany was forced to pay legal damages in 1939, just before another war was about to begin. The book is plodding at times, and the explosion occurring so early in the book makes the rest feel anticlimactic, but it is a fascinating incident in American history that deserves greater awareness
Recommended books: The Day Wall Street Exploded by Beverly Gage
The severity of the German u-boat campaign on American ships in the Atlantic and Gulf of Mexico in the early days of World War II is often overlooked. Tougias and O’Leary tell that history through the story of the Downs family of Texas as they sail on the cargo ship Heredia from Costa Rica to New Orleans. The ship is destroyed by torpedoes on the May 19, 1942, and the Downs family are separated in the wreck, each having their own survival journey along with some members of the crew. It’s a very gripping tale, but Tougias and O’Leary have a bigger story to tell based on the records of u-boat captains and the crews who were big heroes in Nazi Germany. This means that the Downs’ story is broken up by long sections about the u-boat warfare in general and the experiences of their crew. Perhaps the Downs’ story was too thin to make a book of its own, but the approach taken here makes the narrative very uneven. Nevertheless, it is an interesting glimpse into an overlooked period in American history.
Recommended books: Unbroken: A World War II Story of Survival, Resilience, and Redemption by Laura Hillenbrand
Author: Becky Albertalli
Title: Simon vs. the Homo Sapiens Agenda
Narrator: Michael Crouch
Publication Info: Harper Audio, 2015
Simon is a closeted gay teenager living in the Atlanta suburbs and finding himself falling in love for the first time. The problem is that the boy he loves he only knows through anonymous email exchanges. Over the course of this novel, both Simon and “Blue” end up coming out and eventually meeting in real life. But what’s great about this novel is that it explores the changes and complications of life in Simon’s circle of friends and family. The book has a lot of heart, romance, and humor.
Author: Brandon Sanderson
Title: Alcatraz Versus the Scrivener’s Bones
Narrator: Ramon De Ocampo
Publication Info: Recorded Books (2012)
Previously Read by the Same Author: Alcatraz Versus the Evil Librarians
Six years ago I read the first book in the Alcatraz series and really enjoyed it and meant to continue with the series. Now at last I’ve read the second book in the series and it was worth the wait. Sanderson’s Alcatraz Smedry is an unreliable narrator who keeps interrupting the story to deliberately make the reader question everything. It’s gimmicky but in-universe it works since the concept of this world is that evil librarians control reality. It’s a funny adventure set in the Library of Alexandria, and Sanderson is committed to the idea of the wraith-like curators persistently trying to trick the human visitors into taking a book in exchange for their soul. It’s a clever and enjoyable read and I should not wait so long to continue the series.
Recommended books: A Series of Unfortunate Events by Lemony Snicket, Artemis Fowl by Eoin Colfer and Gregor the Overlander by Suzanne Collins.
Another week, another protest, although it feels as if I should be marching in a demonstration daily.
This time is was the Council on American-Islamic Relations-Massachusetts’ Protest Against the Muslim Ban and Anti-Immigration Orders in Boston’s Copley Square.
Here on the steps of Boston’s most architecturally renown Christian church, Massachusetts’ political leaders and religious leaders of different faith traditions (including my friend Reverend Laura Everett) spoke of our promise to love and defend our Muslim neighbors and welcome immigrants and refugees of all backgrounds.
This all happened steps away from where two immigrant brothers detonated bombs that murdered three and wounded hundreds, purportedly in the defense of Islam. The 25,000 people who marched today know that banning Muslims and rejecting refugees does nothing to protect us from attacks like the one on Boylston Street, and if anything further fan the flames of hatred.
“Let’s be clear: Donald Trump’s order has nothing to do with security. Little girls who flee murderers are not a threat to the United States. Elderly grandparents in airports are not a threat to the United States.
“No, this order is not about terrorist threats. This order is about religious tests, and the United States does not impose religious tests—period.” – Senator Elizabeth Warren.
This is an experiment. Instead of constantly filling this blog with Podcast of the Week, Song of the Week, and Album of the Month posts, I’ve decided to try to collect all the things I listen to over the course of a month in post. Hopefully, allowing myself the time will also allow me to create something more worth reading.
Let me know what you think, and what you’re listening to, in the comments.
Podcasts of the Month
This ongoing podcast about the experiences of individual immigrants in America relates the tale of the young Irish woman who was the first person to be processed through Ellis Island.
I recently started listening to this podcast from The Nation and it offers some great strategies for what we must do in the Trump era.
One of the scariest things in the world today is the lack of access to fresh, clean water, which is of course vital to life. The war in Yemen is possibly the first war ever fought over water.
Nikole Hannah-Jones is a journalist who tracks how generations after Brown v. Board of Education, public schools are still largely segregated by race, and inequitable, and the choices of even the most liberal people of privilege maintain the system.
New songs, especially the first four songs in this podcast, tie in with the political issues of our day. The a cappella performance of MILCK’S “Quiet” from the Women’s March on Washington is below.
The American Left will need to use the tactics and strategy of the Tea Party to make any headway in the Trump years. The Indivisible guide explains how.
Albums of the Month
Release Date: January 13, 2017
Favorite Tracks: “Migration” and “Outlier”
Thoughts: Electronic drumbeats and resonant bass notes are coupled with world music melodies on this album that is largely instrumental music. This is not going to get you on the dance floor, but is more music for relaxation and meditation. With the exception of a couple of bland tracks with vocals, this is highly listenable if not too original downtempo electronica.
Artist: Flaming Lips
Album: Oczy Mlody
Release Date: January 13, 2017
Favorite Tracks: “How??,” “One Night While Hunting for Faeries and Witches and Wizards to Kill”,” and “We a Family”
Thoughts: The Flaming Lips have a penchant for being weird, but an album about unicorns and faeries and demons all experienced through a psychedelic drug is really weird. A concept album with a healthy dose of profanity makes this reminiscent of Funkadelic, although this is more dreamy and fuzzed-out than funky. The music is downtempo but also has a sunniness that puts it at odds with the band’s last album The Terror. Also, Miley Cyrus is guest vocalist on one track. Weird.
Artist: Run the Jewels
Album: Run the Jewels 3
Release Date: January 13, 2017
Favorite Tracks: “Talk to Me,” “Call Ticketron,” “Don’t Get Captured,” “Thieves! (Screamed the Ghost)” (featuring Tunde Adebimpe), and “Oh Mama”
Thoughts: I shouldn’t be allowed to review hip-hop albums since I’ve not paid much attention to the genre the past 25 years, but I’ve liked what I heard from Run the Jewels and their latest doesn’t disappoint. In a way, it’s not too dissimilar to the hip-hop I liked in the late 80s/early 90s – sonically dense, musically creative, and lyric that are conscious and in your face but not preachy.
Artist: The xx
Album: I See You
Release Date: January 13, 2017
Favorite Tracks: “Dangerous” and “I Dare You”
Thoughts: I was looking forward to this album since band member Jamie xx’s album In Colour was on of my favorites of 2015. Unfortunately, I find myself disappointed with the full band’s effort. The songs have more of a contemporary r&b sound, and while there’s nothing wrong with downtempo music, a lot of these tracks sound lethargic. It’s not a bad album, but it’s not memorable either.
Album: Future Politics
Release Date: January 20, 2017
Favorite Tracks: “Future Politics,” “Utopia,” and “43”
Thoughts: Wow, this is powerful album, musically and politically, from the Canadian band. Once again, I’m reminded of the 1980s with the synthpop sound and the bold vocals of Katie Stelmanis put me in mind of Alison Moyet and Yaz. It’s worth the time to immerse oneself in this album.
Album: Nothing Feels Natural
Release Date: January 27, 2017
Favorite Tracks: “No Big Bang,” “Pink White House,” and “Suck”
Thoughts: Loud, angry music from the D.C. punk band. ,Like with Run the Jewels I’m transported back to the 1980s, yet the music is fresh and current. This is music that captures the anxiety of the contemporary zeitgeist.
Last Saturday, with my family, church community, numerous friends I met along the way, and around 125,000 other people, I participated in Boston Women’s March for America.
I’ve been First Night and the Fourth of July celebrations in Boston.
I’ve been to the Boston Marathon and Red Sox victory parades.
And I’ve never seen that many people in the same place.
Estimates place attendance around 125,000 people. We were in the back of the crown on Boston Common, and couldn’t hear much of anything from the politicians who addressed the crowd. Once the march began, it was more of a shuffle as everyone was stuck shoulder and shoulder, and could only move an inch at a time.
But none of that mattered because this was also the friendliest crowd I’ve ever seen in Boston too. I mean, Boston is a grumpy place and Bostonians generally don’t react well to sharing their personal space with others.
But on this day we filled the Common and overflowed into surrounding streets. It was awe-inspiring. And while every person had a different sign, a different reason for showing up for the march, I’ve never felt such unity.
When governments power falls into the hands of tyrants.
When justice is replaced with cruelty.
When the will of the people is denied by the wealthy and powerful.
The people then have the right and duty to rise up through acts of protest, civil resistance, and direct action foment nonviolent revolution.
This is how “government of the people, by the people, for the people” is restored.
It happened in the Philippines.
It happened in Estonia.
It happened in East Germany.
It happened in Czechoslovakia.
It happened in Yugoslavia.
It happened in the Arab Spring.
It’s happening in South Korea.
It can happen here.
Around the World for a Good Book selection for Fiji
Author: Larry Thomas
Title: The Anniversary Present
Publication Info: Suva, Fiji: Pacific Writing Forum, 
I read one play in this collection by the contemporary Fijian dramatist Larry Thomas (of whom it is difficult to find much information online). The story is about an older married couple, the wife proud of the new set of furniture she’s received from her irascible husband. Other characters include their adult daughter and ne’er-do-well son-in-law, an estranged son, and a nosy neighborhood. The story feels very familiar, and I couldn’t help imagining the story playing out on the set of All in the Family. Nevertheless, it is a Fijian story where the characters speak in the creole of the more disadvantaged members of the society and the conflicts among Fijians and Indians underlie the story. I feel that without more background information I am missing out on a lot of the greater meaning of the drama, but still found it an interesting read.